Changes Cycles and Shapes Zavakanto Nomerika nataon'i Yuko Suzuki

Ny endrika Changes Cycles and Shapes Zavakanto Nomerika nataon'i Yuko Suzuki dia mpandresy sarobidy amin'ny 2025 A' Design Award Volamena amin'ny Sokajin'ny Fifanintsanana Famolavolana Generativa, Algoritmika, Parametrika ary Ampian'ny AI.

VolamenaGenerativa· 2025

Changes Cycles and Shapes Zavakanto Nomerika

nataon'i Yuko Suzuki

Mpanjifa: Feral File

Mpandresy A' Design Award Volamena amin'ny Sokajy Generativa

210,079

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #170864

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Changes Cycles and Shapes Zavakanto Nomerika

Ity asa ity dia mikaroka ny fanontaniana hoe: Inona ny sary hosodoko? amin'ny alalan'ny fanehoana ny fifindran'ny fanehoana hita maso. Aingam-panahy avy amin'ny fiovana tao amin'ny sary hosodon'i Mondrian, mifototra amin'ny kisary singa momba ny sary hosodoko izany, izay ahitana ny bika mifindra eo anelanelan'ny misy endrika sy tsy misy endrika mazava, ary eo anelanelan'ny tabataba sy ny maha-tsipika - hevitra ampiharina amin'ny loko. Mampatsiahy ny toe-javatra miova hatrany ny zavatra nomerika ity asa ity, ka manasongadina fa ny endrika eo anelanelan'ny fiovana no tena fototra. Amin'ny fampidirana ireo fihetsihetsy vita pirinty amin'ny baren, dia maneho ny maha-izy ny mpanao kanto printy amin'ny endrika nomerika.

Ny Fankasitrahana

Momba ny A' Design Award Volamena

Nandresy ny A' Design Award Volamena ny famolavolana Changes Cycles and Shapes Zavakanto Nomerika, fankasitrahana malaza indrindra tsy refesi-mandidy omena ny famolavolana kilasy voalohany, mahagaga ary miavaka. Ny mpandresy Volamena dia famoronana vaovao indrindra, mahay mijery lavitra ary mamirapiratra mahafinaritra izay maneho ny fahamoramoran-tsaina, ny fahendrena ary ny fahaizan'ny mpamolavola azy. Andrasana ho fikarohana mahazo ankasitrahana indrindra, mitarika ny fironana ary tsangambato ny famolavolana Changes Cycles and Shapes Zavakanto Nomerika izay mamatsy sanda tsy mbola nisy toy izany. Ity famolavolana nandresy ny A' Design Award Volamena ity dia tetikasa mahavariana sy hajaina izay mahasoa be ary mampandroso ny sisintanin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia. Ny famolavolana Changes Cycles and Shapes Zavakanto Nomerika dia mamorona fihetseham-po mafy momba ny faniriana, mamelona ny ahiahy, mamporisika ny fahaiza-mamorona ary mahasarika antsika.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Refy & Fonosana: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Marika: Generative Art, Coding
Teknolojia Famokarana: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Fanamby Endrika: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Fikarohana: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Aingam-panahy: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Faharetan'ny Tetikasa: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Fizotr'asa: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Loharanon-tsary: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.