Rhythm Andiam-boritsoratra sokitra nataon'i Zhuoyun Xiao

Ny endrika Rhythm Andiam-boritsoratra sokitra nataon'i Zhuoyun Xiao dia mpandresy sarobidy amin'ny 2025 A' Design Award Vy amin'ny Sokajin'ny Fifanintsanana Famolavolana Zavakanto sy Fampisehoana Zavakanto.

VyZavakanto· 2025

Rhythm Andiam-boritsoratra sokitra

nataon'i Zhuoyun Xiao

Mpanjifa: Zhuoyun Xiao

Mpandresy A' Design Award Vy amin'ny Sokajy Zavakanto

18,689

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #170274

Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Rhythm Andiam-boritsoratra sokitra

Ny Rhythm dia andiam-boritsoratra sokitra izay mamadika hetsika dihy ho endrika tsy miova. Ny andiany dia vita amin'ny tapa-kazo hazo kerizy dimy misy haavo 150, 200, 250, 300 ary 350 milimetatra, ary ny fitambarany feno dia mandrefy 600 amin'ny 800 amin'ny 300 milimetatra. Ny loko mainty, fotsy ary mena dia manamarika ny toerana fifandimbiasana. Ny hazo dia tapahina amim-pahamarinana, savonina amin'ny tanana ary karakaraina amin'ny fanamboarana tsy misy poizina. Ny haavo samihafa sy ny elanelana voafaritra dia mamorona rythme azo hita maso. Ny mpijery dia mandeha manodidina ny asa mba hanaraka ny filaharan'ny hetsika.

Ny Fankasitrahana

Momba ny A' Design Award Vy

Nandresy ny A' Design Award Vy ny famolavolana Rhythm Andiam-boritsoratra sokitra, fankasitrahana malaza omena ny famolavolana tsara izay mahafeno ny fepetra ara-barotra sy ara-indostria andrasana amin'ny famoronana natao tsara. Ny mpandresy Vy dia mampiseho fahaiza-manao lehibe, fahaizana manokana ambony, fahatakarana manam-pahaizana ary fahaizana mamorona an'ireo mpamorona azy. Andrasana ho famoronana ankasitrahana be, ankafizina ary tiana izay azo ampiharina sady vaovao ny famolavolana Rhythm Andiam-boritsoratra sokitra. Ity famolavolana nandresy ny A' Design Award Vy ity dia mampiray ny fomba fanao tsara indrindra amin'ny indostria ary manana toetra ara-teknika mahomby mifandray amin'ny fahalalana sy ny talenta. Ny famolavolana Rhythm Andiam-boritsoratra sokitra dia hajaina noho ny fitandremany ary natao hanome fanatsarana ny kalitaon'ny fiainana izay manampy hahatonga ny tontolo ho toerana tsara kokoa.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: "Rhythm" transforms dance movements into five cherry wood sculptures. The series captures clown performance dynamics through exaggerated forms and strategic spatial arrangement. Using black, white, and red color accents, these varying-height sculptures (150-350mm) create visual cadence. The work translates abstract body movements into tangible forms, merging traditional performance art with contemporary visual expression.
Refy & Fonosana: Set dimensions: 600mm×800mm×300mm (complete installation of five pieces)
Individual heights: 150mm, 200mm, 250mm, 300mm, 350mm
Material: Cherry wood
Color system: CMYK (C:0 M:0 Y:0 K:100, C:0 M:0 Y:0 K:0, C:0 M:100 Y:100 K:0)
Finish: Hand-polished surface with specialized wood treatments
Weight: Approximately 4.5kg for complete set
Installation configuration: Sequential arrangement with specified spacing (120mm between pieces)
Environmental standards: Non-toxic finishes, sustainable harvested wood.
Marika: Grotesque Aesthetics, Dance Visualization, Cherry Wood Installation, Rhythmic Form, Visual Movement, Clown Performance, Deconstructed Motion, Dynamic Sculpture, Spatial Sequence, Color Contrast
Teknolojia Famokarana: Cherry wood crafted through precision cutting and hand-finishing. Five distinct sculptural elements (150-350mm) form a complete set (600×800×300mm). Used deconstruction methodology to translate clown movements into static forms. CMYK color system (C:0 M:0 Y:0 K:100, C:0 M:0 Y:0 K:0, C:0 M:100 Y:100 K:0) applied through specialized wood treatment. Spatial arrangement creates visual rhythm through varying heights and geometric relationships.
Fanamby Endrika: The primary challenge was translating dynamic clown movements into static wooden forms while preserving rhythmic essence. Historical perspectives on grotesque aesthetics required careful integration with contemporary design language. Social perspectives on clown performance interpretation varied widely, necessitating extensive research to identify universal movement patterns. Material limitations of cherry wood demanded precise calculations to achieve proper balance while maintaining visual fluidity across the five-piece sequence. Technical difficulties emerged in achieving gradual height transitions (150-350mm) that conveyed motion. The color scheme implementation required multiple prototypes to determine optimal placement of black and red accents against natural wood to emphasize transitional moments without overwhelming the subtle form language.
Fikarohana: The research explores grotesque aesthetics in dance movement visualization. It aims to decode rhythmic patterns in clown performances, translating them into visual language. Using deconstruction and reconstruction methods with digital media analysis of body movement trajectories, five cherry wood pieces of varying heights (150-350mm) were created with a black-white-red color scheme. The work dynamizes static elements through exaggerated forms, strong color contrasts, and dramatic arrangements that reinterpret traditional performance art. This research breaks visual language boundaries, demonstrates innovative fusion of traditional and modern art, and offers new approaches for public space art installations.
Aingam-panahy: Inspired by the rhythmic movements in dance performances, particularly the exaggerated expressions of clowns. Research focused on transforming dynamic movement into static forms while preserving energetic qualities. The project explores the intersection of traditional performance art and contemporary sculpture, using wood as a medium to capture fluidity and tension in physical space.
Faharetan'ny Tetikasa: The project "Rhythm" was created by Zhuoyun Xiao at Nanjing University of the Arts, China, between 2023 and 2024.
Fizotr'asa: Viewers circle the installation to discover how each piece captures a distinct dance moment. Varying heights create visual rhythm, guiding the eye through the sequence. Black and red accents mark transition points. The arrangement transforms static forms into perceived motion, engaging viewers in completing the dance sequence mentally. Spatial relationships between pieces amplify the dynamic quality of frozen movement.
Loharanon-tsary: Images#All: Designer and photographer Zhuoyun Xiao, Rhythm Installation View, 2024.