Kouunji Kyakuden Efitrano Fandraisana ao amin'ny Tempoly nataon'i Hiroaki Iwasa

Ny endrika Kouunji Kyakuden Efitrano Fandraisana ao amin'ny Tempoly nataon'i Hiroaki Iwasa dia mpandresy sarobidy amin'ny 2025 A' Design Award Varahina amin'ny Sokajin'ny Fifanintsanana Famolavolana Maritrano, Trano ary Rafitra.

VarahinaMaritrano· 2025

Kouunji Kyakuden Efitrano Fandraisana ao amin'ny Tempoly

nataon'i Hiroaki Iwasa

Mpanjifa: Hiroaki Iwasa Architects Workshop

Mpandresy A' Design Award Varahina amin'ny Sokajy Maritrano

17,280

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #162806

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Kouunji Kyakuden Efitrano Fandraisana ao amin'ny Tempoly

Io tetikasa io dia fanarenana ny efitrano fandraisana 140 taona, izay anisan'ny fotodrafitrasa tao amin'ny tempoly bodista Kouunji. Ny efitrano fandraisana taloha dia notian'ny vondrom-piarahamonina eo an-toerana nandritra ny fotoana ela; na izany aza, noho ny fahasimbana goavana nandritra ny taona maro, dia nilaina ny fanarenana. Ny mpanao maritrano dia namaha ireo olana ireo tamin'ny alalan'ny fanavaoana sy fampifanarahana, ary koa namolavola rafitra sasany hampitana ny fahatsiarovana ny vondrom-piarahamonina eo an-toerana ho an'ny taranaka ho avy. Vokatr'izany, tsy vitan'ny hoe nahatratra ny fahatsiaro-pitiavana ny lasa ny efitrano fandraisana vaovao fa mbola manan-danja eo amin'ny tontolon-tantara ihany koa.

Ny Fankasitrahana

Momba ny A' Design Award Varahina

Nandresy ny A' Design Award Varahina ny famolavolana Kouunji Kyakuden Efitrano Fandraisana ao amin'ny Tempoly, fankasitrahana malaza be omena ny famolavolana miavaka izay mampiavaka ny fahaiza-mamorona, ny fahazotoana ary ny fahamaotinan-tsaina. Ny mpandresy Varahina dia zavatra vita tanana mahay dia mahay ary mamorona mivantana izay manamafy ny traikefa be dia be, ny sarintsaina ary ny fahaizan-kafoy an'ny mpamolavola azy. Andrasana ho zavatra ankasitrahana be, ankafizina ary tiana, mahay amin'ny asa sady vaovao ny famolavolana Kouunji Kyakuden Efitrano Fandraisana ao amin'ny Tempoly. Ity famolavolana nandresy ny A' Design Award Varahina ity dia mitahiry ny fomba fanao tsara indrindra amin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia, ary tsara indrindra amin'ny fitandremana ny antsipirihany. Ny famolavolana Kouunji Kyakuden Efitrano Fandraisana ao amin'ny Tempoly dia mahafa-po ny filana tsara, mikasika ny faniriana, mahasarika ny fihetseham-po ary misarika ny fahalianana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: This project was the reconstruction of the reception hall of a Buddhist temple passed 140 years. The old reception hall had been loved by the local community for long time, but it was beyond the scope of repair. Therefore architect took on various creative challenges. He aimed to solve these issues by updating it to modern functions, harmonizing it with other facilities, and devising some mechanisms to pass on the memory of local society to the next generation. As a result, this architecture was able to achieve not a sense of nostalgia but also a presence for the future.
Refy & Fonosana: Specification,
Scale/ Wooden two-story building,
Structure/ Timber frame structure,
Site Area/ 3039.15 Square meter,
Building Area/ 277.26 Square meter,
Total Floor Area/ 323.77 Square meter,
Marika: temple, reception hall, reused, minimal philosophy, local landscape, passing on the memories, historical context, local community
Teknolojia Famokarana: This project had a clear floor plan with each function directly connected around the entrance hall, but there were many difficult construction tasks in some places. Ground reinforcement and strong foundation construction for soft ground, woodwork including special joints to structurally reuse old materials, fabrication of delicate and movable cedar lattices, and the revival of forgotten traditional natural paints "Kumezo". This project was realized through thoughtful design and exceptional craftsmanship.
Fanamby Endrika: Various choices and challenges were made to pass on the memory of the local community. By choosing a common wooden house construction method rather than the traditional temple construction method, they were able to shorten the construction period, reduce construction costs, and as the result have time to repair and reuse old materials. The exterior has a roof shape unique to the region, and the walls and window lattices are finished with local cedar wood and with a revived traditional natural paint "Kumezo". As a result, this architecture achieved a special harmony and presence.
Fikarohana: Type of Research: About the relationship between Kouunji and the local area.
Methodology: History, landscape and topography research, annual event research, monk behavior research, and interviews with local residents,
Conclusion: Kouunji is the core of the local community that people have visited since childhood for events and daily life. The architect concluded that in addition to modernizing the function of the ceremony hall and harmonizing it with other facilities, it was essential to create a mechanism to pass on the memory of the local community to the next generation.
Aingam-panahy: Researching the old reception hall and the landscape and history of the area provided architect with important inspiration. In particular, the old reception hall was tilted due to the soft ground, but it was discovered that some of the main structures, such as beams and columns, were valuable materials that are currently unavailable, and could be reused if repaired. And new architecture was important not only for its shape in the landscape, but also for its presence within the historical context.
Faharetan'ny Tetikasa: The project started in February 2002 and was completed in November 2004 in Tsukubamirai City, Ibaraki Prefecture.
Fizotr'asa: Kouunji is an essential presence for the region.
Because the parishioners of Kouunji are local residents and their relatives, and annual events and celebrations and condolences are mainly held for the parishioners. The reception hall, located to the side of the main hall, functions in conjunction with the main hall during events, and is used for religious ceremonies, waiting areas, dinners using the kitchen function, and a meeting place. It also functions as an emergency temporary evacuation center in the event of a disaster. There is also a temple office that oversees them.
Loharanon-tsary: Photographer Kozo Takayama