The Opposite Kolekitsiona Akanjo Tenona nataon'i Yishu Yan

Ny endrika The Opposite Kolekitsiona Akanjo Tenona nataon'i Yishu Yan dia mpandresy sarobidy amin'ny 2024 A' Design Award Volafotsy amin'ny Sokajin'ny Fifanintsanana Famolavolana Lamaody, Fitafiana ary Akanjo.

VolafotsyLamaody· 2024

The Opposite Kolekitsiona Akanjo Tenona

nataon'i Yishu Yan

Mpandresy A' Design Award Volafotsy amin'ny Sokajy Lamaody

664,173

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #157237

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny The Opposite Kolekitsiona Akanjo Tenona

The Opposite dia kolekitsiona akanjo tenona unisex natao hoentina amin'ny fomba maro samihafa. Ny kolekitsiona dia vita amin'ny fomba tsy misy fanapahana sy tsy misy fako, ka tsy misy lamba ariana. Ny fanenomana nomerika no ampiasaina hamoronana rafitra telo refy malefaka sy firafitry ny akanjo azo ovaina. Ny singa avy amin'ireo akanjo roa dia azo atakalo sy ampifanarahana amin'ny fitambarana samihafa, izay ahafahan'ny mpanao azy tsirairay mamorona endrika manokana. Ny famolavolana amin'ny refy tokana dia mety amin'ny ankamaroan'ny olona manana vatana antonony. The Opposite dia mametraka fanontaniana momba ny hevitra mahazatra mikasika ny akanjon-dehilahy sy ny akanjom-behivavy.

Ny Fankasitrahana

Momba ny A' Design Award Volafotsy

Nandresy ny A' Design Award Volafotsy ny famolavolana The Opposite Kolekitsiona Akanjo Tenona, fankasitrahana malaza be omena ny famolavolana ambaratonga ambony, tsara tarehy ary mahavariana. Ny mpandresy Volafotsy dia asa mamirapiratra dia mamirapiratra ary mamorona dia mamorona izay maneho ny fahaizana, ny talenta ary ny fahamaotinan-tsain'ny mpamolavola azy. Andrasana ho asa mahagaga, ohatra tsara, mahay amin'ny asa ary vaovao amin'ny halalin-tsaina ny famolavolana The Opposite Kolekitsiona Akanjo Tenona. Ity famolavolana nandresy ny A' Design Award Volafotsy ity dia fikarohana miavaka be ary ankafizina izay mahasoa ary mampandroso ny sisintanin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia. Ny famolavolana The Opposite Kolekitsiona Akanjo Tenona dia famoronana mahazo fitaka be izay mamaly ny faniriana, mitondra fihetseham-po tsara ary mamelona fahagagana sy fahatalanjonana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: "The Opposite", a unisex fashion knitwear collection, aims to create a new concept of modern garments with multiple wearing methods. It features the zero-cut, zero-waste, highly adaptable, flexible wearability and longevity of the design through highlighting sustainable design thinking and digital design attributes. The stylish items in the two outfits can be easily interchanged and matched. Rather than focusing on providing a figurative silhouette or identity, the collection is more concerned with the inclusion of the product to the user. It intends to explore the process of confrontation and cooperation between contradictory elements through the development of flexible knitted structures and changeable garment constructions, questioning the common notions of men's and women's wear, and Eastern and Western clothing.
Refy & Fonosana: This garment is an all-size design and will fit most people of average build.
Marika: Fashion Design, Knitwear, Multiple Wearing Methods, Unisex Design, Digital Knitting, Sustainable Design, Zero-waste, Zero-cut, Adaptative Design
Teknolojia Famokarana: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA. Research related to the design project is being continued.
Fanamby Endrika: The special three-dimensional knitted structure shows a unique surface texture effect and deformation ability, but it also creates a problem for the composition and relative stability of the garment structure. This is both a challenge and an opportunity. This flexible and versatile nature provides unlimited possibilities for the continuous development of this design.
Fikarohana: This design research is exploratory and practice-led in nature. The proposed design offers a new approach to innovative fashion that integrates surface design and construction design through a digital knitting process, which bridges the gap between modern knitting technology and fashion design. Textile structural research-led design allows clothing design to be no longer limited by the inherent framework, i.e., gender, identity, etc., but rather to look back at the matter of wearing itself, i.e. the interaction between clothing and the body. Both objective and subjective evaluation were involved. The results of a series of performance tests have evolved into serval formulas and a design database that provide quantifiable and predicate criteria for upcoming designs.
Aingam-panahy: The inspiration comes from the visiting experience of the AUDIO ARCHITECTURE exhibition at 21_21 Design Sight in Tokyo, Japan. There was one unique exhibit in the exhibition a special song. The song's lyrics present various contradictory words, such as structure and surface, chaos and order, sound and silence, to discuss the dynamic relationship between audio and architecture. It inspires me that, many items seem the opposite, such as artificial and natural, body and soul, or, knit and purl, however, are they opposites? Or are they an ultimate whole? As a Chinese idiom says "Seek common ground while reserving differences". This point of view may offer one possible approach for global humanity to face the contemporary dilemma of the post-epidemic era.
Faharetan'ny Tetikasa: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA.
Fizotr'asa: The identity of both the designer and the user in this design is fluid. The designer plays as also a researcher and an engineer, involved in all aspects of design, development, and production. Meanwhile, the stylish items of the collection can be easily interchanged and re-matched, thus the user is encouraged to re-generate his/her style continuously. The essential concept determines the interaction of this design is always in a dynamic process of development and innovation.
Mpikambana ao amin'ny Ekipa: Academic adviser: Kinor Jiang & Jinyun Zhou
Loharanon-tsary: Image #1-5: Photographer: Joseph, Raysee Media/ Model: Sofia Korobova