Device of Perception Foibe Kolotsaina nataon'i Yuting Zhang

Ny endrika Device of Perception Foibe Kolotsaina nataon'i Yuting Zhang dia mpandresy sarobidy amin'ny 2022 A' Design Award Varahina amin'ny Sokajin'ny Fifanintsanana Famolavolana Maritrano, Trano ary Rafitra.

VarahinaMaritrano· 2022

Device of Perception Foibe Kolotsaina

nataon'i Yuting Zhang

Mpanjifa: Yuting Zhang

Mpandresy A' Design Award Varahina amin'ny Sokajy Maritrano

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Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #138650

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Device of Perception Foibe Kolotsaina

Ny Device of Perception dia foibe kolotsaina any Mexico City, apetraka eo anelanelan'ny faritra manan-tantara misy trano ambany sy fampandrosoana ara-barotra misy trano avo. Manodidina ny 4500 metatra toradroa ny velaran'ilay foibe ary misy efitrano fampianarana lehibe, tetezamita kely, toerana fampirantiana, birao, trano fitehirizana ary kafetiera. Ny kianja fidirana milentika dia manasaraka ny trano amin'ny lalambe be mpandeha ary mifanaraka amin'ny fanitarana ny sehatra anatiny. Ny rihana tsirairay amin'ny tilikambo fohy dia mihodina ampahefatry ny fihodinana, ka mamorona lalana fidirana ho an'ny daholobe misy endrika helika, izay manome fahitana voafaritra momba ny tanàna. Simenta manamafy sy vy tohanan'ny toetr'andro no ampiasaina.

Ny Fankasitrahana

Momba ny A' Design Award Varahina

Nandresy ny A' Design Award Varahina ny famolavolana Device of Perception Foibe Kolotsaina, fankasitrahana malaza be omena ny famolavolana miavaka izay mampiavaka ny fahaiza-mamorona, ny fahazotoana ary ny fahamaotinan-tsaina. Ny mpandresy Varahina dia zavatra vita tanana mahay dia mahay ary mamorona mivantana izay manamafy ny traikefa be dia be, ny sarintsaina ary ny fahaizan-kafoy an'ny mpamolavola azy. Andrasana ho zavatra ankasitrahana be, ankafizina ary tiana, mahay amin'ny asa sady vaovao ny famolavolana Device of Perception Foibe Kolotsaina. Ity famolavolana nandresy ny A' Design Award Varahina ity dia mitahiry ny fomba fanao tsara indrindra amin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia, ary tsara indrindra amin'ny fitandremana ny antsipirihany. Ny famolavolana Device of Perception Foibe Kolotsaina dia mahafa-po ny filana tsara, mikasika ny faniriana, mahasarika ny fihetseham-po ary misarika ny fahalianana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: The site is in between the low rise colonial historic quarter and the high rise commercial development, as an intersection node full of complexity in Mexico City. The cultural center is not only an exhibition space for Mexico City but could also be regarded as the device of perception. The perception is twofold in this project. One is that exterior plaza as the extension of the interior stage, the other is that a spiral path with various scenery frames as the narrative to understand the city.
Refy & Fonosana: Approximate total area 4500 square meters, with main conference/lecture hall, small theater hall, exhibition space, offices, storage, cafe.
Marika: cultural center, gallery, theater, exhibition
Teknolojia Famokarana: The cultural center is constructed using reinforced concrete. Informed by “stereotomic” architecture, the board-marked concrete walls of the center are treated as a found object. Corten is another material been introduced to the project. The use of the weathering steel creates an immediate visual link between past, present, and future.
Fanamby Endrika: The selected site is adjacent to Zarco Plaza, public plaza alongside the Church of San Judeas Tadeo, near the convent of San Hipolito, located on Reforma Avenue at Avenida Hidalgo, which is an intersection node full of complexity in Mexico City. The design challenges are how to use space to fully interprete the surrounding urban context and the rich cultural and history narratices.
Fikarohana: Explore how experimental miniature stage was used as a space in which objects, 2-‐dimensional drawings and 3-‐dimensional constructions of different scales could coexist in a seemingly unproblematic way, to see how the same spatial base was used to accommodate different scenarios and situations, just by moving props around, adding surfaces and changing backdrops.
Aingam-panahy: Aldo Rossi's Project the Small Scientific Theatre from 1978 is taken as a starting point to reflect upon the relation between architecture and image, and between object/ prop and space/ stage. The theatrino models made for the project then have borrowed this primary idea from Aldo Rossi to explore how does the Zarco Plaza could be regarded as the extension of the stage of the auditorium. The definition of performers has been extended in the exploration.
Faharetan'ny Tetikasa: 2017 in Mexico City
Fizotr'asa: The sunken entrance plaza of the cultural center creates a tranquil start of the narrative, separating the cultural center from the heavy traffic La Reforma Avenue. The lower ground floor surrounding the sunken plaza houses the art storage facilities and a cafe, maximizing publicly accessible space continues from the plaza into the lobby of the building.
Each floor of the short tower is twisted a quarter turn, which creates a large spiral public gallery as the extension of the interior exhibition space. The story of the city has been told through the switch-over between the interior gallery and different compositions of historical layers from the breaking points/openings in the cube of the spiral path. Two auditoriums have been embedded in this spiral discourse, with lectures, talks, debates, conferences, and film screenings conducted in front of the urban backdrop.
Mpikambana ao amin'ny Ekipa: Yuting Zhang
Loharanon-tsary: Yuting Zhang