Before the Midnight Hour Fanoharana Fanaka nataon'i Martin Reznik

Ny endrika Before the Midnight Hour Fanoharana Fanaka nataon'i Martin Reznik dia mpandresy sarobidy amin'ny 2022 A' Design Award Volamena amin'ny Sokajin'ny Fifanintsanana Famolavolana Grafika, Sary ary Fifandraisana Ara-tsary.

VolamenaGrafika· 2022

Before the Midnight Hour Fanoharana Fanaka

nataon'i Martin Reznik

Mpanjifa: Martin Reznik Illustration

Mpandresy A' Design Award Volamena amin'ny Sokajy Grafika

61,031

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #133798

Fantaro bebe kokoa Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Before the Midnight Hour Fanoharana Fanaka

Sarin-tsary mainty sy fotsy notendren'i Marc Krusin ary manasongadina ny famolavolana fanaka malaza indrindra ho an'i Knoll sy Desalto. Aingam-panahy avy amin'ny tantara an-tsary sy ny sinema noir, ny tetikasa dia manapaka ny fivoriamben'ny fanoharana fanaka amin'ny alàlan'ny fitantarana eo amin'ny sehatra, ny fampiasana fomba fijery mihoa-pefy ary ny estetika noir. Ny tsy fisian'ny fisian'ny olombelona sy ny zavatra miparitaka dia manampy singa mistery sy mampiahiahy amin'ny tantara, raha toa kosa ny protagonista dia nambara tamin'ny fiafaran'ny tampoka. Ny sary rehetra dia nosoritra nomerika tamin'ny Adobe Photoshop tamin'ny fampiasana takelaka Wacom Cintiq.

Ny Fankasitrahana

Momba ny A' Design Award Volamena

Nandresy ny A' Design Award Volamena ny famolavolana Before the Midnight Hour Fanoharana Fanaka, fankasitrahana malaza indrindra tsy refesi-mandidy omena ny famolavolana kilasy voalohany, mahagaga ary miavaka. Ny mpandresy Volamena dia famoronana vaovao indrindra, mahay mijery lavitra ary mamirapiratra mahafinaritra izay maneho ny fahamoramoran-tsaina, ny fahendrena ary ny fahaizan'ny mpamolavola azy. Andrasana ho fikarohana mahazo ankasitrahana indrindra, mitarika ny fironana ary tsangambato ny famolavolana Before the Midnight Hour Fanoharana Fanaka izay mamatsy sanda tsy mbola nisy toy izany. Ity famolavolana nandresy ny A' Design Award Volamena ity dia tetikasa mahavariana sy hajaina izay mahasoa be ary mampandroso ny sisintanin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia. Ny famolavolana Before the Midnight Hour Fanoharana Fanaka dia mamorona fihetseham-po mafy momba ny faniriana, mamelona ny ahiahy, mamporisika ny fahaiza-mamorona ary mahasarika antsika.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: Series of illustrations commissioned by furniture designer Marc Krusin for the promotional use on his website and across social media channels and featuring his most prominent furniture designs for Knoll and Desalto. The project brakes the conventions of furniture illustration by bringing a narrative to the scenes, use of exaggerated perspective and a film noir aesthetic. The lack of human presence and scattered objects add an element of mystery. The protagonist is revealed in a surprise ending.
Refy & Fonosana: The illustrations are mainly used in a digital format online, but they were also designed with art print production in mind. Each square illustration is drawn on 500 x 500mm digital canvas.
The images were later combined into a large poster (500 x 700mm) and reproduced as a limited edition screen print.
Marika: illustration, furniture, noir, interior design, comics, digital art, black and white, drawing, architecture, graphic
Teknolojia Famokarana: Each illustration was drawn in pen and ink on paper and once approved by the client it was redrawn digitally. I used Adobe Illustrator to construct the furniture and interiors accurately and then Photoshop to apply textures, light and draw other elements using Wacom Cintiq tablet. The images were rendered using black only to recreate film noir aesthetic.
Fanamby Endrika: The client was against any human figures in the scenes, but I could not help but wonder about the smoker missing from the first image. I felt his appearance was important to the story. His silhouette is revealed in an extended version of the 4th illustration, but only as a scroll option on an Instagram post. The client thought this elegant solution added an element of surprise and closure to the story.
Each image needed different cropping options to accommodate various socials and screen formats.
Fikarohana: Since I have never illustrated furniture before I made few initial sketches based on an online research of the industry trends, but these came out quite dull and rigid. I was not happy with them at all. I decided to go a different way and focus on style and narrative instead. From then on the research involved my favourite films and comic books, noir genre in particular. I decided to recreate its moody atmosphere in my series. The style also justifies unconventional framing of the furniture.
Aingam-panahy: Main inspiration for this project were comics and classic French noir cinema. The concept for the first illustration came from a reference photo I received from the client, which was a shot of a chair from behind and at a very low angle. It was very unusual and sparked loads of questions in my head. Being a fan of detective stories I decided to follow this approach in the layout of the image. The first image was crucial in setting the tone for the whole series.
Faharetan'ny Tetikasa: The series was posted on Instagram and LinkedIn starting February 2021 and these posts are still active. The hero banners on client's website run for about 8 months, nearly till the end of 2021.
Fizotr'asa: The project was initially published on Instagram. The illustrations were posted in regular time intervals. Main interaction with the story comes with the 4th and last illustration, where the viewer is encouraged to reveal the protagonist (the smoker) by using the scroll option on the Instagram post.
The unusual approach to furniture illustration in these series ensures the greater impact on the viewers arousing their curiosity about the products and the brand itself.
Loharanon-tsary: All illustrations: Martin Reznik, 2021