The Armor Akanjo Filalaovana nataon'i Samantha Chijona Garcia and Vladimir Cuenca

Ny endrika The Armor Akanjo Filalaovana nataon'i Samantha Chijona Garcia and Vladimir Cuenca dia mpandresy sarobidy amin'ny 2020 A' Design Award Volafotsy amin'ny Sokajin'ny Fifanintsanana Famolavolana Zavakanto Aseho, Sehatra, Fomba ary Toerana.

VolafotsyZavakanto Aseho· 2020

The Armor Akanjo Filalaovana

nataon'i Samantha Chijona Garcia and Vladimir Cuenca

Mpanjifa: Jazz Martinez Gamboa

Mpandresy A' Design Award Volafotsy amin'ny Sokajy Zavakanto Aseho

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Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #102743

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

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Ny Endrika

Momba ny The Armor Akanjo Filalaovana

Ny Fiadiana dia akanjo filalaovana natao ho an'ny mpandray anjara Richard III ao amin'ny fampisehoana an-tsehatra iray amin'ny tantaran-tsarimihetsika Shakespeare. Ny akanjo dia vita amin'ny fitaovana averina ampiasaina sy tsy ampiasaina intsony. Tsipika vy no zairina amin'ny palitao twill, fa ny gaiters hoditra mifanindry dia mamorona rafitra misaraka mifamatotra amin'ny fehikibo hoditra sy boucle. GantY chainmail no manidy ny tanan'akanjo, ary satroka volifetra misy tsipika vy no manao satro-piadiana. Ny ampahany enina dia azo ampiana na esorina rehefa miova ilay mpandray anjara mandritra ny lalao. Ny famolavolana dia maneho ny mpanjaka sy ilay lehilahy marefo ao anatiny.

Ny Fankasitrahana

Momba ny A' Design Award Volafotsy

Nandresy ny A' Design Award Volafotsy ny famolavolana The Armor Akanjo Filalaovana, fankasitrahana malaza be omena ny famolavolana ambaratonga ambony, tsara tarehy ary mahavariana. Ny mpandresy Volafotsy dia asa mamirapiratra dia mamirapiratra ary mamorona dia mamorona izay maneho ny fahaizana, ny talenta ary ny fahamaotinan-tsain'ny mpamolavola azy. Andrasana ho asa mahagaga, ohatra tsara, mahay amin'ny asa ary vaovao amin'ny halalin-tsaina ny famolavolana The Armor Akanjo Filalaovana. Ity famolavolana nandresy ny A' Design Award Volafotsy ity dia fikarohana miavaka be ary ankafizina izay mahasoa ary mampandroso ny sisintanin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia. Ny famolavolana The Armor Akanjo Filalaovana dia famoronana mahazo fitaka be izay mamaly ny faniriana, mitondra fihetseham-po tsara ary mamelona fahagagana sy fahatalanjonana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
Refy & Fonosana: Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm
Marika: Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
Teknolojia Famokarana: The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees.
Fanamby Endrika: The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
Fikarohana: My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
Aingam-panahy: Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
Faharetan'ny Tetikasa: The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
Fizotr'asa: The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
Patanta: Copyrights belong to Chijona, Samantha, 2018
Mpikambana ao amin'ny Ekipa: Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca
Loharanon-tsary: Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018