Broken Sovereign Fitambaram-pitafiana ho an'ny Vehivavy nataon'i Tan Wan Yee

Ny endrika Broken Sovereign Fitambaram-pitafiana ho an'ny Vehivavy nataon'i Tan Wan Yee dia mpandresy sarobidy amin'ny 2020 A' Design Award Volamena amin'ny Sokajin'ny Fifanintsanana Famolavolana Lamaody, Fitafiana ary Akanjo.

VolamenaLamaody· 2020

Broken Sovereign Fitambaram-pitafiana ho an'ny Vehivavy

nataon'i Tan Wan Yee

Mpanjifa: The Woman Of Yee

Mpandresy A' Design Award Volamena amin'ny Sokajy Lamaody

109,577

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #101518

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Broken Sovereign Fitambaram-pitafiana ho an'ny Vehivavy

Broken Sovereign dia fitambaram-pitafiana ho an'ny vehivavy misy endrika dimy, nahazo aingam-panahy avy amin'ny fitafian'ny Tarana Tang sy ny kolontsaina Sinoa Maleziana. Ny bikan'ny akanjo ivelany dia manondro fihetsika fiarahabana tamin'ny Tarana Tang. Ny tanan'akanjo Tang malalaka dia ampiarahina amin'ny palitao trench mba hanehoana fifanosonana sy famerana. Neoprène no ampiasaina amin'ny akanjo ivelany sy ny palitao, satria io lamba io dia mitana ny bikany ary mandray ny fanontana nomerika. Suède no ampiasaina amin'ny gilet, ny akanjo ambony, ny zipo ary ny akanjo lava. Fitafiana taloha no apetraka amin'ny sarivongana fanaovana akanjo mba hamoronana bika vaovao. Ny sary volotsangana vita pirinty dia mampahatsiahy fety Hokkien ary mampatsiahy ny taranaka tanora tsy hanadino ny tenin-drazany.

Ny Fankasitrahana

Momba ny A' Design Award Volamena

Nandresy ny A' Design Award Volamena ny famolavolana Broken Sovereign Fitambaram-pitafiana ho an'ny Vehivavy, fankasitrahana malaza indrindra tsy refesi-mandidy omena ny famolavolana kilasy voalohany, mahagaga ary miavaka. Ny mpandresy Volamena dia famoronana vaovao indrindra, mahay mijery lavitra ary mamirapiratra mahafinaritra izay maneho ny fahamoramoran-tsaina, ny fahendrena ary ny fahaizan'ny mpamolavola azy. Andrasana ho fikarohana mahazo ankasitrahana indrindra, mitarika ny fironana ary tsangambato ny famolavolana Broken Sovereign Fitambaram-pitafiana ho an'ny Vehivavy izay mamatsy sanda tsy mbola nisy toy izany. Ity famolavolana nandresy ny A' Design Award Volamena ity dia tetikasa mahavariana sy hajaina izay mahasoa be ary mampandroso ny sisintanin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia. Ny famolavolana Broken Sovereign Fitambaram-pitafiana ho an'ny Vehivavy dia mamorona fihetseham-po mafy momba ny faniriana, mamelona ny ahiahy, mamporisika ny fahaiza-mamorona ary mahasarika antsika.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: The sovereign’s outfit is inspired by designer personality, transitional Tang Dynasty mix with Malaysian Chinese culture
Malaysia is multiracial country but designer represent Chinese Culture in Malaysia. It is reflect sick society of problem in Malaysia. Nowadays, some young generation of Malaysian Chinese don’t know how to speak Chinese even though they don’t how to write Chinese Name by Themselves. So she telling people, never forget their mother tongue and who they are.
Refy & Fonosana: The Whole Collection consist of 5 Looks of Womenswear in size 38.
Marika: Malaysia, Fashion Design, Textile, Feminine
Teknolojia Famokarana: Recycling and collage idea plus draping technique. Use a old clothes put on dummy to structures and shapes to create a new shape of design.

1. Jacket shape inspired by Tang Dynasty Greeting pose, telling people don't forget their culture & mother tongue.

2.Tang Dynasty costume sleeve mix with trench coat, showing layering represent the constraint of the free liberation.

Neoprene Jacket / Coat
( The fabric will get a great shape , digital print will easy print a graphic on this type on fabric)

Suede Vest/Top/Skirt/Dress
Make a clothes look more elegant.
Fanamby Endrika: The hard part is the garments shape are too big and length of Jacket are long, it may take a few time to sewing. Beside that, about hand printing and digital printing she tried different type of suede and neoprene to make more outcomes to choose which quality of fabric more suit designer collection.
Fikarohana: This Collection of idea is telling designer personality story, who is She. During her childhood, She really love princess stuff, all pink. When She grew up, She fell that reality life isn't like childhood princess story. So designer changed her mind, what kind of story can mix this collection. She research her family background culture, history, her country society problem, bring them mix together and become < Broken Sovereign>
Aingam-panahy: Ideas develop more innovative structures and shapes to the collection through draping.The pursuit of perfect silhouette from the East & mixes with Western Outfits to creations evolve from colors to lines, from elegance to grandeur. The bamboo print design & drawn by me represent CHOR 9 BAI TIAN GONG FESTIVAL As Malaysian Chinese Hokkien, this day is important for Hokkien community as during that time, the survivors managed to escaped the village at night and hide themselves among the bamboo.
Faharetan'ny Tetikasa: The project finished in March 2016, and it was exhibited and fashion show in Malaysia / Dubai / China Beijing
Fizotr'asa: The collection showing female power and layering feelings. The fabric manipulation ideas develop more innovative structures and shapes to the collection through draping.
Patanta: Copyrights belong to The Woman Of Yee, 2016
Mpikambana ao amin'ny Ekipa: 1
Loharanon-tsary: Image #1:COPYRIGHT by The Woman Of Yee,
Photographer, Ryan Chiu / Model, Kate Chan, 2016

Image #2:COPYRIGHT by The Woman Of Yee,
Photographer, Ryan Chiu / Model, Kate Chan, 2016

Image #3:COPYRIGHT by The Woman Of Yee,
Photographer, Ryan Chiu / Model, Kate Chan, 2016

Image #4:COPYRIGHT by The Woman Of Yee,
Photographer, Ryan Chiu / Model, Kate Chan, 2016

Image #5:COPYRIGHT by The Woman Of Yee,
Photographer, Ryan Chiu / Model, Kate Chan, 2016