Darbas Embrace Vietai pritaikyta sieninė freska, kurio autorius Supernova Art Embassy, yra itin vertinamas prestižinio 2021 Geležinis apdovanojimas A' Design Award laimėtojas konkurso kategorijoje Dailės ir meno instaliacijos dizainas.
GeležinisDailė· 2021
Embrace Vietai pritaikyta sieninė freska
Dizaineris: Supernova Art Embassy
Klientas: Memorandum Project
Kategorijos Dailė laimėtojas – Geležinis apdovanojimas A' Design Award
Patvirtintas apdovanojimo laimėtojas
Patikrinti apdovanojimo statusą – #121349Dizainas
Apie Embrace Vietai pritaikyta sieninė freska
Knygos tekstas: „Apkabinimas“ yra vietai pritaikyta sieninė freska, nutapyta ant pastato fasado Sterlitamake. Freskos aukštis – 27 metrai, plotis – 15 metrų, nutapytas paviršius sudaro 405 kvadratinius metrus. Darbui atlikti naudoti fasadiniai dažai ir dažų voleliai, o tapyti aukštyje leido fasadiniai keltuvai. Meninis darbas truko tris savaites. Vaizduojama istorija primena 170-osios Sterlitamako pėstininkų divizijos kareivį, kuris išvyko į frontą su sidabriniu kišeniniu laikrodžiu ir pažadėjo su juo grįžti. Jo palaikai ir laikrodis buvo rasti 2015 metais ir parvežti namo jo žmonai.
Pripažinimas
Apie Geležinis apdovanojimas A' Design Award
Embrace Vietai pritaikyta sieninė freska laimėjo Geležinį apdovanojimą A' Design Award, prestižinį pripažinimą, skiriamą geriems dizainams, atitinkantiems profesinius ir pramoninius reikalavimus, kurių tikimasi iš gerai suprojektuotų kūrinių. Geležies laureatai rodo didelius kūrėjų įgūdžius, aukštą specializaciją, ekspertinį supratimą ir kūrybinį gebėjimą. Tikimasi, kad Embrace Vietai pritaikyta sieninė freska bus aukštai vertinamas, žavimas ir brangus kūrinys, praktiškas ir novatoriškas. Šis Geležiniu apdovanojimu įvertintas dizainas integruoja geriausias pramonės praktikas ir turi kompetentingas technines savybes, susietas su patirtimi ir talentu. Embrace Vietai pritaikyta sieninė freska gerbiamas už kruopštumą ir sukurtas taip, kad gerintų gyvenimo kokybę ir padėtų padaryti pasaulį geresne vieta.
Už dizaino
Spaudos rinkinys
Dizainerio pateikti kreditai, komandos nariai ir techninė informacija.
- Unikalios savybės
- The word "memorandum" is translated from Latin as "something you have to memorize", that is why the Memorandum project is dedicated to complex contexts and topics.
Coming home is always an exciting event. That is why the Sterlitamak stage of the project was called "Coming home". It included several emotional aspects of this concept. It was reflected in the approach of Lidiia Averina, the curator, and in the plots of all participants. This project is her personal comeback to her hometown. - Matmenys ir pakuotė
- Height 27 m, width 15 m, total artistic painting square 405 sq.m
- Žymos
- mural art, spray art, public art, fine arts, storytelling, embrace, heritage, memory
- Gamybos technologija
- Some activists took great care of their ancestors memories and the works which may appear basing on historical data and archive photographs. There were different attempts to influence the curator and the artist work. However, the compromise was reached quite quickly and the work turned to constructive direction. The artistic part of the work was done by facade paints and paint rollers. For work at a height, facade lifts (scaffolds) were used.
- Dizaino iššūkis
- 4 locations were selected, each of them having common connection with historical old town (although none of the buildings selected was a historically original building). They were different in meanings and the way they belong. Connection with "coming back" had been found immediately and we also had artists sharing common values. That was particularly important for their harmony.
- Tyrimas
- Memory of the place is an eclectic mixture of emotions; it is impossible to catch a sole scent. There are pure facts, personal stories, critics, and embellishment. Interpretations multiply and fragment. This is the reason why we want to show our perception among many others.
Andreys work finely reflects the location context with lost wooden buildings as well as the irony on current town situation with chaotic architectural add-ons (tiny business centers) which try to squeeze into any available space and corners. - Įkvėpimas
- The works plot is based in the story of a soldier from 170th Sterlitamak infantry division: in May, 1941, the storys main character wanted to leave his silver pocket watch to his wife. However, his wife said: "You leave with this watch and youll come back with this watch!"
In 2015, during the expedition his remains and personal belongings were found. After 74 years he came home with the watch, as promised, and his 97 years old wife met him. - Projekto trukmė
- The work is dedicated to 75th anniversary of the Great Victory, therefore it must have been finished in 2020 before rainy autumn weather.
There were repair works on the building facades, so the whole project implementation period was 1.5 months. The artistic work implementation took 3 weeks. - Veikimo eiga
- Now there is one of the main streets of town which connects an old town with new districts, therefore there are always a lot of students and pedestrians on the street. The works are on a high altitude and are well visible.
It is also important that the headquarters of 170th Sterlitamak infantry division was located nearby and here there was a path which was taken by the soldiers leaving to the railway station to go to the frontline. Where new standard buildings stand now, there were wooden houses and buildings. - Patentai
- Copyright belongs to Andrey Olenev and Dmitry Kudinov, 2020
- Komandos nariai
- Curator: Lidiia Averina
Artist: Andrey Olenev
Support: Dmitry Kudinov, Alexey Agafonov, Ludmila Averina - Nuotraukų autoriai
- Image #1: Photographer – Dmitry Kudinov, Embrace #1, 2020.
Image #2: Photographer – Dmitry Kudinov, Embrace #2, 2020.
Image #3: Photographer – Dmitry Kudinov, Embrace #3, 2020.
Image #4: Photographer – Dmitry Kudinov, Embrace #4, 2020.
Image #5: Photographer – Dmitry Kudinov, Embrace #5, 2020.
Video Credits: Dmitry Kudinov, Hyperlapse, Embrace and Shihans from bird’s-eye perspective, 2020.
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