ຜົນງານ Sense Move ຊຸດເຕັ້ນ ໂດຍ Zhulin Shi ເປັນຜູ້ຊະນະທີ່ໄດ້ຮັບຄວາມນັບຖືສູງຂອງລາງວັນ 2020 A' Design Award ລະດັບເງິນ ອັນຊົງກຽດໃນໝວດການແຂ່ງຂັນ ການອອກແບບແຟຊັ່ນ, ເຄື່ອງນຸ່ງ ແລະ ເສື້ອຜ້າ.
ເງິນແຟຊັ່ນ· 2020
Sense Move ຊຸດເຕັ້ນ
ໂດຍ Zhulin Shi
ລູກຄ້າ: Last Lab Inc.
ຜູ້ຊະນະ A' Design Award ລະດັບເງິນ ໃນໝວດ ແຟຊັ່ນ
ຜູ້ຊະນະລາງວັນທີ່ຢັ້ງຢືນແລ້ວ
ຢັ້ງຢືນສະຖານະລາງວັນສຳລັບ #90799ການອອກແບບ
ກ່ຽວກັບ Sense Move ຊຸດເຕັ້ນ
Sense Move ແມ່ນຊຸດເຕັ້ນທີ່ປ່ອຍແສງ ອອກແບບສຳລັບນັກເຕັ້ນ. ຊຸດນີ້ພັບເປັນຮູບຊົງເລຂາຄະນິດທີ່ເຄື່ອນໄຫວຕາມການເຄື່ອນທີ່ຂອງຮ່າງກາຍ ສ້າງເປັນຮູບປັ້ນທີ່ເຄື່ອນໄຫວໄດ້ຢູ່ເທິງເວທີ. ຜົນກະທົບຂອງແສງສະແດງເຖິງອາລົມທີ່ປ່ຽນແປງໄປ. ການຄ່ອຍໆຈືດຈາງລົງສະແດງເຖິງການຫາຍໃຈ ແລະ ການກະພິບສະແດງເຖິງຄວາມຕື່ນເຕັ້ນ. ມີຖົງມືຕິດຕັ້ງເຊັນເຊີເປັນສ່ວນໜຶ່ງຂອງຊຸດ. ເມື່ອຜູ້ຊົມຄົນໃດຄົນໜຶ່ງແຕະໃສ່ມືຂອງນັກເຕັ້ນ ແສງກໍຈະປ່ຽນແປງຕາມການສຳຜັດນັ້ນ. ການອອກແບບນີ້ມີຈຸດປະສົງເພື່ອເສີມສ້າງການເຊື່ອມຕໍ່ທາງອາລົມລະຫວ່າງນັກສະແດງ ແລະ ຜູ້ຊົມ.
ການຮັບຮູ້
ກ່ຽວກັບ A' Design Award ລະດັບເງິນ
Sense Move ຊຸດເຕັ້ນ ແມ່ນຜູ້ຊະນະ A' Design Award ລະດັບເງິນ ເຊິ່ງເປັນການຍອມຮັບທີ່ມີກຽດສູງເປັນພິເສດສຳລັບການອອກແບບຊັ້ນສູງ ທີ່ງົດງາມ ແລະ ປະທັບໃຈ. ຜູ້ຊະນະລະດັບເງິນແມ່ນຜົນງານທີ່ເຈີດຈ້າ ແລະ ສ້າງສັນຫຼາຍ ທີ່ສະແດງເຖິງຄວາມຊຳນານ ພອນສະຫວັນ ແລະ ຄວາມຄົມຄາຍຂອງຜູ້ອອກແບບ. Sense Move ຊຸດເຕັ້ນ ຖືກຄາດວ່າຈະເປັນຜົນງານແບບຢ່າງ ທີ່ເປັນມືອາຊີບຢ່າງຍິ່ງ ແລະ ມີນະວັດຕະກຳທີ່ເລິກເຊິ່ງ. ການອອກແບບທີ່ຊະນະລະດັບເງິນນີ້ແມ່ນການປະດິດທີ່ໂດດເດັ່ນ ແລະ ໄດ້ຮັບການຍົກຍ້ອງ ທີ່ປະກອບສ່ວນຂະຫຍາຍຂອບເຂດຂອງສິລະປະ ວິທະຍາສາດ ການອອກແບບ ແລະ ເຕັກໂນໂລຊີ. Sense Move ຊຸດເຕັ້ນ ເປັນຜົນງານທີ່ຫຼາຍຄົນອິດສາ ປຸກຄວາມປາດຖະໜາ ນຳຄວາມຮູ້ສຶກທາງບວກ ແລະ ກໍ່ໃຫ້ເກີດຄວາມອັດສະຈັນໃຈ.
ເບື້ອງຫຼັງການອອກແບບ
ຊຸດຂ່າວ
ຂໍ້ມູນ, ສະມາຊິກທີມ ແລະ ລາຍລະອຽດທາງເຕັກນິກທີ່ສະໜອງໂດຍນັກອອກແບບ.
- ຄຸນສົມບັດພິເສດ
- Sense Move costume communicates emotionally through the body movements of the dancers. The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also enable musicians and performers to improve their performance and enhances people’s experience of performances and expands the boundaries of the performance industry.
- ຂະໜາດ ແລະ ບັນຈຸພັນ
- Width 70mm x Depth 30mm x Height 150mm
- ແທັກ
- wearable technology, led lighting costume, kinetic sculpture
- ເຕັກໂນໂລຊີການຜະລິດ
- In the process of prototyping, sketching, draping, cutting sewing, sewing, soldering and programming have been applied.
- ສິ່ງທ້າທາຍດ້ານການອອກແບບ
- The challenge part is finding the form and concept for the costume design. I did many prototypes in different material and explore the movement part can create imaginary space to inspire dancer and grab people's eyes.
- ການຄົ້ນຄວ້າ
- I love dancing. I started dancing from 5 years old. The costumes like Cinderella’s dress gave me confidence on the stage. In 2007, I studied contact improvisation in UC Davis with famous choreographer Nita Little. With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Nita Little wrote “the ‘mountain’ moves and the ‘cloud’ changes as a result. Notice how our attention travels across surfaces while your awareness may slip into the volumes they contain.” A common thread was found in my research, which is costumes can make a connection between movement, imagination and emotion.
I attempted to design costumes that serves the bi-lateral relationship between Poetic Design and the Pattern Language of Dance. - ແຮງບັນດານໃຈ
- With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Since that, I interviewed with a famous choreographer and dance artist – Yin Mei, whose wise words “I can create an architecture space using my joints, which is already telling a story” sparked my inspiration. My initial concept is about geometrical folding following along with the kinetic movement of the body.
- ໄລຍະເວລາໂຄງການ
- The project original started in May 2016 for my MID thesis at Pratt. Sense Move costume has been applied and displayed in experimental workshops and a chamber opera in NYC. In 2016, I launched the “Sense Move” workshop featuring the renowned dancer and choreographer Yin Mei and violinist Wang Xiaotong in NYC. Since then, I and a collaborating guest artist Clarice Assad were invited to teach the experimental “Sense & Sound” workshop at the New Musical Instrument Hackathon 2016 at the Spotify headquarters in NYC. In 2018, I redesigned “Sense Move” Costume for a multimedia opera – Semulacrum.
- ຂັ້ນຕອນການດຳເນີນງານ
- The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also creates new geometric space for the dancers. I designed “Sense” glove as a part of “Kinetic Sculpture” Costume. When a member of the audience touches the hand of a dancer who is wearing the costume, the light changes by sensing the touch as if the costume was alive. This will enhance the emotional transmission between the dancer and the audience, and even engage the audience to participant into the contact improvisation.
- ເຄຣດິດຮູບພາບ
- Image #1: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #2: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #3: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #4: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #5: Photographer Bengrong Zhu, Model Evita Zacharioglou
ໂຄສະນາ
ສຳຫຼວດນອກເໜືອຈາກ Designers.org
ຄົ້ນພົບຜະລິດຕະພັນ, ບໍລິການ ແລະ ໂອກາດຈາກຄູ່ຮ່ວມໂຄສະນາຂອງພວກເຮົາ.
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