ຜົນງານ Oruha ໜ້າທີ່ຫຼັກ: ຕັ່ງ ໂດຍ Yuya Nakazawa ເປັນຜູ້ຊະນະທີ່ໄດ້ຮັບຄວາມນັບຖືສູງຂອງລາງວັນ 2026 A' Design Award ລະດັບຄຳ ອັນຊົງກຽດໃນໝວດການແຂ່ງຂັນ ການອອກແບບເຟີນິເຈີ.
ຄຳເຟີນິເຈີ· 2026
Oruha ໜ້າທີ່ຫຼັກ: ຕັ່ງ
ໂດຍ Yuya Nakazawa
ລູກຄ້າ: Yedit
ຜູ້ຊະນະ A' Design Award ລະດັບຄຳ ໃນໝວດ ເຟີນິເຈີ
ຜູ້ຊະນະລາງວັນທີ່ຢັ້ງຢືນແລ້ວ
ຢັ້ງຢືນສະຖານະລາງວັນສຳລັບ #178435ການອອກແບບ
ກ່ຽວກັບ Oruha ໜ້າທີ່ຫຼັກ: ຕັ່ງ
ເນື້ອໃນ: ການອອກແບບນີ້ນຳສະເໜີບ່ອນນັ່ງທີ່ຖືກສ້າງຂຶ້ນເປັນຖານລັບສາທາລະນະ, ໃຫ້ບ່ອນລີ້ໄພສ່ວນຕົວພາຍໃນສະພາບແວດລ້ອມທີ່ໃຊ້ຮ່ວມກັນ. ໂຄງສ້າງຂອງມັນສ້າງຄວາມສົມດຸນລະຫວ່າງການມີຢູ່ແບບປະຕິມາກຳກັບຄວາມສະບາຍທີ່ມີໜ້າທີ່ການໃຊ້ງານ, ຮອງຮັບການນຳໃຊ້ເປັນເວລາດົນ ແລະ ການມີປະຕິສຳພັນທາງສັງຄົມ. ໜ້າຜິວທີ່ໂຄ້ງ ແລະ ອົງປະກອບທີ່ມີສັດສ່ວນຢ່າງລະມັດລະວັງສ້າງຄວາມຮູ້ສຶກປິດລ້ອມໃນຂະນະທີ່ຍັງຮັກສາຄວາມເປີດກວ້າງ. ການຕົກແຕ່ງແບບທຳມະຊາດເສີມສ້າງຄວາມທົນທານ, ຄວາມງ່າຍໃນການບຳລຸງຮັກສາ ແລະ ການເກົ່າແກ່ຢ່າງສະຫງ່າງາມ, ເຮັດໃຫ້ຊິ້ນງານສາມາດປະສົມປະສານເຂົ້າກັບພື້ນທີ່ການດຳລົງຊີວິດປະຈຳວັນໃນຂະນະທີ່ຍັງຮັກສາຄວາມອົບອຸ່ນທີ່ສຳຜັດໄດ້.
ການຮັບຮູ້
ກ່ຽວກັບ A' Design Award ລະດັບຄຳ
Oruha ໜ້າທີ່ຫຼັກ: ຕັ່ງ ແມ່ນຜູ້ຊະນະ A' Design Award ລະດັບຄຳ ເຊິ່ງເປັນການຍອມຮັບທີ່ມີກຽດສູງສຳລັບການອອກແບບຊັ້ນນຳ ທີ່ອັດສະຈັນ ແລະ ໂດດເດັ່ນ. ຜູ້ຊະນະລະດັບຄຳແມ່ນຜົນງານທີ່ມີນະວັດຕະກຳສູງ ມີວິໄສທັດ ແລະ ເຈີດຈ້າງົດງາມ ທີ່ສະທ້ອນພອນສະຫວັນ ປັນຍາ ແລະ ຄວາມຊຳນານຂອງຜູ້ອອກແບບ. Oruha ໜ້າທີ່ຫຼັກ: ຕັ່ງ ຖືກຄາດວ່າຈະເປັນການປະດິດທີ່ໄດ້ຮັບການຍ້ອງຍໍສູງ ສ້າງແນວໂນ້ມ ແລະ ມອບຄຸນຄ່າທີ່ບໍ່ເຄີຍມີມາກ່ອນ. ການອອກແບບທີ່ຊະນະລະດັບຄຳນີ້ແມ່ນໂຄງການທີ່ອັດສະຈັນ ແລະ ໄດ້ຮັບການຍົກຍ້ອງ ທີ່ຂະຫຍາຍຂອບເຂດຂອງສິລະປະ ວິທະຍາສາດ ການອອກແບບ ແລະ ເຕັກໂນໂລຊີ. Oruha ໜ້າທີ່ຫຼັກ: ຕັ່ງ ສ້າງຄວາມປາດຖະໜາທີ່ເຂັ້ມຂຸ້ນ ປຸກຄວາມຫຼົງໄຫຼ ຊຸກຍູ້ຄວາມຄິດສ້າງສັນ ແລະ ດຶງດູດໃຈພວກເຮົາ.
ເບື້ອງຫຼັງການອອກແບບ
ຊຸດຂ່າວ
ຂໍ້ມູນ, ສະມາຊິກທີມ ແລະ ລາຍລະອຽດທາງເຕັກນິກທີ່ສະໜອງໂດຍນັກອອກແບບ.
- ຄຸນສົມບັດພິເສດ
- Oruha Chair proposes the idea of a private sanctuary within a public space.
While functioning as a sculptural object that shapes the surrounding environment, the chair transforms into an intimate personal zone when occupied.
The form could not have been achieved through linear or parametric design logic. Instead, it emerged through an iterative process of continuous adjustment between visual intensity and physical comfort. The armrests, which receive the most direct contact, maintain sharp visual edges while offering a gentle and secure tactile experience.
This balance allows the chair to exist simultaneously as spatial sculpture and functional furniture. - ຂະໜາດ ແລະ ບັນຈຸພັນ
- Width 740mm Depth 550mm Height 760mm Seated height 430mm
- ແທັກ
- Chair, Furniture, Sculptural Design, Wood, Handmade, Emotional Design, Armchair, Spatial Object
- ເຕັກໂນໂລຊີການຜະລິດ
- Due to its complex organic geometry, Oruha Chair is extremely difficult to reproduce through industrial manufacturing or automated processes.
The chair was realized almost entirely by hand, using traditional Japanese planes and hand tools.
Rather than imposing a fixed form onto the material, the final shape emerged through direct dialogue with the wood, prioritizing tactile quality, structural integrity, and sculptural coherence. This process positions craftsmanship not as decoration, but as a design methodology. - ສິ່ງທ້າທາຍດ້ານການອອກແບບ
- After extensive sketching and the creation of five clay models, translating the form into wood presented a fundamental challenge. There was no established woodworking methodology capable of directly realizing the intended geometry.
Through repeated trial and error, two full-scale prototypes were abandoned before completing this third iteration.
Because of the organic form, conventional symmetry, reference points, and measurement systems proved ineffective. Ultimately, the process required trusting sensory judgment and material feedback over numerical precision. This approach became inseparable from the final outcome. - ການຄົ້ນຄວ້າ
- The designer’s background in video editing strongly influenced the conceptual framework of this project. Video editing is a practice of shaping emotional perception by controlling sequence, rhythm, and context.
Oruha Chair applies this editorial thinking to three-dimensional form.
Personal emotions and experiences were deconstructed and reassembled, not as narrative, but as physical tension, curvature, and spatial presence. The result is a chair that communicates emotionally through form rather than explanation. - ແຮງບັນດານໃຈ
- Oruha Chair was inspired by the concept of waves, representing continuous transitions between tension and release.
Rather than designing a chair solely from ergonomic data or predefined typologies, this project approaches seating as an emotional and spatial experience shaped by contrast.
The form was developed as a response to the designer’s belief that emotions, like waves, can be edited, reorganized, and translated into physical presence. These transitions were carved directly into solid wood as flowing yet controlled organic curves.
Although the chair presents an edgy, sculptural appearance, sitting in it reveals a smooth, enveloping comfort. This intentional reversal between visual tension and bodily softness defines the core experience of Oruha Chair. - ໄລຍະເວລາໂຄງການ
- The project began in Kanagawa in January 2025 and ended in October 2025.
- ຂັ້ນຕອນການດຳເນີນງານ
- Despite its expressive form, Oruha Chair provides stable and comfortable seating suitable for extended use.
Structural stability and load distribution were carefully examined through repeated physical testing, ensuring that the sculptural design does not compromise safety or usability.
Unlike many sculptural chairs that discourage everyday use, Oruha Chair is intended to be touched, sat on, and lived with. - ເຄຣດິດຮູບພາບ
- Photography: Photographer Mitsuaki Takahashi, 2025
Video credit: Video editor Yuya Nakazawa, 2025
Sound: Soundtrack Composer Heitaro Ashibe, 2025
ໂຄສະນາ
ສຳຫຼວດນອກເໜືອຈາກ Designers.org
ຄົ້ນພົບຜະລິດຕະພັນ, ບໍລິການ ແລະ ໂອກາດຈາກຄູ່ຮ່ວມໂຄສະນາຂອງພວກເຮົາ.
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ການອອກແບບທີ່ກ່ຽວຂ້ອງ
ສຳຫຼວດການອອກແບບທີ່ໄດ້ຮັບລາງວັນເພີ່ມເຕີມຈາກໝວດໝູ່ດຽວກັນ, ຄັດເລືອກຕາມຄຸນນະພາບ.
