Porous Manifold Iaponica Tearoom ab Ryumei Fujiki and Yukiko Sato

Opus Porous Manifold Iaponica Tearoom a designatore Ryumei Fujiki and Yukiko Sato est victor maxime honoratus praemii praestigiosissimi 2019 Praemium A' Design Award Argenteum in Categoria Certaminis Ars Pulchra.

ArgentumArs Pulchra· 2019

Porous Manifold Iaponica Tearoom

a Ryumei Fujiki and Yukiko Sato

Cliens: F.A.D.S + Fujiki Studio, KOU::ARC

Victor praemii Praemium A' Design Award Argenteum in Categoria Ars Pulchra

41,472

Victor Praemii Verificatus

Verifica Statum Praemii pro #72501

Visita Situm Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De Porous Manifold Iaponica Tearoom

Hoc tempus tearoom Iaponicae in Echigo-tsumari Art triennale 2018 exhibitum et structuram nidificatam cum spatio duo-tatami in decem pedis quadratis infixo habet. In hac exhibitione, architecti rogaverunt ut argumento responderent quomodo notionem spatii homogenei vinceret, quod saeculo XX dominabatur. Osseus designatus est usus temere exemplaris quod Voronoi Division appellabatur ad spatium homogeneum pervertendum. Et propositum fuit ut architectura cum pluribus foraminibus aperiri et claudi posset quae necessaria sunt communicare cum foris sicut vivum.

Agnitio

De Praemium A' Design Award Argenteum

Porous Manifold Iaponica Tearoom victor est Praemii A' Design Award Argenteum, honoris eximie amplissimi formis summi generis, pulchris et conspicuis dati. Victores Argenti opera valde splendida et creandi ingenio praedita sunt, quae praestantem peritiam, talentum et acumen auctorum suorum ostendunt. Exspectatur Porous Manifold Iaponica Tearoom opus mirabile, exemplare, valde professionale et penitus novum fore. Haec forma Argento victa inventum notabile et admiratum est, quod ad fines artis, scientiae, formandi rationis et technologiae promovendos confert. Porous Manifold Iaponica Tearoom creatio est, quam multi invident, quae cupiditates excitat, sensus bonos affert et admirationem miraculumque movet.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Dimensiones et Involucrum: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Notulae: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Technologia Productionis: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Provocatio Designandi: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Investigatio: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
Inspiratio: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Duratio Operis: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
Cursus Operationis: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Patentes: F.A.D.S + Fujiki Studio, KOU::ARC
Membra Turmae: ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
Agnitiones Imaginum: Masahiro Hoshida, Fujiki Studio, KOU::ARC