Spiral of Life Vasa Vitrea Mensae ab Keiji Ishikawa

Opus Spiral of Life Vasa Vitrea Mensae a designatore Keiji Ishikawa est victor maxime honoratus praemii praestigiosissimi 2026 Praemium A' Design Award Aureum in Categoria Certaminis Instrumenta Culinae.

AurumInstrumenta Culinae· 2026

Spiral of Life Vasa Vitrea Mensae

a Keiji Ishikawa

Cliens: KJ studio

Victor praemii Praemium A' Design Award Aureum in Categoria Instrumenta Culinae

37,267

Victor Praemii Verificatus

Verifica Statum Praemii pro #181198

Visita Situm Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De Spiral of Life Vasa Vitrea Mensae

In coniunctione structurae mathematicae et artis motu perfectae, propositum "Spira Vitae" novam viam vitri Kiriko ostendit. Hoc opus organicam naturae fluctuationem intra vitreum medium comprehendit. Progressio ex collaboratione inter artificem et Ree, saltatricem colorum, orta est. Successiones Fibonacci in motum transferens, Ree conceptuale fundamentum designationi praebuit. Per rationes spirae ab 8 ad 13 et a 13 ad 21, opifex artem traditam cum biomathematica coniungit. Harmonia inde nata experientiam rhythmicam offert, naturalem mundi pulsum reddentem.

Agnitio

De Praemium A' Design Award Aureum

Spiral of Life Vasa Vitrea Mensae victor est Praemii A' Design Award Aureum, honoris amplissimi formis primi ordinis, mirabilibus et praestantibus dati. Victores Aurei sunt opera valde nova, provida et splendida, quae ingenium, sapientiam et peritiam auctorum suorum referunt. Exspectatur Spiral of Life Vasa Vitrea Mensae inventum laudatissimum, inclinationes creans et monumentale fore, quod pretium inauditum afferat. Haec forma Aureo praemio victa est incepto mirabile et honoratum, quod fines artis, scientiae, formandi rationis et technologiae promovet. Spiral of Life Vasa Vitrea Mensae cupiditatem vehementem excitat, studium accendit, ingenium creandi fovet et capit.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: Fibonacci spirals follow strict mathematical laws yet appear organic and asymmetrical, resisting simple geometric repetition. Traditional Kiriko requires precise vertical and horizontal guidelines before cutting; however, standard grids cannot capture this natural fluctuation while ensuring reproducibility. To solve this, I developed a hybrid approach: maintaining the Fibonacci count with guidelines while manually adjusting each cut to ensure a smooth, living trajectory.
Dimensiones et Involucrum: The product dimensions are as follows: The rock glass is 77mm in diameter and 92mm in height, as shown in the main image. In optional image #1, the wine glass is 58mm in diameter and 150mm in height. In optional image #2, the soba cups are 81mm in diameter and 62mm in height. In optional image #3, the sake cup is 60mm in diameter and 60mm in height. Finally, the top views of the sake cup and soba cup filled with water are shown in optional image #4.
Notulae: kiriko, cutglass, japaneseglassware, glassart
Technologia Productionis: The double-layered glassware is carefully ground and polished by hand using Japanese Kiriko cut glass technology.
Provocatio Designandi: Through rigorous prototyping, I established a specialized system. Smaller vessels like sake cups use an 8 to 13 spiral ratio, while larger items like wine and rock glasses employ a 13 to 21 ratio to maintain proportion. For vessels with decorative bases, such as a soba cup, I meticulously integrated an 8 to 13 spiral on the bottom to enhance aesthetic coherence. This precise scaling was essential to capturing the Spiral of Life across the entire collection.
Investigatio: A true Fibonacci spiral requires clockwise and counterclockwise counts to be adjacent numbers in the sequence. To ensure visual balance and mathematical integrity, I conducted extensive research to determine the optimal pairings, such as 8 to 13 or 13 to 21, based on specific glass diameters and curvatures. This study ensured that the mathematical beauty remains consistent.
Inspiratio: I initially struggled to translate the relationship between the sun and the sunflower into glass. The breakthrough came via my daughter Ree, an artist and paint dancer, who shared my fascination with the sunflower Fibonacci spiral. This pattern blends mathematical law with organic asymmetry. Ree physicalized this sequence by synchronizing her leg drawn spiral counts with Fibonacci numbers. Witnessing this kinetic manifestation inspired me to transpose these complex spirals onto Kiriko glass.
Duratio Operis: The project started in December 2025 in Tokushima, Japan, and finished in February 2026.
Cursus Operationis: The streamline motifs are executed with wide-angle V cuts. When viewed from the side, patterns on the far surface refract through the front, creating complex layered intersections that evoke the mystery of life. From a top-down perspective, the precise Fibonacci sequence achieves a profound, harmonious balance. The design invokes a rhythmic and engaging experience, mimicking a living pulse. This interaction between light and geometry brings dynamic vitality to the glassware.
Patentes: The design is being applied for design registration and will receive copyright protection for registered designs in December 2026 in Japan.
Agnitiones Imaginum: Video Credits:
To demonstrate the rhythmic harmony and life-like pulse of the design, the video showcases the glassware in rotation. This highlights how the patterns shift and intersect dynamically as the perspective changes, illustrating the Spiral of Life concept through the interaction of light, shadow, and the intricate Kiriko hand cuts.