Cycle Of Matter Taberna Expositionis ab Marzena Michalska - Smart Design Expo

Opus Cycle Of Matter Taberna Expositionis a designatore Marzena Michalska - Smart Design Expo est victor maxime honoratus praemii praestigiosissimi 2026 Praemium A' Design Award Argenteum in Categoria Certaminis Nundinae.

ArgentumNundinae· 2026

Cycle Of Matter Taberna Expositionis

a Marzena Michalska - Smart Design Expo

Cliens: Smart Design Expo

Victor praemii Praemium A' Design Award Argenteum in Categoria Nundinae

12,868

Victor Praemii Verificatus

Verifica Statum Praemii pro #181174

Visita Situm Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De Cycle Of Matter Taberna Expositionis

Circulus Materiae est taberna expositionis pro fabricatore tegularum ceramicarum designata. Taberna centum triginta quinque metra quadrata occupat et ad altitudinem maximam quattuor metrorum pertinet. Forma eius exterior conclusa parum revelat, ita ut narratio interior tantum post ingressum patefiat. Superficies tegulis fundamentalibus sine colore aut ornamento vestiuntur, materiam in statu rudi ostendentes. Corridor centralis visitatores per seriem spatiorum ducit quae gradus fabricationis tegularum repraesentant. Parietes intergerini proprio consilio facti, pavimentum suggestum et circiter centum sexaginta luminaria visitationem formant.

Agnitio

De Praemium A' Design Award Argenteum

Cycle Of Matter Taberna Expositionis victor est Praemii A' Design Award Argenteum, honoris eximie amplissimi formis summi generis, pulchris et conspicuis dati. Victores Argenti opera valde splendida et creandi ingenio praedita sunt, quae praestantem peritiam, talentum et acumen auctorum suorum ostendunt. Exspectatur Cycle Of Matter Taberna Expositionis opus mirabile, exemplare, valde professionale et penitus novum fore. Haec forma Argento victa inventum notabile et admiratum est, quod ad fines artis, scientiae, formandi rationis et technologiae promovendos confert. Cycle Of Matter Taberna Expositionis creatio est, quam multi invident, quae cupiditates excitat, sensus bonos affert et admirationem miraculumque movet.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: Art in Motion. Material that lives.
The Stargres booth was conceived as a spatial narrative about the life of a tile. Its compact, enclosed architecture reveals little from the outside, concealing a story that unfolds only once inside. Clad entirely in raw base tiles without color or pattern, the monochromatic earth-tone space is structured around a central corridor guiding visitors through symbolic stages of tile creation, highlighting process, material origin and rediscovery.
Dimensiones et Involucrum: Total area: 135 sqm
Maximum height: 4000 mm
Platform height: 150 mm
Cladded surface with ceramic tiles: approx. 250 sqm
Custom partitions: 17 X type modules, 3 V type modules
Suspended tile composition: 16.5 sqm
Lighting fixtures: approx. 160 units
Integrated AV system with 43 inch screens
Notulae: exhibition architecture, trade fair design, ceramic tiles, sustainable narrative, spatial storytelling, temporary architecture, material research, immersive space
Technologia Productionis: The structure was built as a modular temporary architecture with a 4 m maximum height. System platform flooring (150 mm, laser leveled) supported full tile installation without grouting. Custom X and V partitions were fabricated in OSB and finished with client tiles or structural paint. Powder coated steel edge profiles defined the platform. Over 160 luminaires created layered scenographic lighting. Installation included integrated electrical systems and multimedia walls.
Provocatio Designandi: The main challenge was presenting a raw base tile as a central aesthetic element while maintaining architectural coherence. Structurally, the booth required heavy ceramic cladding within temporary fair regulations and height limits. Achieving stability, modularity and precise installation without visible technical compromise demanded tight coordination between design, engineering and production teams.
Investigatio: Stoneware plays the first fiddle here. The aim was to understand how an exhibition stand could clearly show how tiles are produced and communicate the life of this material. The concept was developed as a spatial story that guides visitors step by step through the cycles. Material tests, technical drawings, mockups and cost analysis supported the process, with close collaboration between the design team and Stargres production consultants. The result was a corridor shaped booth showcasing the product, with the base covered in the material in its primary form.
Inspiratio: The project was inspired by the idea of returning to origin. Instead of presenting finished collections, the design focuses on the base tile, the raw state preceding color and pattern. This gesture reflects transparency in production and a sustainable mindset. The booth becomes an architectural storyboard, guiding visitors through the symbolic stages of material transformation and rediscovery.
Duratio Operis: The project started in June 2025 in Poland and was completed in October 2025. Production began in September 2025. The booth was installed between 17-21 October 2025 and exhibited at Warsaw Home 2025 from 22-25 October 2025 in Warsaw, Poland.
Cursus Operationis: Visitors enter a visually restrained exterior that reveals little of the interior. A central corridor guides them through sequential spatial frames representing stages of tile production. Surfaces, lighting and material transitions create a gradual discovery process. The booth encourages slow exploration rather than immediate display, transforming product viewing into a curated spatial experience.
Membra Turmae: Designer: Marzena Michalska
Design Studio: Smart Design Expo