Hoshino Jinja Sacellum ab Shigetaka Mochizuki

Opus Hoshino Jinja Sacellum a designatore Shigetaka Mochizuki est victor maxime honoratus praemii praestigiosissimi 2024 Praemium A' Design Award Argenteum in Categoria Certaminis Patrimonium Culturale.

ArgentumPatrimonium Culturale· 2024

Hoshino Jinja Sacellum

a Shigetaka Mochizuki

Cliens: Mochizuki Corporation

Victor praemii Praemium A' Design Award Argenteum in Categoria Patrimonium Culturale

130,955

Victor Praemii Verificatus

Verifica Statum Praemii pro #160556

Visita Situm Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De Hoshino Jinja Sacellum

Ratio innovativa est quae technologias veteres et novas coniungit, ut methodum constructionis Iaponicae traditionalem quae ferramentis metallicis omnino caret, aedificationem Ishiba calculationemque fortitudinis ultimae analysi structurali hodierna innixam. Descriptio ex lineis horizontalibus et verticalibus composita summae pulchritudinis est et ut pulchritudo structuralis elegans in sensu aesthetico Iaponico singulari fundata descripta est.

Agnitio

De Praemium A' Design Award Argenteum

Hoshino Jinja Sacellum victor est Praemii A' Design Award Argenteum, honoris eximie amplissimi formis summi generis, pulchris et conspicuis dati. Victores Argenti opera valde splendida et creandi ingenio praedita sunt, quae praestantem peritiam, talentum et acumen auctorum suorum ostendunt. Exspectatur Hoshino Jinja Sacellum opus mirabile, exemplare, valde professionale et penitus novum fore. Haec forma Argento victa inventum notabile et admiratum est, quod ad fines artis, scientiae, formandi rationis et technologiae promovendos confert. Hoshino Jinja Sacellum creatio est, quam multi invident, quae cupiditates excitat, sensus bonos affert et admirationem miraculumque movet.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: The simple design of the new covered hall, with its copper-sheet roof, the main element of the shrine, gabled roof, and horizontal and vertical lines of the pillars, stiles, and footings, expresses the Japanese sense of beauty with a very high level of design. This building is open to those who study, manage, and use architectural techniques, and functions as a place to learn about such knowledge.
Dimensiones et Involucrum: Main applications Shinto shrine
Site area 0.402248ha
Building area 0.009565ha
Total floor area 0.009277ha
Maximum height 30.8395ft
Eaves Height 20.669ft
Notulae: Mochizuki Corporation, Mochizuki Architects, Architectural Design Office, Shrine carpenter, traditional techniques, architect, Architect Builder,artisan,
Technologia Productionis: The masonry structure employed in this building has the aptitude to resist earthquakes and typhoons without damaging the earth.
The building was calculated and planned using the limit capacity design method, which is based on the frictional and restorative forces resulting from the combination of members, a characteristic of wooden architecture. It is truly an epoch-making building that makes full use of traditional Japanese construction methods and new technologies.
Provocatio Designandi: function and reflect its role without eclipsing the sacred building. The sensitive design solution was to emphasize simplicity and strength.
Investigatio: The building has been used as a training site for university and technical college students, engineers, and prefectural and city officials to foster younger generations and pass on traditional techniques, and has been widely covered by the media through several public tours. As a result, it has become possible to sustain the traditional techniques of architecture. The use of local wood contributes to tradition, culture, industry, and the environment, and the shrine has become a local landmark.
Inspiratio: The design, composed of horizontal and vertical continuous lines, is aesthetically pleasing and unique to Japanese architecture, and is considered an "attractive structural beauty.
An innovative approach that combines traditional Japanese construction methods that use no hardware at all with modern structural analysis and "limit strength calculations" to create buildings that will last for 100 or 200 years, blending old and new technologies.
Duratio Operis: The project started in August 2019 in Toyokawa City, Aichi, Japan and finished in December 2021
Location 102 Kamikaizu, Hirao-chou, Toyokawa City, Aichi, Japan, Aichi,
Cursus Operationis: Tradition evolves through innovations and is reborn as a new tradition.
Centuries-old traditional skills and craftsmanship combined with new modern practices and designs, will be bridging to a new traditional residential architecture, that carries on succession of skills.
Agnitiones Imaginum: Photographer, Yasuo Hagiwara