Earth Worker Opus Machinatoris Terrae ab Yu Liang Chen

Opus Earth Worker Opus Machinatoris Terrae a designatore Yu Liang Chen est victor maxime honoratus praemii praestigiosissimi 2021 Praemium A' Design Award Ferreum in Categoria Certaminis Ars Pulchra.

FerrumArs Pulchra· 2021

Earth Worker Opus Machinatoris Terrae

a Yu Liang Chen

Cliens: NewLocal Art Studio

Victor praemii Praemium A' Design Award Ferreum in Categoria Ars Pulchra

12,577

Victor Praemii Verificatus

Verifica Statum Praemii pro #118841

Visita Situm Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De Earth Worker Opus Machinatoris Terrae

Textus Libri: Opus Machinatoris Terrae est ars instrumenti exterioris in palude Pingtung Comitatus, Taiwaniae, posita. Figura humana semi-repraesentativa in aqua stat sicut gigans qui omnia viventia creat. Una pars corporis terram despicit, altera vero caelum suspicit. Cementum fibris vitreis firmatum materia praecipua est, super armaturam metallicam et nucleum spumae sculptam applicatum. Superficies cementi mortarii perfricta simplex relinquitur, sine colore vel maculis additis. Instrumentum ad historiam localem et ad culturam populi Macadao refert.

Agnitio

De Praemium A' Design Award Ferreum

Earth Worker Opus Machinatoris Terrae victor est Praemii A' Design Award Ferreum, honoris amplissimi formis bonis dati, quae postulatis professionalibus et industrialibus ab creationibus bene formatis exspectatis satisfaciunt. Victores Ferrei magnam peritiam, altam specializationem, intellectum periti et facultatem creandi auctorum suorum ostendunt. Exspectatur Earth Worker Opus Machinatoris Terrae creationem multum aestimatam, admiratam et carissimam, practicam et novam fore. Haec forma Ferreo victa optimas industriae consuetudines integrat et proprietates technicas idoneas, cum scientia et talento coniunctas, habet. Earth Worker Opus Machinatoris Terrae ob diligentiam suam honoratur et ad vitae qualitatem emendandam formatum est, ut mundum meliorem reddere iuvet.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: The designer metaphors the earth worker as a giant coming from afar, stopping in the wetland to create all living things, using semi-representative human shapes to express local stories through the body, movement, and temperament. In order to bring out the local elements of Taiwan, through long-term interviews and field investigations, to understand the local history and culture, based on the idea of the aboriginal peoples of Macadao that were once a matriarchal society in the local coastal area, and then set up the legendary story of "The Mother Earth".
Dimensiones et Involucrum: The designer first sculpts the styrofoam to complete the outline of the prototype, then uses all kinds of metal components as the bone material, covering the overall shape to make it more stable, so as to continue the sculpture work of the surface material. Since the main material of the project is on the surface, the construction needs to consider the hardening time of the cement, and sculpt in stages, and set various seams and edges. How to keep the humidity during the production process to slow down the hardening speed of the cement is required.
Notulae: Installation art, Earth Worker, natural, harmonious, local history, stories
Technologia Productionis: This project uses GlassFiber Reinforced Cement as the main material and uses low-alkali cement mortar to add glass fiber filaments. The exterior design mainly uses cement mortar as the brush texture, without unnecessary patches or color processing, and uses the simple and rough material characteristics to emphasize the sensibility of the project and the natural environment of the wetland.
Provocatio Designandi: The overall project needs to include geology, weight, average force, strong gusts, earthquakes, and other climatic factors into the structural calculations. Depending on the data, the marine engineering foundation steel piles are used to design the water foundation. The project of hanging on the water is divided into upper and lower parts due to the weight of the work and the restriction of the equipment, using subtle joining methods, and the joint is set as part of the appearance, without excessive on-site processing or modification.
Investigatio: The semi-representative humanoid device is like a giant standing in the water, using both hands to create all things on the earth, and the stem buds growing on the hand symbolize "all things". Both sides of the body shape have their own meaning, one overlooking the earth, the other one looks up at the sky, and there is a gate for gestation in his body. All the life of all souls comes out from the gate, and on the other hand is the naughty creature "human" who jumps out of the gate, who is the protagonist of the plot.
Inspiratio: The inspiration originally came from the first impression during the first meeting with the local environment. It is hoped that the project will combine the wetland environment and connect the water, woods, and sky to create a natural and harmonious picture. It integrates into the aboriginal culture of the local Macadao tribe, evokes a sense of visual impact with the "Earth Worker", and also brings out the local history and stories.
Duratio Operis: The project was completed in December 2020 in Pingtung County, Taiwan.
Cursus Operationis: In addition to implying the mother of the earth, the work also symbolizes "broaden the horizon", which means "everyone is his own creator, and you are the center of your own world." When starting a new stage or dream in life, it is like the gesture of the "Earth Worker", with both feet deeply rooted in the earth and hands deeply cultivating life. The result of the dream is not a secular achievement or the end of happiness, but a "proof of bringing up the courage to change." The designer looks forward to paying tribute to people working hard in society through the project.
Membra Turmae: Yu-Liang Chen
Agnitiones Imaginum: Yu-Ching Huang