The Last Blooming Textilia Multifunctionalis ab Qixin Wu

Opus The Last Blooming Textilia Multifunctionalis a designatore Qixin Wu est victor maxime honoratus praemii praestigiosissimi 2023 Praemium A' Design Award Ferreum in Categoria Certaminis Textile.

FerrumTextile· 2023

The Last Blooming Textilia Multifunctionalis

a Qixin Wu

Cliens: EchoWu Design Studio

Victor praemii Praemium A' Design Award Ferreum in Categoria Textile

37,954

Victor Praemii Verificatus

Verifica Statum Praemii pro #108758

Visita Situm Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De The Last Blooming Textilia Multifunctionalis

Ut aliquid logice subversivum comprehendamus, ut definitio videtur composita in simplicem explorationem relationis inter principium et finem, fiunt flores mortui praecipua materia ad exprimendum vividum florentem. Manent florentes et ultimam pulchritudinem ostendunt. Concentus repetendi et venusti motiviis ostensionem plus potentiale exprimunt. Duplex textilia strata, summum chiffon est et dorsum bombacio est, trabeam vultus cum ventus venit. Chiffonis aspectus perlucidus confert ad Novissimum vergente pulchrius et arcanum.

Agnitio

De Praemium A' Design Award Ferreum

The Last Blooming Textilia Multifunctionalis victor est Praemii A' Design Award Ferreum, honoris amplissimi formis bonis dati, quae postulatis professionalibus et industrialibus ab creationibus bene formatis exspectatis satisfaciunt. Victores Ferrei magnam peritiam, altam specializationem, intellectum periti et facultatem creandi auctorum suorum ostendunt. Exspectatur The Last Blooming Textilia Multifunctionalis creationem multum aestimatam, admiratam et carissimam, practicam et novam fore. Haec forma Ferreo victa optimas industriae consuetudines integrat et proprietates technicas idoneas, cum scientia et talento coniunctas, habet. The Last Blooming Textilia Multifunctionalis ob diligentiam suam honoratur et ad vitae qualitatem emendandam formatum est, ut mundum meliorem reddere iuvet.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: Some of them decayed naturally, and some of them were processed by HEAT PRESSED. By pushing bloomings to die, the fluid would be squeezed out of the stems and petals, and the melting botanic bodies would represent the rich colors of death beauty.
Besides that, the fresh green and goldenrod colors in the broadleaf depict the decomposition process. The musty mushroom with bloated ripe caps turned black and liquefied, playing a role in the decay through its fungus. the white fluff enhances the musty feeling.
Dimensiones et Involucrum: High: 27 inches
Width: 45 inches
Notulae: Decomposition, Heat Press, Flowers, Leaves, Hand Drawing, Textile, Fabric
Technologia Productionis: From design materials to print-out fabrics, the harmonious repeat and vibrant motifs give the layout more potential expression. The double layers fabrics, the top is chiffon and the back is cotton, create the shift looking when the wind comes. The transparent looking of chiffon contributes to THE LAST BLOOMING more attractive and mysterious.
Provocatio Designandi: The Hardest Part of this design is the material choice. I have tried more than 50 different materials to test how the artwork represents the "Death Beauty". And for the fabrics. I tried cotton canvas, polyester, and silk. Finally, I found out this textured cotton and polyester chiffon can give the transparent looking and soft hand feel.
Investigatio: W C Miles, Leslie. Textile Printing. Manchester: 1982. Print.
Ujiie, Hitoshi. Digital Printing of Textile, Woodhead Publishing in textiles. 2006. Print.
Storey, Joyce. Manual of Textile Printing. 1975. Print.
Inspiratio: Inspired by Billy Kidd, who showed a heat-pressed flower with a flat decomposing effect. The relationship between started and finished became the starting point.
Inspired by the taphonomy, there are five general stages used to describe the process of decomposition, fresh, bloat, active, advanced decay, and dry/remains. By breaking up the body and analyzing its components, the decaying yet preserved, pressed flowers and leaves have an aged and textural appearance that can be used for designs. Yes, The picture of Death can be the birth of Beauty.
Duratio Operis: The project started in Jan 2015 in Philadelphia and finished in May 2021 in New York.
Cursus Operationis: To grasp something logically subversive, to turn a seemingly complex definition into a simple exploration of the relationship between "started and finished", the dead flowers become my main material to express the vivid blooming. They are still staying to bloom and show the final beauty in the double layers chiffon fabrics. The harmonious repeat and vibrant motifs give the layout more potential expression. The transparent looking contributes attractive and mysterious.
Patentes: Copyrights belong to Qixin Wu, 2022.
Trademark(2022) Qixin Wu.
Agnitiones Imaginum: Qixin Wu