Ceramics Extension Es Installation ab Tairan Hao and Shan Xu

Opus Ceramics Extension Es Installation a designatore Tairan Hao and Shan Xu est victor maxime honoratus praemii praestigiosissimi 2020 Praemium A' Design Award Aeneum in Categoria Certaminis Ars Pulchra.

AesArs Pulchra· 2020

Ceramics Extension Es Installation

a Tairan Hao and Shan Xu

Cliens: Tairan Hao

Victor praemii Praemium A' Design Award Aeneum in Categoria Ars Pulchra

18,499

Victor Praemii Verificatus

Verifica Statum Praemii pro #104079

Visita Situm Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De Ceramics Extension Es Installation

Quod fit per institutionem traditional rhoncus LATERAMEN formis et typis 3D plastic fusiles. Artis studia ad consilium communicare volunt quicquid auditores omnes totum est infinitum. Cum coram statuarios aut communicando est ex parte obiecti sunt, vident vera, sed sunt qui appellantur reliquiae, a speculum vel speculum, quod est falsa. De Commercio populus facit sentiunt sunt qui ingrediens in mundum, ut fictitii per se est, creatum est.

Agnitio

De Praemium A' Design Award Aeneum

Ceramics Extension Es Installation victor est Praemii A' Design Award Aeneum, honoris multum aestimati formis egregiis, creandi ingenio, sollertia et acumine insignibus dati. Victores Aenei opera perita et mire creandi sunt, quae experientiam, imaginationem et solertiam auctorum suorum confirmant. Exspectatur Ceramics Extension Es Installation rem multum aestimatam, admiratam et carissimam, notabiliter professionalem et novam fore. Haec forma Aeneo victa optimas consuetudines artis, scientiae, formandi rationis et technologiae amplectitur et in cura minutiarum excellit. Ceramics Extension Es Installation necessitates egregie explet, cupiditates tangit, sensus capit et curiositatem allicit.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: The installation is formed by traditional handmade ceramics sculptures and 3D printed plastic sculptures. There is a total of 130 pieces of sculptures in the installation space. The installation is designed to display in a space surrounded by reflected glass mirrors, with 5 LED lights that give the audience a fantasy and futuristic feeling. The meaning of the installation design is trying to show the communication between the future and the past, modern technology and traditional handicraft, the real world and the virtual world.
Dimensiones et Involucrum: half of the sculptures in the installation are 3D printed, dimension variable; the other half of the sculptures are handmade, dimension variable as well. the dimension of the space is a box, 15m*15m*15m
Notulae: Installation, Art, 3D Printing, Ceramics, Sculpture
Technologia Productionis: 3D printing; Plastic; aluminum mirrors; porcelain, LED lights
Provocatio Designandi: The arrangement of the sculptures was one of the challenges in the design process. Some of the ceramics were too heavy to use ropes to hold and connect it with the roof. Therefore, most of the sculptures are remade and reprinted by the 3D printer, using lighter materials then sprayed by the glazed-look white color to the surface.
Investigatio: The reflective material was the key to this design. Different materials combine with LED lights have different visual effects. Glass, Acrylic, and mirrors cannot demonstrate a good visual effect because of the reflection range are limited, as well as when the light is being reflected, the feeling wasn't satisfied. The installation took lots of tests in order to see if the fantasy feeling can be presented. The optimal result is shown in the final design, which is to use aluminum mirrors as the main materials.
Inspiratio: The relationship between the virtual world and the real world generates the form of this installation design, as well as the traditional method of crafting versus what can be crafted with contemporary technologies. The development of civilization proceeds as time goes on. Therefore, the mirror reflection in the interior space of the installation shows the infinite possibility of what time can change. Technology allows humans to define what is real and what is virtual and all the connections.
Duratio Operis: The project started in 2016 in Beijing and finished in 2017. It was exhibited in Beijing Today Art Museum in 2017.
Cursus Operationis: When the audiences step into the installation space, they will sense a feeling of visual infinity. The visual interaction generates a strong feeling to the audiences that every object, everyone, everything is being extended infinitely. With the presence of sculpture, it is communicating part of the objects they see are real, but the other objects are the reflection by the mirrors, which is unreal. The interaction makes people think that they are stepping into a fantasy world that is created by themselves.
Patentes: Copyrights belong to Shan Xu and Tairan Hao, 2017
Membra Turmae: Designer: Shan Xu
Artist: Tairan Hao
Agnitiones Imaginum: Image #1: Photographer Tairan Hao, 2017
Image #2: Photographer Tairan Hao, 2017
Image #3: Photographer Tairan Hao, 2017
Image #4: Photographer Tairan Hao, 2017
Image #5: Photographer Tairan Hao, 2017