Junlin Zhang тарабынан Janus Бардын ички дизайны

Junlin Zhang тарабынан жасалган Janus Бардын ички дизайны — Ички Мейкиндик жана Көргөзмө Дизайны Мелдеш Категориясындагы абдан престиждүү 2024 A' Design Award Күмүш байгеси сыйлыгынын жогору бааланган жеңүүчүсү.

КүмүшИнтерьер· 2024

Janus Бардын ички дизайны

Автору: Junlin Zhang

Кардар: Janus

Интерьер Категориясында A' Design Award Күмүш байгеси Жеңүүчүсү

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Түстөр

Дизайн

Janus Бардын ички дизайны жөнүндө

Janus — Кытайдын Чанша шаарында жайгашкан виски жана коктейль бары. Ички мейкиндиги болжол менен 200 чарчы метрди ээлеп, эки кабатка бөлүштүрүлгөн. Фасад классикалык деталдары бар жөнөкөй кара геометриялык блоктордон түзүлгөн, ал эми консолдук платформада классикалык скульптура жайгашкан. Биринчи кабат жардамчы мейкиндик болуп саналат, ал эми экинчи кабат негизги залды түзөт жана чатырдагы ачылыш аркылуу күндүзгү жарык алат. Тепкичте бош коюлган жыгач баскычтар колдонулган, алар бут алдында жумшак үн чыгарып, бир аз серпилгичтик берет. Тик тектирлүү жыгач шпон жана күзгүдөй дат баспас болот атмосфераны калыптандырат.

Таануу

A' Design Award Күмүш байгеси жөнүндө

Janus Бардын ички дизайны – A' Design Award Күмүш байгесинин жеңүүчүсү, жогорку деңгээлдеги, көркөм жана таасирдүү дизайндарга берилген өзгөчө бедели жогору таануу. Күмүш жеңүүчүлөр – өтө тамаша жана абдан чыгармачыл иштер, алар авторлорунун мыкты билимин, талантын жана сезгичтигин көрсөтөт. Janus Бардын ички дизайны сонун, үлгүлүү, өзгөчө кесипкөй жана терең жаңычыл чыгарма болот деп күтүлөт. Бул Күмүш байгени жеңген дизайн – искусство, илим, дизайн жана технологиянын чек араларын кеңейтүүгө салым кошкон көрүнүктүү ойлоп табуу. Janus Бардын ички дизайны баардыгы кызыккан чыгарма, ал каалоону ойготот, жагымдуу сезимдерди алып келет жана таң калуу менен суктанууну жаратат.

Дизайндын артында

Пресс-комплект

Дизайнер тарабынан берилген кредиттер, команда мүчөлөрү жана техникалык маалыматтар.

Уникалдуу Касиеттер: Janus is a whisky and cocktail bar with a social aspect. Our client had two demands: one was that the audience should not interpret this place according to the literal meaning of Janus or their traditional concepts, and the other was that the audience should have more than two different spatial experiences in this place. These different spatial experiences combine as an integral whole rather than to be independent ones.
Өлчөмдөр жана Таңгактоо: 200 meter-square
Тегдер: bar, whisky, postmodernism, hard and warm feeling, retroism, experimental
Өндүрүш Технологиясы: What exactly are we talking about when we talk about spatial ambience? Is it sunlight, air, sound, materials, textures, or colours? I began to think about the overall relevance of the façade in relation to the first and second floors. They are at once traditional, strong and thick, even a little archaic and they are at the same time receptive, inclusive, interesting and experimental. I tried to use postmodernism to summarise the atmosphere created inside and outside the building. I decided to create the façade with clean and simple geometric blocks, which is the style of contemporary. But it also has classical features in the details. To this point I felt that these designs were not enough because the conflict had not reached its climax. So I added a cantilever platform to place a classical sculpture. It was at this point that I felt the importance of such design planning came to the fore. The pure black and hard blocks together with the classical sculpture bring the sense of power and make it attractive. Such not complicated aesthetics give audiences more possibilities to imagine.
Дизайн Чакырыгы: I decided to create the façade with clean and simple geometric blocks, which is the style of contemporary. But it also has classical features in the details. To this point I felt that these designs were not enough because the conflict had not reached its climax. So I added a cantilever platform to place a classical sculpture. It was at this point that I felt the importance of such design planning came to the fore. The pure black and hard blocks together with the classical sculpture bring the sense of power and make it attractive. Such not complicated aesthetics give audiences more possibilities to imagine.
Изилдөө: I tried to decipher the form of beauty, but I found that I could not describe or categorise it accurately and clearly. It can be specific things such as people, air, light, sound or colour. When we deal with different clients and different conditions of the place, the results are unpredictable. It reminds me of Louis Kahn, who asked the red brick what it wanted to be.
Илхам: When I first went to the site for mapping, I was very excited and surprised by the light on the second floor, when the sunlight was pouring down from the daylight opening. My first reaction was that the place already has distinctive features that can bring audiences different moods, and experiences in the daytime and night-time. I then began to conceptualise how to create two or more different atmospheres in the space. Creating is the art of making a meaningful whole out of individual components
Долбоордун Мөөнөтү: The project was launched in March 2023 in Changsha, China and completed in June 2023 in Changsha, China
Иш Агымы: When I open the door to the first floor, the confrontation between the interior space and the facade appeared which is confrontation in colour, material, the whole and the fragmented. But this does not detract from the formal unity of the exterior and interior. The retroism without losing the independent style declares their relevance. The staircase guides to the upward space, and I deliberately used loose wood as the tread of the staircase. Stepping on it has a rustling sound and can feel the rebound of the wood. This is completely different from the feeling of crossing the first floor with steady steps. The first floor also doesn’t have the light and shadow spilling out from the top. The low linear strip of light on the side of the handrail is a safety cue as well as an orientation. People in such environment begins to become focused and anticipated. The spatial atmosphere of the second floor is basically the same as what I had conceived. Everything is as it is. There is no conflict, no exaggerated arrangement, no criticism and no attempts. I am like a director who arranges the work of each department and position in an orderly manner. Covered wood veneer with vertical grain delivers both hard and warm feeling. Mirrored stainless steel breaks the calm and refract light and images that change with the activities of the people in the space. Sometimes it is cold, sometimes warm, sometimes noisy, sometimes quiet and ambiguous.
Команда Мүчөлөрү: Lead designer: JunLin Zhang
Extension designer: WenLiang Liu
Rendering designer: JingYu Zhang
Сүрөт Автордугу: Ueya photography（Lei Liu）