Medieval Rethink Navenda Çandî Ya Rethink A Navînî لەلایەن QUAD studio

دیزاینی Medieval Rethink Navenda Çandî Ya Rethink A Navînî لەلایەن QUAD studio خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2020 Xelata A' Design Award a Zîvîn لە پۆلی پێشبڕکێی Dîzayna Mîmarî, Avahî û Strukturê.

ZîvMîmarî· 2020

Medieval Rethink Navenda Çandî Ya Rethink A Navînî

لەلایەن QUAD studio

کڕیار: QUAD studio

خەڵاتگری Xelata A' Design Award a Zîvîn لە پۆلی Mîmarî

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سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Medieval Rethink Navenda Çandî Ya Rethink A Navînî

Medieval Rethink bersîvek komîsyonek taybet bû ku ji bo çêkirina Navenda Culturalandê ya ji bo gundek piçûk nehatiye vedîtin li parêzgeha Guangdong, ku sal 900 sal vedigere Dynasty Song. Pêşveçûnek çar stêran, 7000 sqm li derdora avahiyek kevnar a kevnar a ku wekî Ding Qi Stone tête hesibandin, sembolek bi eslê xwe ji gund e. Conceptêwaza sêwirana projeyê li ser nîşaneya dîrok û çanda gunda kevnar a ku girêdana kevn û nû ve girêdayî ye. Navenda Culturalandî wekî reverek vegotina gundek kevnar radiweste û veguherîne nav arşîva nûjen.

پێناسەکردن

دەربارەی Xelata A' Design Award a Zîvîn

Medieval Rethink Navenda Çandî Ya Rethink A Navînî xelatgirê Xelata A' Design Award a Zîvîn e, nasîneke bi awayekî awarte bi prestîj ku ji sêwiranên di asta herî bilind de, xweşik û bibandor re tê dayîn. Xelatgirên Zîvînê karên pir birûsk û pir afirîner in, yên ku pisporiya hêja, jêhatîbûn û zîrekiya sêwiranerên xwe nîşan didin. Tê hêvîkirin ku Medieval Rethink Navenda Çandî Ya Rethink A Navînî karekî mînak, pir pîşekar û bi kûrahî nûjen be. Ev sêwirana bi Zîvînê serketî vedîtineke berbiçav û hatiye sitayişkirin e ku ji bo fireh kirina sînorên huner, zanist, sêwiran û teknolojiyê tevkarî dike. Medieval Rethink Navenda Çandî Ya Rethink A Navînî afirandinek e ku gelek kes çavê xwe lê dikin, daxwazan şiyar dike, hestên erênî tîne û heyirînê çêdike.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: The cultural centre becomes the new destination for villagers to congregate and to socially interact. Here, opportunities arise to great a truly cultural contemporary icon inspired by a historical monument that links old and new.
We make a focus in the cultural centre. An object that is the primary function, a multipurpose hall that most villagers will congregate in large social events. Other functions are clustered around the object that naturally creates internal streets and courtyards that are filled with an abundance of natural landscape.
قەبارە و پاکێج: Approx. 7000 square metre GFA
تاگەکان: cultural centre, abstraction, guangdong, songdynasty, dingqistone
تەکنەلۆژیای بەرهەمهێنان: Firstly, designers break down the village into components of Positive and Negative space. Defining functions as objects and stitching these objects together to natural courtyards of green space.
They make a focus in the cultural centre. An object that is the primary function, a multipurpose hall that most villagers will congregate in large social events. Other functions are clustered around the object that naturally creates internal streets and courtyards that are filled with an abundance of natural landscape.
هەڵەنگاندنی دیزاین: Cultural Differences - The cultural centre was designed for the villagers as their space for social interaction. To design the centre, designers had to meet with the villagers and discuss their personal needs for this project. Apart from understanding their culture, the main difficulties come in syphering all their needs and wants information into a design. Only when one to understand their culture can then try to rethink the whole idea of what a cultural centre means to the villager.

The Abstraction – Abstracting the village into the design took a lot of patience and work so that the final design truly depicts the chosen narrative. By stripping off the facade, a picture like frame is left behind. What it does is it focuses audience's eye towards the objects within the frame. If one to superimpose an image of the medieval village in the frame, a framed skyline of the medieval village appears. Abstraction occurs when the skyline is then pixelated. Using dark and light shades of pixels, designers generate an abstraction with a notion of depth. Abstraction creates a shading device and multi layering of the facade together with the objects inside the cultural centre creates a rich composition depicting a visual depth beyond the facade.
Recreating the village – Ultimately, to create a place that will enhance the lives of the villagers. Creating a narrative for the cultural centre not only help the design collective to create a very special place, it is also an attempt to capture an emotional response for any individual visiting the place. The medieval village has already manifested itself in the planning of the functional objects, the facade and also in the internal public realm.
توێژینەوە: The design team has gone through a thorough research on the context and the history of the Zhu Pu Village, the study has become a very influential part on building a narrative on the project and later being represented through the design of the spaces.
Exploration of the existing village - Walking around the village, inspired by the scale and how man and nature exist in harmony. Beautifully preserved, the village of Zhu Pu dates to the Song dynasty. With its organic concentric planning, it relates itself to many medieval Chinese urban planning principles.
ئیلهام: Medieval Rethink was an opportunity to recreate a medieval environment in a contemporary cultural setting. The narrative and design approach of the cultural centre has been extensively explored previously. Located in the norther province of Guangdong, this Contemporary Cultural Centre will not only showcase the history culture of the 900-year-old village, it will also function as a cultural exhibition centre and will attract thousands of visitors from all over the region.
ماوەی پڕۆژە: The project started in August 2017 in an undisclosed Village in Fujian, China.
ڕێڕەوی کارکردن: As the ground floor is an active floor with many active functions and visitor, the cultural centre is designed to free up the ground plane as much as possible to allow for pedestrian traffic.
ئەندامانی تیم: Wai Tang
Kelvin Chu
Landy Liu
Wesley Fung
Samuel Tam
کرێدیتی وێنەکان: Image #1, Pictury
Image #2, Submarina
Image #3, SAN CG
Image #4, SAN CG
Image #5 SAN CG