It's a Metaphor Sifrê لەلایەن Emanuele Di Bacco

دیزاینی It's a Metaphor Sifrê لەلایەن Emanuele Di Bacco خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2020 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Mobîlyayê.

TuncMobîlya· 2020

It's a Metaphor Sifrê

لەلایەن Emanuele Di Bacco

کڕیار: Gladstone London

خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Mobîlya

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خەڵاتگری پشتڕاستکراو

پشتڕاستکردنەوەی باری خەڵات بۆ #96553

سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی It's a Metaphor Sifrê

Ev proje di heman demê de hişmendiya civakî ya li ser wekheviya zayendî diafirîne. Bitaybetî, ew metaforek bikar tîne ku ji sumo derdikeve, yek ji lîstikên herî domdar ên di civaka Japonî de ye. Di vê sportê de jin nahêle ku di vê sporê de bi rengek profesyonel were pêşbaz kirin, lewra rêgezên seksîstî, yên ku ew ji derveyî tîpa şervanan sînordar dikin ji ber ku ji ber xwîna wan menzel dibe sedema nepakbûna wan e. Knervanê Sumo yê li erdê, di xizmeta kulîlkek kulîlk an jî hewcedariyek din de ya ku mirov pêdivî bi wan heye, dixeniqîne, ku ew mako-serdestiya sumo hê jî digire, bi hêsanî bi karanîna iro û humûrê dike.

پێناسەکردن

دەربارەی Xelata A' Design Award a Tuncîn

It's a Metaphor Sifrê xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku It's a Metaphor Sifrê tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. It's a Metaphor Sifrê pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: This is a furniture product able to speak and provoke, challenging with irony and a clumsy smile unethical behaviors of our times.
قەبارە و پاکێج: Measures are in mm.

Glass platform ø: 1800 / Glass platform thickness: 10 / Body with: 850 / Body height: 750 / Body depth: 1000
تاگەکان: table, social design, equality of the sexes, Japan, sumo
تەکنەلۆژیای بەرهەمهێنان: 3D-printed assembled object. It can be produced either way with Eco-friendly 3D-printed Poly Lactic Acid filaments or carbon fibers. The structure is divided in multiparts, hand refined and assembled. Successively the whole body is glazed by immersion and finished with a vitreous enamel coating.
A round tempered glass is based on the structure and secured using discreet clear glass high-grip bumpers, specifically designed for the purpose.

The structural analysis take into consideration the chosen materials and the multipart splitting process, where every cut and internal printed reinforcements are made to dump and sustain the weight the structure will go through.
هەڵەنگاندنی دیزاین: The creative challenge of this project is to combine the practical function of a furniture piece and communication contents as a means of social commitment. Sumo wrestlers are so well regarded and revered in society to be almost considered as macho semi-gods in their country; placing one of them in a conscious submissive position -grateful and happy to help others- wishes to rebalance a more male-dominated thinking to a non-discriminatory one.
توێژینەوە: The main focus of this project -together with many pieces produced by our design studio- is to raise awareness about social rights and equal opportunity. Specifically, the target of our research was speaking about the equality of the sexes without being moralistic or patronising; in order to do this we chose to use irony and humour, two powerful rhetorical devices to convey a disputed concept without too much bloodshed.
ئیلهام: "The piece of wood came alive and it was able to speak". That's pretty much what happened to Carlo Collodi's Pinocchio; likewise, adding communication contents to a product, gives this object an identity and the ability to speak to people.
This project is poking fun at itself while aim to raise social awareness on equality of the sexes. Specifically, it uses a metaphor which springs from sumo, one of the most male dominated sport in the Japanese society. Women are not allowed to compete professionally in this sport given sexist rules, which by tradition border them outside the wrestling ring as a result of their "impurity" by reason of the menstrual blood.
Knocking a sumo warrior to the ground at the service of a flower pot -or any other need people may require from a table- ironically desecrates this macho dominance still present in some traditions.
ماوەی پڕۆژە: The project has started in December 2019 in London and finished, as it is shown, in February 2020. Currently, the table has a unique prototype and will be ready to be produced and launched serially in May 2020.
ڕێڕەوی کارکردن: A table which can hosts up to 10 seaters. Ideal to be placed wherever an open minded spirit is at home.
پەتێنتەکان: Copyrights belong to Emanuele Di Bacco
ئەندامانی تیم: Emanuele Di Bacco