Stone Plant Sculpture Peykerê Baxçeyê لەلایەن Udo Hubert Dagenbach

دیزاینی Stone Plant Sculpture Peykerê Baxçeyê لەلایەن Udo Hubert Dagenbach خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2017 Xelata A' Design Award a Zîvîn لە پۆلی پێشبڕکێی Dîzayna Mobîlyayên Kolanan.

ZîvMobîlyayên Kolanan· 2017

Stone Plant Sculpture Peykerê Baxçeyê

لەلایەن Udo Hubert Dagenbach

کڕیار: Glasser and Dagenbach

خەڵاتگری Xelata A' Design Award a Zîvîn لە پۆلی Mobîlyayên Kolanan

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خەڵاتگری پشتڕاستکراو

پشتڕاستکردنەوەی باری خەڵات بۆ #54950

سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Stone Plant Sculpture Peykerê Baxçeyê

Peykerê Riwekê Berdî peykerekî bênazî ya baxçeyî ye ku bi şiklê kubekê bi pîvana 130 bi 130 bi 130 centîmetre pêk hatiye. Nîveke wê bloka lastê Jurasîk e, ku li kevirşkêneke başûrê Almanyayê hatiye qutkirin. Rûyên kevir ên xuya kirin bi kêlekan hatine tûj kirin û firçe kirin da ku dîmenekî kevnar bide wan. Nîveka din ji çar riwekên darbûyê pêk tê, ku piştî danîna wan hatine kurt kirin bo mezinahiya dawîn. Xêzeke nîvê diagonal cihê tevlêbûna kevir û riwek nîşan dide. Ev sêwiran şirovekirineke ewropî ya baxçeyên Zen ên Japonî ye. Kub li ser çîmeneke rast disekine û pêdiviya wê bi lênêrîna kêm heye.

پێناسەکردن

دەربارەی Xelata A' Design Award a Zîvîn

Stone Plant Sculpture Peykerê Baxçeyê xelatgirê Xelata A' Design Award a Zîvîn e, nasîneke bi awayekî awarte bi prestîj ku ji sêwiranên di asta herî bilind de, xweşik û bibandor re tê dayîn. Xelatgirên Zîvînê karên pir birûsk û pir afirîner in, yên ku pisporiya hêja, jêhatîbûn û zîrekiya sêwiranerên xwe nîşan didin. Tê hêvîkirin ku Stone Plant Sculpture Peykerê Baxçeyê karekî mînak, pir pîşekar û bi kûrahî nûjen be. Ev sêwirana bi Zîvînê serketî vedîtineke berbiçav û hatiye sitayişkirin e ku ji bo fireh kirina sînorên huner, zanist, sêwiran û teknolojiyê tevkarî dike. Stone Plant Sculpture Peykerê Baxçeyê afirandinek e ku gelek kes çavê xwe lê dikin, daxwazan şiyar dike, hestên erênî tîne û heyirînê çêdike.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: Two companies asked for a series of gardens, objects which show the possibilties combining their products. Jurrasic limestones and plants. So we created the idea for the most minimalistic garden, a european interpretation of Japanese Zen Gardens. Forming a cube with a pruned yew and a limestone. The joint between both is defined by an almost diagonal line through the cube.
Two materials - plant and stone - a simple shape.
قەبارە و پاکێج: The stone plant sculpture forms a cube of 130 x130 x 130 cm. It consists of Lime stone and Yew hedge plants which are planted close to the stone to form the intended cube together. The stone is placed on a concrete foundation.
تاگەکان: minimal garden, minimalistic garden, garden sculpture, cube garden, plant stone, land art, minimal art, jurrasic marble, limestone, yew
تەکنەلۆژیای بەرهەمهێنان: One part of the garden cube is produced from a piece of Jurrasic marble, also called limestone. It was produced in a South German Quarry of the Franken Schotter Company. It was cut out of a raw block. The standing side and the side facing the plants are diamond saw cut. The visible surfaces are chisselled and brushed, what gives it a aged look. The other half is planted from four Taxus baccata, yew, from Bruns Nursery which have been properly pruned to the final size after planting.
هەڵەنگاندنی دیزاین: It was a challenge not to choose a solution which looked too natural and showed expectable designs. So we have struggled to be maximum minimalistic, showing a clear, simple solution that immediately could be understood by the international guests of the nursery and the United World College. To do less than could be possible is the most challenging step. Our fear that strong frosts could cool down the stone so much that the plants will be harmed and killed by it did not come true even in the high mountains of Armenia
توێژینەوە: The request of two companies to do a work with the products they produce needed a research on similar projects. We found that doing this in a expectable and already common way would not give a good impression. So we found that the solution should be reduced to message they want to tell their clients with this action: "Our products fit together very well". By keeping it simple the impression is stronger.
ئیلهام: Since long time I searched for a European equivalent of Japanese Garden designs. Finally the minimalistic ideas of the Bauhaus period gave a hint what could be possible. The suggested project is one out of a series of projects which we have done in this way. Whilst Japanese Gardens often use the scale 1:3 to reflect a real landscape in a new and abstract way, this project does not reflect any landscape and does not use any scale. It is the maximum reduction of a garden ending up as a sculpture.
ماوەی پڕۆژە: The project started in 2002 as a joint venture between the Franken Schotter Quarry and the Bruns nursery. After its realization in 2003 it stood in Bad Zwischenahn, North Germany, in front of the adminitrative office of Bruns Nursery. In 2015 the project was moved to The United World College in Dilijan Armenia, where it is installed now permanently at the Prince of Wales avenue.
ڕێڕەوی کارکردن: The garden cube needs low maintenance. The hedges should be properly pruned 3 times a year to show a perfect impression.
The stone needs a yearly cleaning with simple water by using a high pressure cleaner. The placement on a flat piece of lawn is essential to make it work visualy.
پەتێنتەکان: all copyrights belong to Udo Dagenbach, glasser and dagenbach, 2006
ئەندامانی تیم: Draftswoman: Katrin Weincke
Installation: Bruns Nursery
Stone works: Franken Schotter Quarries
کرێدیتی وێنەکان: Image #1 Udo Dagenbach, garden cube, 2007
Image #2 Udo Dagenbach, garden cube, 2007
Image #3 Udo Dagenbach, garden cube, 2007
Image #4 Udo Dagenbach, garden cube, 2007
Image #5 Udo Dagenbach, garden cube, 2007