Aqua Continuum Primary Function: Komeleyek Xemil لەلایەن Anurag Sapkota

دیزاینی Aqua Continuum Primary Function: Komeleyek Xemil لەلایەن Anurag Sapkota خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2026 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Zêrînatiyan.

TuncZêrînatî· 2026

Aqua Continuum Primary Function: Komeleyek Xemil

لەلایەن Anurag Sapkota

کڕیار: Elysign Digital LLP

خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Zêrînatî

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خەڵاتگری پشتڕاستکراو

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بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Aqua Continuum Primary Function: Komeleyek Xemil

Book Text: Aqua Continuum komeleyek xemil e ku ji aviztek, cotek guhar, û gustîrekê pêk tê, ku bi karanîna rûyên herikbar, du caran qewîsî û qatkirî hatiye pêşxistin da ku berdewamî û livîna kontrolkirî di geometriya sêalî de bikole. Di her perçeyekê de topazek şîn a birîna zumrûd hatiye bikaranîn. Ev kevir ji ber awazê wê yê şîn û têkiliya wê ya dîtbarî bi avê re hatiye hilbijartin. Kevirên giranbiha yên piştgir di mezinahiyê de cuda ne û bi prensîbên pêçandina çembersan hatine rêzkirin. Ev rêzkirin nexşeyek parametrîk çê dike ku zeviyek hêdî hêdî ya tîrahî û hevsengiya dîtbarî li ser rûyên xemilê derdixe.

پێناسەکردن

دەربارەی Xelata A' Design Award a Tuncîn

Aqua Continuum Primary Function: Komeleyek Xemil xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku Aqua Continuum Primary Function: Komeleyek Xemil tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. Aqua Continuum Primary Function: Komeleyek Xemil pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: Aqua Continuum is a jewellery set composed of a pendant, earrings and a ring, developed through fluid, doubly curved and seamlessly folded forms to express continuity and movement. Emerald-cut blue topaz is used to evoke the visual coolness and calm of water. Supporting gemstones vary significantly in size and are organized using circle-packing principles, creating an organic field of density and rhythm.
قەبارە و پاکێج: Jewellery set consisting of a ring od size US 6, the Earrings are 44mm in length and the Pendant is 50mm in length
تاگەکان: Jewellery, Earrings, Pendant, Ring
تەکنەلۆژیای بەرهەمهێنان: The designs were developed using advanced surface modelling and parametric workflows to generate continuous doubly curved geometry and controlled folding. Circle-packing algorithms were applied to define gemstone positions and size variation. Final forms were refined for manufacturability with precise stone-setting tolerances and structural thickness control. The pieces are intended for production in precious metal alloys using high-resolution resin 3D printing for master patterns, followed by investment casting, precision pre-polishing and micro-pavé and prong setting for the blue topaz and supporting gemstones.
هەڵەنگاندنی دیزاین: The main challenge was translating the softness and continuity of fluid motion into stable, wearable jewellery without losing structural integrity or comfort. Balancing expressive doubly curved surfaces with real stone-setting constraints, minimum metal thickness and casting limitations required multiple design iterations. Another difficulty was achieving visually natural gemstone clustering while maintaining secure settings and clear assembly logic. Limited references for computational gemstone distribution in contemporary jewellery and the need to align advanced digital modelling with existing manufacturing processes further increased the complexity of development and validation.
توێژینەوە: This project is based on practice-led design research focused on translating the visual and sensory qualities of water into wearable jewellery. The study explored how doubly curved surfaces, seamless folding and controlled variation in gemstone size can communicate fluid movement and visual calm. Iterative digital modelling and parametric distribution tools were used to generate and evaluate multiple ring, pendant and earring prototypes. Circle-packing logic was applied to organise gemstones as a continuous spatial field rather than decorative placement. The results demonstrate improved visual rhythm, surface continuity and perceived lightness of form. The research shows how structured generative methods can support contemporary jewellery design, strengthen brand differentiation and enable more meaningful, experience-driven luxury products.
ئیلهام: The project is inspired by the natural behavior of water and by design theories that describe form as a continuous and evolving system rather than a fixed composition. The primary motivation was to translate fluid motion, surface continuity and spatial balance into wearable objects using doubly curved geometry and folding logic. Research into visual perception of color and spatial distribution guided the use of blue topaz for its cooling sensory effect and circle packing principles.
ماوەی پڕۆژە: The work for the project began in October 2025 and was finished in January of 2026 at Gangtok, Sikkim, India.
ڕێڕەوی کارکردن: The jewellery is worn and experienced through gentle movement and changing viewpoints. The pendant and earrings allow the gemstone to move freely, creating soft motion with the wearer’s natural gestures, while the ring holds the stone within a continuous flowing form. As the pieces move and catch light, the surfaces reveal different curves and reflections, enhancing the feeling of fluidity. The varied gemstone sizes create a natural visual rhythm that feels balanced from every angle. This interaction produces a calmer, more immersive visual experience than static or highly symmetrical jewellery designs.
ئەندامانی تیم: Anurag Sapkota