Transition دیزاینی پێشانگا لەلایەن Shuhei Matsuyama

دیزاینی Transition دیزاینی پێشانگا لەلایەن Shuhei Matsuyama خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2026 Xelata A' Design Award a Zîvîn لە پۆلی پێشبڕکێی Dîzayna Mîmarî, Hundurîn û Pêşangeha Bazirganiyê.

ZîvPêşangeha Bazirganiyê· 2026

Transition دیزاینی پێشانگا

لەلایەن Shuhei Matsuyama

کڕیار: enigma Inc.

خەڵاتگری Xelata A' Design Award a Zîvîn لە پۆلی Pêşangeha Bazirganiyê

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سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Transition دیزاینی پێشانگا

ترانزیشن پێشانگایەکی گوڵە کە ئیکێبانا، هونەری ژاپۆنی ڕێکخستنی گوڵ، لە چوارچێوەیەکی هاوچەرخدا پێشکەش دەکات. نەخشەی کراوەکە هیچ دیوارێکی پشتەوەی نییە، بۆیە سەردانکەران بە ئازادی دەڕۆن و هەر ڕێکخستنێک لە چەندین گۆشەوە دەبینن لە جیاتی تەنها لە پێشەوە. تیشکی سروشتی خۆر و ڕووناکی وەڵامدەرەوە بە درێژایی ڕۆژ دەگۆڕێن، بۆیە شوێنەکە و گوڵە زیندووەکان بەردەوام دەگۆڕێن. سەکۆ مۆدیولارەکان بە شێوەی سێ ڕەهەندی لە ڕەزینی دووبارە بەکارهێنراوە چاپکراون و دەکرێت لێک بکرێنەوە و دووبارە بەکاربهێنرێنەوە. زەوییە تەخت و بێ بەربەستەکە پێشانگاکە بۆ هەموو سەردانکەران کراوە ڕادەگرێت.

پێناسەکردن

دەربارەی Xelata A' Design Award a Zîvîn

Transition دیزاینی پێشانگا xelatgirê Xelata A' Design Award a Zîvîn e, nasîneke bi awayekî awarte bi prestîj ku ji sêwiranên di asta herî bilind de, xweşik û bibandor re tê dayîn. Xelatgirên Zîvînê karên pir birûsk û pir afirîner in, yên ku pisporiya hêja, jêhatîbûn û zîrekiya sêwiranerên xwe nîşan didin. Tê hêvîkirin ku Transition دیزاینی پێشانگا karekî mînak, pir pîşekar û bi kûrahî nûjen be. Ev sêwirana bi Zîvînê serketî vedîtineke berbiçav û hatiye sitayişkirin e ku ji bo fireh kirina sînorên huner, zanist, sêwiran û teknolojiyê tevkarî dike. Transition دیزاینی پێشانگا afirandinek e ku gelek kes çavê xwe lê dikin, daxwazan şiyar dike, hestên erênî tîne û heyirînê çêdike.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: An immersive flower exhibition engaging all five senses, tracing 1,400 years of ikebana and the kado philosophy of the life of flowers. Fresh floral works, shifting sunlight, and responsive lighting continuously transform both space and experience. A wall-less, open configuration overturns traditional frontal ikebana viewing, inviting active participation and enabling unrepeatable, time-based engagement with floral art.
قەبارە و پاکێج: Exhibition area: approx. 300 sqm.
Monitor fixtures: 1965 mm Width x 470 mm Depth x 1195 mm Height.
Large stage: 3000 mm Width x 4200 mm Depth x 300 mm Height.
130-size modular lighting pedestals in 3 types: A: 400 mm Width x 400 mm Depth, B: 500 mm Width x 500 mm Depth, C: 800 mm Width x 800 mm Depth.
All components are designed for disassembly, reuse, and full barrier-free accessibility.
تاگەکان: Ikebana, Exhibition Design, Floral Art, Japanese Culture, Immersive Experience, Sustainable Design, Inclusive Design, Expo 2025, Contemporary Art, Spatial Design
تەکنەلۆژیای بەرهەمهێنان: The exhibition structure was realized using recyclable resin-based 3D-printed pedestals, minimizing waste and enabling modular reuse for future installations. The lighting design incorporated responsive LED systems to simulate natural transitions. Spatial modeling and daylight simulation were conducted using Unreal Engine to test sun paths and visual conditions, allowing for precise environmental calibration. Materials include wood, recycled steel, and living floral elements.
هەڵەنگاندنی دیزاین: Traditional ikebana shows erected one-off timber walls and fixtures, then scrapped them. We challenged that legacy, adopting a reusable system that slashes physical build. Pedestals are 3-D-printed from recyclable resin, designed for quick disassembly, transport, and redeployment, cutting material use and waste. With level floors and wide clearances, the fully barrier-free layout marries sustainability to inclusive design.
توێژینەوە: In this show we discarded the rear wall once mandatory for classical ikebana and used self-standing fixtures, letting visitors wander freely. Single-use timber walls became reusable, 3-D-printed units of recycled resin, proving ikebana can travel to sites once impossible. Surveys showed 90 % of attendees were first-time ikebana viewers, revealing new audiences. Energized by this success, we are already planning the next “new-generation” flower exhibition.
ئیلهام: Ikebana is a centuries-old tradition that unites time-based and spatial art. To honor this duality, we removed the rear wall once deemed essential, shaping a fluid gallery where changing daylight, responsive lighting, and living flowers mingle in shifting layers. Visitors roam freely, viewing each arrangement from many angles while bespoke Unreal-Engine simulations refined sun paths and sightless, letting space and work animate each other.
ماوەی پڕۆژە: The project started on April 13, 2025, and concluded on April 20, 2025. It was exhibited at the “Gallery EAST” of Expo 2025 Osaka, Kansai.
ڕێڕەوی کارکردن: Visitors freely move through the open, wall-less gallery, exploring ikebana arrangements from multiple angles. Natural and dynamic lighting interact with fresh flowers, creating constantly shifting scenes. This spatial and sensory engagement encourages personal interpretation, breaking from the static, front-facing norms of classical ikebana.
پەتێنتەکان: Copyrights belong to Ikenobo Society of Floral Art, 2025.
ئەندامانی تیم: Creative Director / Art Director / Planner: Shuhei Matsuyama
Technical Director / Engineer: Koki Kaminoura
Project Director: Kenji Suina
Spatial Design Director: Kazuhiro Itagaki
Designer (130): Daina Kato
Engineer (130): Kenta Iguchi
Promotion Director: Satomi Tamai
Research Director: Tsubasa Kuri
Researcher: Tomoya Shimojo
Promotion Planner: Mako Fujimoto
کرێدیتی وێنەکان: Image #1-#5: Photographer Kamiya Ryo、Transition: The Origin of Ikebana、 2025.
Video Credits: Videographer Mizuno Kai、 Transition: The Origin of Ikebana、 2025.