دیزاینی Yinyun Karê Sereke: Sazkirina Hunerê ya Kevir (Seramîk) لەلایەن Fabcraft Design Lab خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2020 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Form û Hilberên Çapkirina Sêalî.
TuncÇapkirina Sêalî· 2020
Yinyun Karê Sereke: Sazkirina Hunerê ya Kevir (Seramîk)
لەلایەن Fabcraft Design Lab
کڕیار: Fabcraft Design Lab
خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Çapkirina Sêalî
خەڵاتگری پشتڕاستکراو
پشتڕاستکردنەوەی باری خەڵات بۆ #101663دیزاینەکە
دەربارەی Yinyun Karê Sereke: Sazkirina Hunerê ya Kevir (Seramîk)
Nivîsa Pirtûkê: Yinyun sazkirinek hunerê ya seramîkî ye ku ji 85 yekîneyên bêhempa yên bi çapkirina 3D ava bûne pêk tê. Algorîtmayên sêwirana zayendî (generative) hatin bikaranîn da ku daneyên elektrîkê derxin holê û van daneyan li ser her yekîneyê vîzûalîze bikin, ku bi hev re bandorek gradient (guherîna tedrîcî ya reng) çêdikin. Yekîne bi awayê çapkirina 3D ya seramîkî hatin çêkirin, bi tevliheviyek ji porselana spî û axê komirê ya ji kargehek elektrîkê hatiye vegerandin. Pêvajoya çapkirinê her weha li ser her perçeyê rûyek bi teferûatî berbiçav çêdike. Ti du yekîne wek hev nînin. Ev sazkirin bi awayekî daîmî li salonek pêşangehê li Taipei, Taywan hatiye danîn.
پێناسەکردن
دەربارەی Xelata A' Design Award a Tuncîn
Yinyun Karê Sereke: Sazkirina Hunerê ya Kevir (Seramîk) xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku Yinyun Karê Sereke: Sazkirina Hunerê ya Kevir (Seramîk) tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. Yinyun Karê Sereke: Sazkirina Hunerê ya Kevir (Seramîk) pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.
لە پشت دیزاینەوە
کیتی چاپەمەنی
باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.
- تایبەتمەندییە تایبەتەکان
- Yinyun is an art installation composed of 85 unique 3D printed ceramic units. Through generative design algorithm, the electric information was extracted and visualized on every unit, together creating a gradient effect. Ceramic 3D printing, with a mixture of recycled material, was then used to fabricate these units, at the same time, creating detailed surface relief which was indicated by this technique. None of the units is the same as others.
- قەبارە و پاکێج
- Dimension(ceramic parts): L: 910cm, W: 360cm, H: 230cm
- تاگەکان
- ceramic, 3D printing, generative, parametric design, digital fabrication, sustainable, recycle, coah ash, art installation, craft
- تەکنەلۆژیای بەرهەمهێنان
- The project heavily relied on close cooperation among algorithm development, 3D printing, and material experiments. All designs were completed through several generative algorithms, including data processing, form generation, slicing, and Gcode output. Then our custom 3D printer with remote extrusion system was used to achieve such large sizes. The material was a mixture of white porcelain and coal ash recycled from power plant.
- هەڵەنگاندنی دیزاین
- In order to achieve large-scale and stable printing, we developed our custom extrusion system and slicing program, testing it back and forth between digital and physical space, which took nearly half of the time for this project. The material factors were carefully taken into consideration, including ceramic ratio, viscosity, temperature, humidity, since a 3D printer can't be dynamically adjusted as human hands during production. The shrinkage after firing also increased the difficulty of assembly.
- توێژینەوە
- The goal of this project is to examine the relationship between traditional craft and modern techniques. As we developed a new shape language in digital space, it was completely originated from ceramic 3D printed texture. The traditional expertise in ceramics and modern digital fabrication skills were combined in real-world printing, together created pieces with rich craftsmanship, but can only be achieved by modern technique.
- ئیلهام
- The motivation of this project is to create an elegant art installation blending the science education atmosphere in this green energy exhibition hall. Inspired by the natural phenomenon of electromagnetic, which created non-uniformed field tensors in the space. To express this specific effect, an installation consisted of a large number of units were proposed, contrasting in form and pattern. This project also showcases Fabcraft design lab’s long-term interest in generative design and 3D printing technology.
- ماوەی پڕۆژە
- The project began at the end of 2018, and was completed in December 2019. Since then, it has been a permanent public art located in Taipower D/S ONE exhibition hall in Taipei, Taiwan.
- ڕێڕەوی کارکردن
- The installation was designed to be viewed from different angles, at the same time, produce positive route guidance in the exhibition hall. A possible interaction can be created while visitors moving upstairs, changing from low angle to eye-level angle, they will observe an optical illusion caused by lights and textures. Moreover, the fluid surfaces are zoomed into a layered ceramic texture with rich 3D printing characteristics.
- ئەندامانی تیم
- Art Director: Kamm, Kai-Yu
Designer: Liu, Zhao-Wei
Mechanism Design: Chen, Po-Yen
Ceramic Craftsman: Lu, Tzu-Yi
Ceramic Assistant: Xie, Yun-Chen - کرێدیتی وێنەکان
- Image #1: Fabcraft Design Lab
Image #2: Cogitoimage International Co., Ltd.
Image #3: Fabcraft Design Lab
Image #4: Fabcraft Design Lab
Image #5: Fabcraft Design Lab
سپۆنسەرکراو
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