디자이너 Anurag Sapkota의 작품 Aqua Continuum 주얼리 세트은(는) 매우 권위 있는 2026 A' Design Award 동상의 주얼리 디자인 부문에서 탁월한 수상작입니다.

동주얼리· 2026

Aqua Continuum 주얼리 세트

디자이너: Anurag Sapkota

클라이언트: Elysign Digital LLP

주얼리 부문 A' Design Award 동상 수상작

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디자인

Aqua Continuum 주얼리 세트 소개

아쿠아 컨티뉴엄(Aqua Continuum)은 펜던트, 귀걸이 한 쌍, 반지로 구성된 주얼리 세트로, 유려하고 이중으로 곡면이 진 접힌 표면을 활용하여 3차원 기하학에서의 연속성과 절제된 움직임을 탐구합니다. 각 작품에는 에메랄드 컷 블루 토파즈가 사용되었습니다. 이 보석은 푸른 색조와 물을 연상시키는 시각적 이미지 때문에 선택되었습니다. 보조 보석들은 크기가 다양하며 원 패킹(circle-packing) 원리를 적용해 배열되었습니다. 이러한 배열은 주얼리 표면 전체에 걸쳐 점진적인 밀도의 장과 시각적 균형을 만들어내는 파라메트릭 패턴을 형성합니다.

수상 인정

A' Design Award 동상 소개

Aqua Continuum 주얼리 세트, 이 작품은 A' Design Award 동상 수상작으로, 창의성, 독창성, 영민함으로 돋보이는 뛰어난 디자인에 수여되는 높은 권위의 인정입니다. 동상 수상작은 충분히 숙련되고 인상적으로 창의적인 작품으로, 디자이너의 폭넓은 경험, 상상력, 기지를 입증합니다. Aqua Continuum 주얼리 세트, 이 작품은 높이 평가받고 감탄과 사랑을 받는 사물로서 두드러지게 전문적이고 혁신적일 것으로 기대됩니다. 이 동상 수상 디자인은 예술, 과학, 디자인, 기술의 모범 사례를 담고 있으며 세부에 대한 주의로 훌륭합니다. Aqua Continuum 주얼리 세트, 이 작품은 필요를 훌륭하게 충족하고 욕망에 닿으며 감정을 매료하고 호기심을 불러일으킵니다.

디자인 비하인드

프레스 킷

디자이너가 제공한 크레딧, 팀원 및 기술 세부 사항.

고유 특성: Aqua Continuum is a jewellery set composed of a pendant, earrings and a ring, developed through fluid, doubly curved and seamlessly folded forms to express continuity and movement. Emerald-cut blue topaz is used to evoke the visual coolness and calm of water. Supporting gemstones vary significantly in size and are organized using circle-packing principles, creating an organic field of density and rhythm.
치수 및 패키징: Jewellery set consisting of a ring od size US 6, the Earrings are 44mm in length and the Pendant is 50mm in length
태그: Jewellery, Earrings, Pendant, Ring
생산 기술: The designs were developed using advanced surface modelling and parametric workflows to generate continuous doubly curved geometry and controlled folding. Circle-packing algorithms were applied to define gemstone positions and size variation. Final forms were refined for manufacturability with precise stone-setting tolerances and structural thickness control. The pieces are intended for production in precious metal alloys using high-resolution resin 3D printing for master patterns, followed by investment casting, precision pre-polishing and micro-pavé and prong setting for the blue topaz and supporting gemstones.
디자인 과제: The main challenge was translating the softness and continuity of fluid motion into stable, wearable jewellery without losing structural integrity or comfort. Balancing expressive doubly curved surfaces with real stone-setting constraints, minimum metal thickness and casting limitations required multiple design iterations. Another difficulty was achieving visually natural gemstone clustering while maintaining secure settings and clear assembly logic. Limited references for computational gemstone distribution in contemporary jewellery and the need to align advanced digital modelling with existing manufacturing processes further increased the complexity of development and validation.
연구: This project is based on practice-led design research focused on translating the visual and sensory qualities of water into wearable jewellery. The study explored how doubly curved surfaces, seamless folding and controlled variation in gemstone size can communicate fluid movement and visual calm. Iterative digital modelling and parametric distribution tools were used to generate and evaluate multiple ring, pendant and earring prototypes. Circle-packing logic was applied to organise gemstones as a continuous spatial field rather than decorative placement. The results demonstrate improved visual rhythm, surface continuity and perceived lightness of form. The research shows how structured generative methods can support contemporary jewellery design, strengthen brand differentiation and enable more meaningful, experience-driven luxury products.
영감: The project is inspired by the natural behavior of water and by design theories that describe form as a continuous and evolving system rather than a fixed composition. The primary motivation was to translate fluid motion, surface continuity and spatial balance into wearable objects using doubly curved geometry and folding logic. Research into visual perception of color and spatial distribution guided the use of blue topaz for its cooling sensory effect and circle packing principles.
프로젝트 기간: The work for the project began in October 2025 and was finished in January of 2026 at Gangtok, Sikkim, India.
운영 흐름: The jewellery is worn and experienced through gentle movement and changing viewpoints. The pendant and earrings allow the gemstone to move freely, creating soft motion with the wearer’s natural gestures, while the ring holds the stone within a continuous flowing form. As the pieces move and catch light, the surfaces reveal different curves and reflections, enhancing the feeling of fluidity. The varied gemstone sizes create a natural visual rhythm that feels balanced from every angle. This interaction produces a calmer, more immersive visual experience than static or highly symmetrical jewellery designs.
팀원: Anurag Sapkota