B'in Live Co., Ltd.의 Rene Final Call 라이브 콘서트 무대 디자인

디자이너 B'in Live Co., Ltd.의 작품 Rene Final Call 라이브 콘서트 무대 디자인은(는) 매우 권위 있는 2026 A' Design Award 은상의 이벤트 및 해프닝 디자인 부문에서 탁월한 수상작입니다.

은이벤트· 2026

Rene Final Call 라이브 콘서트 무대 디자인

디자이너: B'in Live Co., Ltd.

클라이언트: B’in Live Co., Ltd

이벤트 부문 A' Design Award 은상 수상작

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A' Design Award에서 보기 보도 자료 수상 배지

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디자인

Rene Final Call 라이브 콘서트 무대 디자인 소개

'르네 파이널 콜(Rene Final Call)'은 아레나 관객을 위해 설계된 라이브 콘서트 투어 무대이다. 사방이 개방된 무대는 폭 28미터, 길이 22미터, 높이 2.2미터로 제작되어 어느 자리에서나 균형 잡힌 시야를 확보한다. 중앙의 턴테이블은 최대 3.6미터까지 상승하며, 독립적으로 작동하는 10개의 리프트와 함께 변화무쌍한 지형을 만들어낸다. 공연은 총 4개의 장으로 전개되며, 수중 장면에서 시작해 잔디와 선인장으로 이루어진 계단식 원형 지형으로 이어진다. 수직형 입체 LED 매트릭스는 가사가 흐르듯 펼쳐지는 영상을 구현한다. 모듈형 구성 요소를 적용해 구조물의 재조립과 재사용이 가능하다.

수상 인정

A' Design Award 은상 소개

Rene Final Call 라이브 콘서트 무대 디자인, 이 작품은 A' Design Award 은상 수상작으로, 최상급이며 아름답고 인상적인 디자인에 수여되는 비범하게 권위 있는 인정입니다. 은상 수상작은 대단히 뛰어나고 매우 창의적인 작품으로, 디자이너의 탁월한 전문 지식, 재능, 통찰력을 보여 줍니다. Rene Final Call 라이브 콘서트 무대 디자인, 이 작품은 훌륭한 대표작으로서 매우 전문적이고 깊이 있게 혁신적일 것으로 기대됩니다. 이 은상 수상 디자인은 예술, 과학, 디자인, 기술의 경계를 넓히는 데 이바지하는 주목할 만하고 찬사를 받는 발명품입니다. Rene Final Call 라이브 콘서트 무대 디자인, 이 작품은 모두가 부러워하는 창작물로서 욕망을 일깨우고 긍정적인 감정을 불러오며 경탄과 경이로움을 불러일으킵니다.

디자인 비하인드

프레스 킷

디자이너가 제공한 크레딧, 팀원 및 기술 세부 사항.

고유 특성: The four-sided stage ensures balanced sightlines, combining a ten-segment outer lifting system with a central turntable for dynamic formation shifts. The concert unfolds in four chapters. It opens with an oceanic scene as a giant jellyfish descends and Led fish surround the audience. The arena transforms into a landscape as rising platforms form terraced rings of turf and cacti. A vertical 3d Led matrix creates a waterfall of lyrics and memories, with three Led rooms marking emotional chapters.
치수 및 패키징: The stage measures 28 meters wide, 22 meters long, and 2.2 meters high, with the central turntable capable of elevating to 3.6 meters, synchronizing with ten independent lifts to create varying topographies. The overhead section includes mechanisms for the whale balloon, suspended truss rotation platforms, five 3D Led matrices, two adjustable lighting trusses, and four large jellyfish installations. The musicians' pit adopts a recessed layout for acoustic depth, with Unplugged segments extending onto the main stage for direct interaction.
태그: 360 Degrees Stage, 3D LED Matrix, Time, Immersive Experience, Modularity, Playfulness, René Liu, Touring Concert, Final Call
생산 기술: The stage structure adopts standard modular components for reassembly and reuse. Mirror-finished lifting platforms extend light refraction, while the 3d Led matrix, composed of pixel-controlled light strips, delivers high transparency and immersive depth. The top dome integrates these Led arrays with dynamic trusses to form a unified light field. The curved floor Led minimizes masking panels to preserve circular continuity. The color strategy transitions from marine blue to grassy green, then narrows into a monochrome emotional palette before returning to pure white.
디자인 과제: The key challenge was the four-sided stage, which required precise adjustment of truss heights, lift levels, and sightline clearances at each venue. Transforming underwater scenes into live turf within four minutes demanded exact stagecraft, storage planning, and crew coordination. Under-stage compartments housed ten lifts, inflatable whale and bear props, and modular grass panels, requiring careful zoning and preplanning. The curved Led floor also needed micro-modular calibration to keep the circular imagery seamless while ensuring on-site safety.
연구: The 2025 Rene Final Call Live Tour turns themes of time and memory into a spatial narrative of flight. A four-sided stage with a central turntable and ten lifts mirrors life's peaks and valleys. Four chapters, ocean, earth, memory, and Light, move from underwater calm to shared vibrancy, then reflection and illumination. A vertical 3D Led matrix cascades lyrics and visuals, while Led 'rooms' recall past works. Whale and bear props spark childlike wonder, and a paper airplane links performer and audience. Modular hardware enables reuse, reducing energy waste as the artist's 30-year journey becomes a rediscovery of memory.
영감: Rooted in the concept of 'flight,' the concert revisits the artist's lifelong creative journey and emotional memories. Time fragments are transformed into spatial metaphors, as a four-sided stage is deconstructed and reassembled into four narrative chapters, searching, growing, courage, and companionship. The audience travels across time, beginning in a tranquil underwater world and moving through kinetic lighting and shifting scenes. Each chapter reflects life's highs and lows, guiding spectators to rediscover youth, emotion, and innocence in a moving escape from reality.
프로젝트 기간: The project finished in 2025 in Taiwan.
운영 흐름: Audiences were first soothed by the 'underwater silence' of the opening scene before erupting in excitement as the whale appeared. The turf sequence fostered a sense of togetherness-fans sitting and singing along-becoming the most acclaimed segment for its intimacy. The vertical Led lyric waterfall immersed the audience, while the 'room' sequence awakened collective memories among long-time fans. Functionally, the four-sided layout ensured that even the farthest spectators could clearly see the artist's expressions, vastly improving proximity and engagement.
팀원: B’IN LIVE CO., LTD.
Producer: Yu-Yang Chou and Wen-Yu Shih
Production Assistant: Pei-Min Yeh, Wen-Chi Chang and Wen-Ying Tseng
Production Manager: Ming-Wen Tan
Stage Manager: Kuo-Hao Chou
Stage Design: Pei-Lun Kuo
Lighting Design: Rokerfly Design - Jen Wei Chan
Lighting Programmer: Ta-Hsiang Hsu
Laser Design: Chieh-Hsiu Li
Visual Design: Phototaxis.tv
Visual Design Coordinator: Nelson Wu
이미지 출처: B’IN LIVE CO., LTD.