Cava Asebded n Tafat sɣur Yingri Guan d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel Asniɣes, Alguritman, Aparametran d Win Yettwallalen s AI.

LbrunzAfeṣṣel Asniɣes· 2020

Cava Asebded n Tafat

sɣur Yingri Guan

Amsaɣ: ARiceStudio

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Afeṣṣel Asniɣes

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #93170

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Cava Asebded n Tafat

S usdukel n tinfaliyin tusnaktin, tiɣzar n usunfu n usudus n ilmaɛdinen n ifri, akked yisefka n usudus almaɛdin, ttwafersen-d tugniwin n uviktir s taselka tselkimt. Yingri Guan tesken-d ineɣrufen n ifri s tummut tamfarast. Tettbeddil isefka-agi ɣer yisebdiden s kraḍ n teɣzar.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Cava Asebded n Tafat d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Cava Asebded n Tafat ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Cava Asebded n Tafat yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: This project is generated using mathematical methods to visualize cave patterns and formation. Caves are formed by water going through rocks and deposit minerals through this process. This piece expresses this formation process while abstract the relationship between the patterns in the cave and also different rocks.
Tigejdiwin & Akemmus: Width 228 mm x Depth 62 mm x Height 508 mm
Tibzimin: generative, abstract, light, LED, cave, imagination, design, art, visualization
Tasnakta n Ufares: This Cava series is realized through, first generating a series of images and vectors based on the analytical processes of the cave formations. Then those shapes are etched onto acrylic glass using a laser cutter. The final process is to assemble together the etched acrylic glass, LED lights and the pedestals.
Asewḥel n Usnulfu: During the process, the most challenging aspect was how to abstract naturally occurring visual patterns and formations into an abstract mathematical formula that can be implemented and substitute using different values to create different images.
Anadi: The initial research was carried out through traveling to the mountains and seeing the physical caves myself. I was totally in awe of how these rocks were formed. Afterward, a few sessions of online reading and coding explorations were carried out. Once I have figured out the situation, then mathematical formula was applied to the different values to figure out the actual cave objects.
Aseḥbiber: This piece is inspired by the cave formations and different patterns in the caves. The cave generation is a long and iterative process. It's completely organic.
Tanzagt n Usenfar: This series of artwork spans across 6 months to complete and was created in the San Francisco Bay Area
Tanila n Umahil: These lights could be installed in houses, interior spaces and so on. They can be installed singularly or in different numbers to accommodate what's the best spatially.
Ibrivan: IP pending
Igmamen n Terbaɛt: Yingri Guan
Imsuren n Tugniwin: Yingri Guan, 2019