Ataraxia Tagrumma n lǧwahir sɣur Yilan Liu

Ataraxia Tagrumma n lǧwahir sɣur Yilan Liu d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Ddheb deg Taggayt n Tnaflit n Afeṣṣel n Lḥelya.

DdhebLḥelya· 2020

Ataraxia Tagrumma n lǧwahir

sɣur Yilan Liu

Amsaɣ: Yilan Jewelry

Anerbaz n Tarbaḥt A' Design Award n Ddheb deg Taggayt n Lḥelya

89,952

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #90013

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Ataraxia Tagrumma n lǧwahir

S usdukkel n lmuda d ttiknulujit talemmast, asenfar-agi yesεa d iswi ad d-yesnulfu iǧewhaṛen ara yerren iferdisen igutiken imeqdimen d aɣanib amaynu, yettmeslay ɣef tezmert n wudem aqbuṛ deg usatal n tura. S wayen i yelhan deg wamek tettekki tessent tagutikt ɣef yimdanen, asenfar yettεaraḍ ad d-yekkes tarmit tusligt taferdant s uttekki n wurar, yettqaddac taεlayt gar usefsu d wid i ten-iseddayen. Izegran isuntutiken, d lmadda s uzduz ukulujik meẓẓi, ttwaggzen s yiglalen iẓeṭṭfen s tarha taεǧabit akken ad snernin initen-nsen ɣef yiles udiɣ ad neεzi uttekki.

Asmekti

Ɣef Tarbaḥt A' Design Award n Ddheb

Ataraxia Tagrumma n lǧwahir d amerbaḥ n Tarbaḥt A' Design Award n Ddheb, tagmat tuffirt i yisnulfa n umezwaru yelhan s waṭas. Imerbaḥen n Ddheb d isnulfa d imaynuten d imeqqranen. Ataraxia Tagrumma n lǧwahir ad d-yefk lqima ur nesɛi amgarad, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Inspired by Gothic architecture, the collection encapsulates the sublime internal atmosphere, exploiting Gothic structural details to stimulate the particular feelings and explore emotional experience. Synthetic gemstones, as a lower eco-imprint material, were cut into unusually flat surfaces to cast their colors onto the skin to enhance the vibe. Immersive exploration of the precious culture is encouraged by the collection. The jewelry acts as a media to provoke unique individual experience. The design challenged the production to realize all the details to achieve the final result.
Tigejdiwin & Akemmus: Ring No.1: 41mm x 18mm x 30mm;
Ring No.2: 28mm x 28mm x 36mm;
Bangle: 75mm x 75mm x 22mm;
Earring: 21mm x 59mm x 8mm
Tibzimin: jewelry, ring, bangle, earring, Gothic architecture, culture, emotional experience, eco-friendly, interaction, synthetic gemstones
Tasnakta n Ufares: The production lasted about one month including wax curving, casting, stone cutting, model modification, stone setting, metal finishing and gold plating. Some design details were adjusted during this process. The materials are synthetic gemstones including cubic zirconia, synthetic spinel and synthetic ruby which were cut into usually flat surfaces. For the metal part, the material is goldplated silver.
Asewḥel n Usnulfu: The challenge was to realize all the design details to achieve the best result. There were many details in the design which made it difficult to well polish all the corners without damaging. After several experiments, I finally chose sand blasting as the main metal finishing which combined with full polish of the top faces of the settings, ensuring all the details as well as giving the collection a feel of flexibility. Also, the stone cutting process went through a lot of experiments to decide the thickness to gain the best effect.
Anadi: The research concentrated on Gothic culture and the purchasing behavior of customers towards contemporary jewelry from books, journals, online articles and relevant market data. The research showed the potential of making the old into the new in the perspectives of market and technology. Besides, the case studies were given on market, trend and manufacture with online research and interviews, as first-hand investigations underscoring the value of the project. All the research promoted the development of the project and completed the project in the academic way.
Aseḥbiber: The collection was inspired by ancient Gothic architecture. This traditional style is fading with time, but it can be reborn in a new way with jewelry. Combining with fashion and advanced technology, the project aims to create jewelry pieces which can make the old into a new style, discussing the potential of the traditional in the contemporary context. With the interest in the way how the Gothic vibe influences audience and based on the vast research on Gothic culture, the project also tries to provoke unique individual experience through playful interaction, exploring the relationship between design and wearers.
Tanzagt n Usenfar: The project started in October 2017 in London and finished in May 2019 in London, and was exhibited in Central Saint Martins Degree Show in June 2019 and was awarded as Distinction. The production was finished in China.
Tanila n Umahil: The designs were inspired from Gothic architecture. Wearers will be easily attracted by its amazing appearance with elegant details. The pieces combine the old with the new, explaining the traditional culture with contemporary fashion language. When wearing the jewelry, the beautiful lines flow with the body, the bright colors cast onto the skin, creating a poetic experience for individuals. It is jewelry, but more than jewelry. It is a combination of culture, aesthetic, fashion and emotion.
Imsuren n Tugniwin: #1, 2, 3, 4, 5: Photographer Xiaowu Yu, 2019