Ɛeddi ɣer ugbur
Event Tamagit taragsist sɣur Shimizu Ryo

Event Tamagit taragsist sɣur Shimizu Ryo d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.


UzzalUnuɣ· 2020

Event Tamagit taragsist

sɣur Shimizu Ryo

Amsaɣ: Ryukoku Museum

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Unuɣ

12,454

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #88556

Initen

Afeṣṣel

Ɣef Event Tamagit taragsist

Asmel i d-yettawin aɣewwar iɣerfan yettwassnen s yisem Sanzo Hoshi seg tmuɣli tamaynut tummidt. Ihi, inuganen weḥḥalen abrid amaynut deg usenqis argisan. Ɣur-s askelu s kraḍ n teɣzert s tuɣzi i d-yerran tamaziɣt d taǧewwaqt s tilili n wemdan. Mi d-ttbegginenn belli Xuanzui d Sanzo Hoshi d imdanen i yecban, inuganen rnan-d tadarasemt akken tilili-nni ad d-tecfu tugna tamatayt.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Event Tamagit taragsist d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Event Tamagit taragsist ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
An exhibition that takes up a popular character called Sanzo Hoshi from a completely different perspective. Therefore, We tried a new approach to visual design. It has a three-dimensional composition with a depth that makes the painting hollow with the silhouette of a person.
Tigejdiwin & Akemmus
While appealing that Xuanzui and Sanzo Hoshi are the same people, We made a strategy to have the silhouette remember the iconic image.
Tibzimin
japanese graphic design, editorial design, exhibition, visual Identity, illustration,
Tasnakta n Ufares
By widely placing the name Xuan, we aimed to appeal the exhibition title. In addition, the color design was adjusted to the taste of the exhibit, and the design was integrated including the venue.
Asewḥel n Usnulfu
I iconified the silhouette of the ginseng and arranged the same illustration as the taste.
Anadi
Based on the story about Xuan, we made my first image grow. In addition, we have interviewed a huge amount of materials related to him and the image that the exhibition aims for. We also grasped the space of the venue in advance and made an alignment with the visuals.
Aseḥbiber
Based on the story about Xuan (Sanzo Hoshi), we made my first image grow. In addition, we have interviewed a huge amount of materials related to him and the image that the exhibition aims for. We also grasped the space of the venue in advance and made an alignment with the visuals.
Tanzagt n Usenfar
The project started in October 2014 and finished August 2015.
Tanila n Umahil
I iconified the silhouette of the ginseng and arranged the same illustration as the taste. Aiming for visual appeal with titles and icons
Igmamen n Terbaɛt
SHIMIZU Ryo
Imsuren n Tugniwin
Photo: SHIMIZU Ryo

Yettwaxellṣen

Snirem Seld Designers.org

Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.

Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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