Ponto Takersit sɣur Roberta Banqueri d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Iferrasen.

LbrunzIferrasen· 2020

Ponto Takersit

sɣur Roberta Banqueri

Amsaɣ: Pontoeu

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Iferrasen

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #83334

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Ponto Takersit

Ponto d takersit i wudmawen imecṭaḥ akked wexxamen yemgaraden. Aselkim-agi yesseqdac drus n yiferdisen. Yiwet n tejlibt tuɣur tɛewǧen i d-yeṣṣawaḍen tazbelt, ifassen d uɛiwed n uzagur. Amkan n tgawelt d uɛiwed n uzagur ttwaɣṭṭen s ucebbeḥ, ma d talɣa n uzemzem n umkan n tgawelt tɛawan ɣef laṛtaḥ. Tazbelt tabaṛranit d azuran uzzig s ufus, ma d ammas n wuzzal ussnaḍen isseǧhad ifassen. Adegger n wuzzal ussnaḍen s talɣa n "X" i d-yeṭṭfen amkan n tgawelt. Ẓẓayer n ttjur d ini-nsent zemrent ad ttwamsedduklent deg tegrumma n yeḥric izuranen. Ponto d aḥric n twacult n ikersa.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Ponto Takersit d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Ponto Takersit ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Ponto Takersit yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The piece has a simple language, executed with few elements, a single elongated line and curves structure the seat, the arms and the backrest. At the point of fitting of turned parts can mix types and colors of wood, giving a unique effect to the whole. The seat and backrest are upholstered, the anotomic and organic form of the seat offer a user comfort. The wooden structure was reinforced with a metal tubular core.
Tigejdiwin & Akemmus: 600mm x 600mm x 740mm the chair
700mm x 700mm x 740mm the armchair
500mm x 500mm x 1000mm the stool
Tibzimin: Brazil, Furniture, chair, robertabanqueri, braziliandesing, mobiliariobrasileiro
Tasnakta n Ufares: The execution of the product is due to the union of technology of a machining center of 6 axes with the use of handcrafted processes. The entire external structure was made of solid wood turned, it took an internal reinforcement in metal to give resistance to part of the arm, and to the assembly, the structure that supports the seat is a metallic X shaped tubular structure, the arms were initially made by hand, around manual and later the drawing passed to the program, being executed by the machining center.
Asewḥel n Usnulfu: The creative challenge was to be so simple as to stand, was to be different from the products known in the market, without being pretentious, have personality and functionality, small and light, despite being in solid wood, to run we use a wood called Tauari, light although tough, has light color and allows for dyeing.
Anadi: The seemingly simple design contained a huge challenge, to make two big lines hold the whole set, to have a part that followed and turned an arm to support the user, it took some prototypes and tests of resistance, the first arms broke when subjected to weight that an adult human being applies to the sitting and lifting of the chair, then it was necessary to structure with a metal soul internally, but that alone was not sufficient, we had to study how much it should enter and what angle necessary for the solution to work.
Aseḥbiber: The motivation was to have a simple and elegant product, while small and versatile to get into any space or decor. The language should be contemporary and universal, the use of wood turned and leather, refers us to brazilian modernism, and the minimal of the piece does not refer to the concept of scandinavian simplicity.
Tanzagt n Usenfar: The project started in july 2018 and finished february 2019, was exhibited in 35 Paralela Fair in São Paulo, SP, Brazil
Tanila n Umahil: The Ponto line is composed of a family of seats, will meet all the seating needs, simply and small, the seat being rounded and having narrow sides offers a large internal space, something that can only be perceived by sitting, thus, as the comfort that provides the anatomical seat.
Ibrivan: Copyryghts by Roberta Banqueri Serra, 2019
Igmamen n Terbaɛt: Designer Assistent: Rodrigo Costa da Silva
Woodworkers: Alinor Zanotto
Ricardo Zanotto
Valdecir Zanotto
Factory: Todo Ind. de Móveis
Imsuren n Tugniwin: #1 Moresco, Ponto, 2019.
#2 Moresco, Ponto, 2019.
#3 Moresco, Ponto, 2019.
#4 Paulino, Ponto, 2020.
#5 Paulino, Ponto, 2020.