Three Worlds Tibwaḍin sɣur Gaja Hanzel d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Isegbaren n Tmuḍa d Usikel.

UzzalAsegbar· 2026

Three Worlds Tibwaḍin

sɣur Gaja Hanzel

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Asegbar

9,234

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #178374

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Three Worlds Tibwaḍin

Tagrumma n tibwaḍin "Kraḍ Umaḍalen Yiwen Wul" tessenqad amyagar gar wemyaru n wayla aⵣlayan d ufeṣṣel amaynut. Tibwaḍin ttwaxeddment am tuɣawin n tmacahut, ttbeddilent tissugna idelsanen si tlata n temnaḍin ɣer isekkilen, talɣiwin d tepaletin n yiniten. Ttwaxedment seg wayen d-yekkan deg imɣan i d-yettuɣalen deg wadeg n uglim akked tⵎⴻⴷⴷaziⵏ igamanen yettwaⵙⵙⴻⴹⴱⴻⵄen, yal tabwaḍt tesseɣlay talast gar tmahalt d lqaɛa n tⵎⵓⵜⵜⵉ. Tagrumma tettak azal i ufeṣṣel ur nfennu, aⵙⵖⵓⴷⴻⵛ adigan d wadeg n tⴱⵡⴰⴹⵜ am umeɛⵡⴰⵍ udmawan n tⴰⵎⴻⴽⵜⵉⵜ d unⴻⵣⵡⵉ.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Three Worlds Tibwaḍin d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Three Worlds Tibwaḍin ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The Three Worlds One Heart handbag collection is based on a biographical design concept translating personal histories from three countries into functional objects. Each model reflects the distinct lifestyles of three sisters: a travel companion, a compact everyday bag, a market drawstring tote, and a vintage inspired silhouette for day and evening use. Three original prints, rooted in memory and cultural heritage, appear on exterior or lining. The series comprises four handbags in three color variations, combining narrative depth, functionality, and lasting emotional value.
Tigejdiwin & Akemmus: There are 4 tipes of bags in the collection. The bag sizes are: 41 x 20 x 16 cm, 26 x 20 x 5 cm, 24 x 26 x 15 cm, 35 x 17 x 12 cm.
Tibzimin: bag design, pattern design, cultural heritage, women's handbag, timeless design, original prints
Tasnakta n Ufares: The project applies a narrative driven design methodology, transforming biographical research into functional products. Textile patterns were developed combining hand-drawn motifs and digital refinement, forming a cohesive visual system inspired by cultural heritage, landscapes, and personal memories. Bags are crafted from cotton and apple waste leather alternative featuring original digital prints. Each form was refined through prototyping and structural testing, resulting in balanced proportions and functional clarity, with shapes inspired by each bag’s intended use and the region where the sisters lived.
Asewḥel n Usnulfu: The main challenge was translating intimate family narratives and diverse cultural contexts into a cohesive and contemporary handbag designs while maintaining functional clarity. Developing original prints that respectfully reflect three cultural environments required extensive research into heritage, symbols and color language. Additional challenges included technical limitations of materials, local production, and pattern scalability, which demanded iterative experimentation to ensure functional, durable, and ethically produced designs.
Anadi: This project is based on qualitative, practice led design research. The objective was to explore how family history, regional cultural heritage, and everyday lifestyles can inform contemporary handbag forms and textile patterns. The research translated personal and regional narratives using visual research, cultural analysis, original print development, material testing and prototyping. Data came from archives, family narratives, field visits, and photography. Results produced cohesive patterns and functional forms, translating memory, culture, and daily life into versatile handbags.
Aseḥbiber: The handbags originate from an intimate family narrative, inspired by the life stories of three sisters, including my grandmother, whose lives unfolded across three countries: Slovenia, Croatia and North Macedonia. Their stories initiated an indepth research process into personal memories, cultural heritage and architectural forms, which shaped the overall designs and original prints, translating memories and cultural identity into a cohesive visual language.
Tanzagt n Usenfar: The project began in June 2025 in Gorizia, Italy and ended in November 2025 in Sezana, Slovenia. It was exhibited at the local cultural center in Slovenia.
Tanila n Umahil: The collection offers versatile carrying options for everyday use. Two models feature adjustable and removable straps, allowing shoulder, crossbody, or hand carry. The two larger bags provide ample space for personal items. Textile patterns appear on the exterior for some bags and as lining for others, creating a visual surprise. Each design balances functionality, comfort, and aesthetic appeal, adapting effortlessly to different occasions and styling needs.
Imsuren n Tugniwin: Image #No 1, 4, 5 : Photographer Dominique Pozzo, Three Worlds, 2025
Image #No 2, 3 : Photographer Gaja Hanzel, Three Worlds, 2025