Iconic Designs Tiɣawsiwin n usaru sɣur Olivier Felix Isselin and Maxime Golay

Iconic Designs Tiɣawsiwin n usaru sɣur Olivier Felix Isselin and Maxime Golay d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Usaru, Avidyu d Usmussu.

LbrunzAsaru· 2026

Iconic Designs Tiɣawsiwin n usaru

sɣur Olivier Felix Isselin and Maxime Golay

Amsaɣ: MGOFI Production

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Asaru

11,095

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #176172

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Iconic Designs Tiɣawsiwin n usaru

Iconic Designs d taɣarast n usaru n teglemt tewzilen yettwakksen i tesleḍt n talɣa. Yal taggayt tettḥawal ɣef yiwet n tɣawsa tamarright kan, tettmuqul aẓar-is, taɣessa-s, akked tazṛut-is ɣef tudert n yal ass. S yiwet n tarrayt taklasikit yettwaḥekkmen akked usbeddi adgan kan, taɣarast tesken akeffeẓ am yiwen n usuref n teɣdemt. S usegmel n taledict tamezruyt akked teɣuri talɣawit, tettbeddil tamuɣli ɣer tigzi, tessuffuɣ-d akeffeẓ aked-yiwen war asehlel. Yal tasekta tettbeddu izirigen igejdanen, tikta, akked twuriwin, tettak-d taɣuri tafrirt n tɣawsa.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Iconic Designs Tiɣawsiwin n usaru d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Iconic Designs Tiɣawsiwin n usaru ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Iconic Designs Tiɣawsiwin n usaru yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Iconic Designs is a short-format audiovisual series that examines iconic objects through cinematic precision and minimalist visual language. Each episode combines artistic direction with documentary rigor to reveal the logic and construction of form. The series presents design as a cultural discipline, translating observation into understanding through image, rhythm, and composition.
Tigejdiwin & Akemmus: Audiovisual series of ten episodes, each 150 seconds in duration. Filmed in native 8K resolution 7680 x 4320 px at 25 or 30 fps in 16:9 aspect ratio using a RED Monstro 8K VV camera with Angenieux optics. Captured in RAW workflow with controlled depth of field and precision motion control. Mastered in HDR10 with stereo and 5.1 spatial sound. Set constructed on a 6 m x 4 m cyclorama under calibrated 5600K lighting. Delivered in ProRes, MXF and MP4 broadcast formats for television, museum and digital distribution.
Tibzimin: Design, Iconic Objects, Television Series, Short Format, Documentary, Minimalist, Cultural Heritage, Education, Visual Storytelling, Contemporary Culture
Tasnakta n Ufares: Filmed in 8K using a RED Monstro VV camera with Angenieux optics on an Atrax motion control robotic arm, enabling sub-millimetric precision and repeatable camera movements. The minimalist cyclorama isolates each object within a controlled spatial environment under calibrated 5600K lighting. Spatial sound is captured with Sennheiser microphones and processed through a unified post-production workflow for consistent high-fidelity image and sound integration.
Asewḥel n Usnulfu: The main challenge was to translate the intellectual depth of design into a short audiovisual format without reducing its complexity. This required balancing cultural accuracy, emotional resonance, and cinematic precision. Iterative testing, motion control, and precise editing enabled this balance. The limited duration of each episode demanded absolute clarity in both image and narrative.
Anadi: This research explores how design culture can be communicated through short-form audiovisual language. The objective is to combine clarity, accessibility, and emotional resonance. Methods include visual analysis, expert consultation, and audience testing. Results indicate that minimalist imagery and precise narration improve comprehension and retention, supporting design as a cultural medium.
Aseḥbiber: The project is inspired by the pervasive role of design in everyday life. Beyond aesthetics, design expresses reason, proportion, and purpose. The series reveals this underlying structure through image and sound, drawing from architecture, art, and philosophy. It transforms observation into knowledge and positions design as a fundamental cultural language.
Tanzagt n Usenfar: The project began in January 2024 in Cannes, France, with concept development and early visual research. Filming took place in 2025 across France, including the historic Tolix factory in Autun and the robotic studio Halphastudio near Paris. Post production and mastering were completed in Dublin, Ireland, in October 2025, marking the international launch of the series.
Tanila n Umahil: Each episode follows a three-part structure: introduction, exploration, and reflection. The host presents the object through concise narration while the camera reveals its form in continuous motion. The viewer is guided by rhythm and image rather than explicit explanation. The short format creates an immediate and intuitive engagement, leading to both emotional and intellectual understanding.
Ibrivan: Copyrights belong to Olivier Felix Isselin and Maxime Golay, 2025.
Igmamen n Terbaɛt: Olivier Felix Isselin
Maxime Golay
Imsuren n Tugniwin: Olivier Felix Isselin
Maxime Golay