Butterflies Lingering Over Flowers Taxatemt sɣur Jie Dong

Butterflies Lingering Over Flowers Taxatemt sɣur Jie Dong d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Lḥelya.

LbrunzLḥelya· 2026

Butterflies Lingering Over Flowers Taxatemt

sɣur Jie Dong

Amsaɣ: Shenzhen Mulan Jewelry Co., Ltd.

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Lḥelya

8,921

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #174658

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Butterflies Lingering Over Flowers Taxatemt

Iferttella yettezzin ɣef ijeǧǧigen d taxatemt i d-yekkan seg yiwen n ufyir n tmedyazt taklasikit tacinwat i d-yettmeslayen ɣef uferttettu yettferfiren gar tissiwin n ijeǧǧigen. Aẓru alemmas d ayaqut aḥerfi ur nettwaseḥmu ara s yini n idammen n titbirt i d-yekkan si Myanmar, i deg ttwaḥerzen wayen i t-icerken s wudem agaman akked yini-ines drus i yellan. Tawuri n uẓeṭṭa yeldin tesskanay-d tiferrawin n ijeǧǧigen yemsestban, ma d idyamanen imecṭuḥen yersen ɣef teɣlaft rnan-as afeǧǧeǧ. Taɣlaft ur nemsawa ara tettemcabi ɣer tregwa n wafriwen n uferttettu, tettili s lehna ɣef sin ifassen. Tafekka n uwraɣ n 18K tettbeddid i tewuri tuddizt n uẓeṭṭa yeldin, yerna ur tesseɣras ara.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Butterflies Lingering Over Flowers Taxatemt d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Butterflies Lingering Over Flowers Taxatemt ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Butterflies Lingering Over Flowers Taxatemt yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Using the core technique of frozen motion, the ring transforms the poetic scene from a line in Reflections on Qujiang Lake II by the renowned Tang Dynasty poet Du Fu, through layers of flowers, the butterfly glides, into a wearable work of art. By deconstructing the moment when the butterflies gently brush flower petals, the designer abstracts a threefold metaphor for love, pursuit, intimacy, and immersion, forming a narrative that blends Eastern aesthetics with modern jewelry design.
Tigejdiwin & Akemmus: 33mm*23mm*33mm
Tibzimin: Jewelry Design, Images from Classical Chinese Poetry, Frozen Motion Technique, Micro Set Diamonds and Openwork Craftsmanship, Unheated Burmese Pigeon Blood Ruby, Asymmetric Ring Band
Tasnakta n Ufares: The center stone is an unheated raw pigeon blood ruby from Myanmar, whose natural inclusions and rare hue are preserved, celebrating the unfiltered beauty that mirrors the purity of true love. Through openwork craftsmanship and the mix of micro set diamonds of D E color grade and IF clarity, it enhances brilliance and clarity, creating a visual effect of diamonds shimmering like morning dew. Crafted from 18K gold, it supports complex openwork and resists corrosion, ensuring lasting brilliance.
Asewḥel n Usnulfu: The challenge is to freeze the poetic moment of butterflies gently brushing the flower into the static form. The ring setting constructs a layered spatial imagery where butterflies circle the flower and petals mirror its fluttering form with openwork craftsmanship and micro set diamonds. Diamonds shimmer like morning dew along the band, their cool brilliance forming a contrast to the pigeon blood ruby. With the flow of light, it brings to life the vitality of butterflies gliding through flowers.
Anadi: In the fast paced modern world, consumer demand for jewelry has shifted from pure ornamentation to emotional resonance and cultural identity. This design responds to two major trends. Drawing inspiration from Tang poetry, it fills the gap in the highend jewelry market for jewelry with a cultural narrative. It also embraces natural materials and recyclable craftsmanship to meet the growing desire for sustainable consumption of the new generation.
Aseḥbiber: It draws on a vivid scene written by Du Fu, through layers of flowers, the butterfly glides. The designer uses jewelry to transform the artistic void into a 3D spatial language. By capturing the interaction between the butterfly and the flower, it shows the metaphor of love, pursuit, intimacy, and immersion. The curvy ring band imitates the fluttering butterflies and the openwork craftsmanship evokes the layered petals. The unheated raw Burmese pigeon blood ruby mirrors the purity of true love.
Tanzagt n Usenfar: Designed and developed in Beijing in November 2024, the project was launched in China in January 2025.
Tanila n Umahil: Transcending the static nature of traditional jewelry, the ring invites emotional interaction with its dynamic form and wearing method. The asymmetric ring band imitates the natural arcs of butterfly wings and flower petals. Its gradient curve ensures a comfortable fit on both hands, achieving a balance between artistic tension and ergonomic ease. The openwork edges are smoothly finished and crafted to prevent snagging, showing the modern jewelry design philosophy of form following function.
Igmamen n Terbaɛt: Jie Dong