Incense Asbeddi n Tẓuri s Uɣanim sɣur Lin Ching Ke

Incense Asbeddi n Tẓuri s Uɣanim sɣur Lin Ching Ke d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Teẓuri Tafessast d Usbeddi n Teẓuri.

LbrunzTaẓuri Tafessast· 2026

Incense Asbeddi n Tẓuri s Uɣanim

sɣur Lin Ching Ke

Amsaɣ: Shilin Shennong Temple

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Taẓuri Tafessast

10,009

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #173311

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Incense Asbeddi n Tẓuri s Uɣanim

Incense d asbeddi n tẓuri s uɣanim s teɣzi meqqren i yettwaxedmen i yiwen n lǧameɛ deg Taipei. Axeddim-a yettales asefru i uɛadda n usserɣi n lebxur. Aɣanim n Taiwan i d-yettwaddmen si tmurt yettwaknaf s tmes yerna yettwaẓḍa deg waṭas n tissiwin, rnan-as-d iceṭṭiḍen yettak tafat ad tɛeddi. Talɣa-ines yettezzin tettmektay-d aḥerrek n dexxan mi d-yettali. Asbeddi-a yesɛa 3000 n imilimitren di tehri, 3000 n imilimitren di telqey akked 4000 n imilimitren di teɣzi n usawen. Inebgawen zemren ad zzin i tseddart yerna ad ɛeddin seddaw-as, ad walin tafat n yiṭij mi tettɛeddi gar tissiwin n uɣanim.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Incense Asbeddi n Tẓuri s Uɣanim d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Incense Asbeddi n Tẓuri s Uɣanim ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Incense Asbeddi n Tẓuri s Uɣanim yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Incense is a large scale bamboo installation that reinterprets the ritual of incense burning through contemporary spatial art. By integrating translucent textiles with organic bamboo structures, the work captures the ephemeral quality of rising smoke. The installation invites viewers into a quiet encounter with spiritual transcendence, bridging traditional cultural practices and modern aesthetics.
Tigejdiwin & Akemmus: The installation measures 3000 millimeters in width, 3000 millimeters in depth, and 4000 millimeters in height.
Tibzimin: Bamboo installation, ritual art, incense culture, temple-inspired, spiritual design, contemporary craft, Taiwanese bamboo, ephemeral forms, faith and memory, sustainable installation
Tasnakta n Ufares: Crafted from locally sourced Taiwanese bamboo, the installation utilizes original weaving techniques developed by the artist. Through heat-bending, multi layered weaving, and precise structural calculations, the design forms a spiraling shape that echoes the movement of smoke. The work harmonizes engineering precision with the natural flexibility of bamboo, resulting in a structure that is both stable and ethereal.
Asewḥel n Usnulfu: The primary challenge was achieving structural balance between visual lightness and physical stability. Traditional bamboo techniques were adapted for large scale application, requiring iterative experimentation, sensitivity to environmental factors, and thoughtful integration with the historical context of the sacred site.
Anadi: This project involved design research focused on reinterpreting incense rituals through the use of sustainable materials. The objective was to visualize ephemeral smoke using stable spatial forms. The process included material experimentation, digital simulation, and structural prototyping. The results highlighted bamboo’s potential to express intangible cultural heritage within a contemporary design framework.
Aseḥbiber: Incense draws inspiration from the intangible cultural tradition of incense burning in Taiwanese temples. The ephemeral movement of smoke and its spiritual connotation are reimagined through contemporary spatial design, transforming invisible rituals into a meditative and immersive visual experience that connects memory, faith, and modern life.
Tanzagt n Usenfar: The project was developed over a six month period in Taipei, with installation completed at Shilin Shen Nong Temple between August 8 and September 8, 2024.
Tanila n Umahil: Viewers are invited to move around and beneath the installation, observing shifting patterns of light and shadow as natural sunlight filters through the bamboo weave. This dynamic interaction encourages quiet contemplation, evoking the transience of incense smoke and establishing a dialogue between spiritual ritual and contemporary interpretation.