Ɛeddi ɣer ugbur
Drift Aseksu n lexfef n lḥiṭ mgal lbiktirya sɣur Nikolaos Karintzaidis

Drift Aseksu n lexfef n lḥiṭ mgal lbiktirya sɣur Nikolaos Karintzaidis d anerbaz yettwaqadren meqqren n 2024 Tarbaḥt A' Design Award n Lplatin deg Taggayt n Tnaflit n Afeṣṣel n Igemman n Lebni d Iferdisen n Tɛemmart.


LplatinIferdisen n Lebni· 2024

Drift Aseksu n lexfef n lḥiṭ mgal lbiktirya

sɣur Nikolaos Karintzaidis

Amsaɣ: Iris Ceramica Group

Anerbaz n Tarbaḥt A' Design Award n Lplatin deg Taggayt n Iferdisen n Lebni

1,806,781

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #154733

Initen

Afeṣṣel

Ɣef Drift Aseksu n lexfef n lḥiṭ mgal lbiktirya

Tifelwin n lexfef n yiɣraben zemrent ad qqiment weḥd-nsent, maca daɣen snulfuyent inugrawen n tuddsa tazrigt s usemsawal, akala ur nettwamdel ara yettmeslayen ɣef izmawen islamiyen wezziɛen war taggara. Asmekti-nsen yettarra inugrawen ijumitriyen s tuzzya tafessast n tefelist, akken ad naweḍ aswir afellay n usefsu s useqdec adday n iferdisen n lebni. Aferdis yessaweḍ lqedd gar tjeṛṛumt d unamkan akken ad yemṣada d tiwnaḍin yemgaraden akked tegnit, s yiseqdac seg tsila tamecṭuḥt ar tameqqrant.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lplatin

Drift Aseksu n lexfef n lḥiṭ mgal lbiktirya d amerbaḥ n Tarbaḥt A' Design Award n Lplatin, tagmat ɛlayen i yisnulfa yesɛan tmahilt ur nesɛi amgarad. Imerbaḥen n Lplatin ttbanen d timusniwin n tezmert n yimahilen-nsen. Drift Aseksu n lexfef n lḥiṭ mgal lbiktirya yesɛa tinawt tamaynut, tazmert d lqima ɛlayen, yerra ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
Ceramic wall panels can stand on their own but also develop patterns of visual continuity through modulation, an open ended process referring to Islamic motifs expanding infinitely. Their combination generates geometric patterns by simple rotation of slab, in order to achieve maximum degree of customisation with minimum use of construction elements. Module balances between geometric and abstract to fit different environments and ambience, with applications ranging from small to large scale.
Tigejdiwin & Akemmus
Active Surfaces natural materials combine science and design to improve wellbeing in spaces people live in. Active Surfaces turn ceramic slabs into an ecoactive material with four superior properties which are antibacterial and antiviral, antipollution, antiodour and selfcleaning certified to ISO standards. These materials can degrade bacteria and viruses including SARS CoV2, polluting particles and molecules responsible for bad odours. Ecoactive surface is also more resistant to dirt making it easier to clean.
Tibzimin
innovation, sustainability, ceramics, heritage, environment
Tasnakta n Ufares
DYS is a versatile on demand decoration service patented by Iris Ceramica, making possible to produce any kind of decoration on ceramic surfaces. The result is a unique customisation that turns ceramics into an authentic art form. Taking advantage of innovative printing possibilities, a dynamic dialogue with technology and progress is materialised combining abstract with geometric. Continuous ripples add plasticity to flat surfaces, reflecting continuity of printing process and technical features behind manufacture of ceramic slabs.
Asewḥel n Usnulfu
Underscoring the relation among the conformation and the medium that is composed of, craft becomes a visual expression of the making activity as configuration seizes the memory of raw matter in the finished product. Converting impressions to physicality, place and memory are captured and preserved in space. Interplay of reflections and patterns reveals different textures in pools, spas and wellness centres. A visual reflection of people’s circulation in stations, shopping centres and public areas, flow is converted to spatial experience.
Anadi
With reference to traditional ceramics illustrating long history of building with earth, pottery lines highlight our common roots and deep connection with earth. Converting environment to artefact by combining natural and humanmade, project strengthens the correlation between material and final product through a conceptual process which underscores links among form and substance. Through visual and physical linkages, ceramic slabs design forges a strong link with what is made of, matter extracted from earth.
Aseḥbiber
Inspired by natural landscape of Emirates the ceramic wall panels capture essence of place while bringing physical scenery in the manufactured. Linear pattern mimics sand ridges as curved and parabolic lines formed by interaction with wind engraving land are translated to fluid geometry, taking cues from landscape topographical contouring. Referring to unique local geography, desert dunes and terrain contours shaped by the wind illustrate how human trace intersects with the trace of time.
Tanzagt n Usenfar
The project was completed in 2023.
Tanila n Umahil
Encountering movement and plasticity, vibrations and pulses activate surfaces complementing ceramic slab texture and tactility. Employing metallic inks and tonal adjustments in combination with the wide range of Iris Ceramica slabs, users can add personality and distinctiveness in domestic habitat. Applied as cladding in building envelopes, geometric combinations form a dialogue with mutability of topography and urban environment.
Imsuren n Tugniwin
Studio Niko Kapa

Yettwaxellṣen

Snirem Seld Designers.org

Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.

Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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