Reborn Aqeddaḥ n weɣni sɣur Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching d anerbaz yettwaqadren meqqren n 2023 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Teẓuri Tafessast d Usbeddi n Teẓuri.
UzzalTaẓuri Tafessast· 2023
Reborn Aqeddaḥ n weɣni
sɣur Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching
Amsaɣ: Tainan University of Technology/Product Design Deparment
Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Taẓuri Tafessast
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #150604Afeṣṣel
Ɣef Reborn Aqeddaḥ n weɣni
Snefli n wazal i wayen yeggran d wayen i d-yeqqimen n weɣni si teṣenɛet n yimeḍḍa s useqdec n tetiknin n usekcem n wuzzal ɣef uɣelli n weɣni s talɣa takuṛezt tiɣarant. S tineddut si telɣa n tudert n yiẓura yettamɣen, asarig n rṛuḥam yettusekcem deg iɣsan n weɣni, yettaẓẓay beṛṛa am telɣa n yiẓuran yemmɣen akken ad isefrek aqeddaḥ n weɣni. Asentel-a ɣur-s iseqdac innfulsen acku tisura n weɣni ttuɣalent d tabuqalt i tmerna, tettcabi ɣer uẓru yettbeggen, tettmal-d azraz n tudert. Talɣa tazzayezt n yiẓuran n wuzzal tettak-d tanemla n tudert, tettcabi ɣer umidder yettmutti.
Asmekti
Ɣef Tarbaḥt A' Design Award n Uzzal
Reborn Aqeddaḥ n weɣni d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Reborn Aqeddaḥ n weɣni ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- The pattern on this wooden vase artwork is inlaid on a three-dimensional spherical wood surface. Inspired by growing seeds, brass wire is embedded on the wood following the wood grain, with some extending out as the shape of seed roots to support the wooden vase. The pattern has functional uses as wood leftovers are made into a container for planting, resembling a sprouting seed, symbolizing the cycle of life. The flowing metal root shape gives a sense of vitality, resembling a moving organism.
- Tigejdiwin & Akemmus
- Material: teak wood, brass, glass.
Dimensions: Round seed: Length 15cm x Width 9cm x Height 14cm, Gourd-shaped seed: Length 20cm x Width 11cm x Height 17cm, Eggplant-shaped seed: Length 23cm x Width 8.5cm x Height 22.5m, Elliptical seed: Length 30cm x Width 9cm x Height 10cm. - Tibzimin
- Wooden, Vase, Metal, Inlaid Technique, Art Craft, Brass, Leftover
- Tasnakta n Ufares
- Material: teak, brass, glass.
Production technology: lathe turning out of the basic shape of wood, hand-polished wood appearance,hand-welded metal, inlaid metal, hand-dyed spray
painting.
Surface treatment: spray transparent protective paint after dyeing and then polish and trim the surface to smooth, this process is repeated 2-3 times after polishing the metal, and finally spray a laver of transparent protective paint to prevent brass oxidation. - Asewḥel n Usnulfu
- To support the wood above, a thicker and harder brass wire was used for the extended structure. However, the ends of the wire tended to curl up when embedded on the curved surface. To enhance the metal's stability on the wood, eight types of glue were tested and the problem was resolved by referencing riveting techniques. When grinding the pointed end of the wire, it tended to become too thin and curl up, but after trying various methods, the issue was resolved.
- Anadi
- Type of study: technology, art.
Goal: Apply planar tessellation techniques to surface tessellation.
Methods: Technical application analysis, process technology analysis, material analysis, practical operation experiment.
Data collection: self-observation experience, books, online work observation.
Research tools:
metalworking tools,
woodworking tools, all kinds of drills, all kinds of grinding tools. - Aseḥbiber
- We discovered leftover wood from furniture making and decided to utilize our metalworking skills to combine it with metal through inlaying techniques. After observing that metal inlaying on wood is often flat and purely decorative, we aimed to create something different. We used our craft skill to create new value from the leftover material by combining the gentle nature and unique wood grain of the wood with the idea of the cycle of life, resulting in this artistic piece.
- Tanzagt n Usenfar
- The project began in June 2021 and was completed in Tainan, Taiwan in March 2022.
- Tanila n Umahil
- The holes on the flower vessel contain glass containers that can be filled with water to grow aquatic plants, resembling a germinating seed from a distance. Other items can be inserted into the container for decoration, or it can be used as a standalone art piece.
- Igmamen n Terbaɛt
- Instructor: ChungSheng Chen
Designer：ChuJou Chen
Designer: YuHsuan Chen
Designer: FanXuan Yang
Designer: ChingChing Weng
Tainan University of Technology Product Design Dept - Imsuren n Tugniwin
- Image#1~#5: ChuJou Chen/ YuHsuan Chen/ FanXuan Yang/ ChingChing Weng
Yettwaxellṣen
Snirem Seld Designers.org
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