Ɛeddi ɣer ugbur
Interference Taẓuri n Uẓuran sɣur Lai Jiebin

Interference Taẓuri n Uẓuran sɣur Lai Jiebin d anerbaz yettwaqadren meqqren n 2023 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Teẓuri Tafessast d Usbeddi n Teẓuri.


LfeṭṭaTaẓuri Tafessast· 2023

Interference Taẓuri n Uẓuran

sɣur Lai Jiebin

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Taẓuri Tafessast

54,789

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #148173

Initen

Afeṣṣel

Ɣef Interference Taẓuri n Uẓuran

Talɣa n yisekla tettmettil-d tagama, aɛeṭṭaf yettmettil-d tikci n wemdan di tegama. Lxedma-agi tettmesxalaḍ tagama tamenzut n tegama d tizmert n tikci n wemdan, tesnulfuy-d tallunt n yidis s usentel n tekolojit, tessexdam iferdisen n usmeskel n yisekla seg tudiwin n yiselmaden n tesɣunt Song di uẓuran. Mi ara ẓren yemdanen ixeddamen-agi, ad xemmmen ɣef anida tuɣal-d temṣelt n yimdanen akked assaɣ gar tegama d yimdanen.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Interference Taẓuri n Uẓuran d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Interference Taẓuri n Uẓuran ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
The tree shape symbolizes nature, and the cloth on it symbolizes the interference of human forces in nature. It collides the primitive nature of nature with the possibility of human interference, suggesting that although the environmental situation of today's highly developed earth looks very beautiful, it has major hidden dangers. When people stare at the works, they think about the future of mankind and the relationship between nature and mankind.
Tigejdiwin & Akemmus
Each monomer is about 4.8m long, 1.5m wide and 2.5m high
Tibzimin
Sculpture, public art, contemporary art, ecological art
Tasnakta n Ufares
Transparent resin is selected for material creation through 3D printing technology to explore the performance of 3D printing technology in the context of contemporary art, create a tragic scene space with the theme of ecology, reflect the natural attribute, spatial expression and artistic conception transmission of transparent resin, apply the modeling elements of trees in Chinese traditional literati paintings of Song Dynasty to sculpture, and retain Chinese classical aesthetics, Make the whole work present an elegant state.
Asewḥel n Usnulfu
Create a visual and touchable artistic image with a certain space, so as to reflect social life and express aesthetic feeling, aesthetic emotion and aesthetic ideal
Anadi
The emergence of ecological art reflects people's reflection and Reflection on the consciousness of environmental damage, and is the expression of the progress of the times. As a work of public art, with the eyes of criticism and reflection, it has more profound value and contribution to the disclosure of the contradiction between man and nature, and can also reflect the level of civilization.
Aseḥbiber
The inspiration comes from the author's childhood rural life. In the process of perceiving the "tree" since childhood, what lingers is that the "tree" is used in the form of tools to provide daily necessities and "service" for drying quilt covers for people living nearby. The author felt sad about the "pressure" of trees since childhood. Why should a tree bear so much weight for mankind. Nowadays, people's interference with nature is more like one quilt after another
Tanzagt n Usenfar
The project was completed in April 2022, and was exhibited in Shandong Art Museum in May 2022, 798 Art District in Beijing in June 2022, and the Himalayan Art Museum in Shanghai in December 2022. It is now collected by Zhuhai Huanyu City
Tanila n Umahil
Compared with literati paintings in other times, Chinese literati paintings in Song Dynasty have more obvious characteristics, rich ideas and simple painting style, which has great reference value for the current painting art. The shape of the tree in the works is inspired by the literati painting of the Song Dynasty. Through repeated deliberation on the tree language in the literati painting of the Song Dynasty, it is finally presented in its own works.
Imsuren n Tugniwin
Image # 1, # 2, # 3, # 4, # 5 artist Lai jiebin

Yettwaxellṣen

Snirem Seld Designers.org

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Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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