Xixi Endliess Garden Anamek Agejdan: Anadi n Waṭṭas n Twuriwin sɣur Ling Chen

Xixi Endliess Garden Anamek Agejdan: Anadi n Waṭṭas n Twuriwin sɣur Ling Chen d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Tansekta, Lebni d Teɣssa.

LbrunzTansekta· 2022

Xixi Endliess Garden Anamek Agejdan: Anadi n Waṭṭas n Twuriwin

sɣur Ling Chen

Amsaɣ: Wsp Architects

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tansekta

11,775

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #140396

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Xixi Endliess Garden Anamek Agejdan: Anadi n Waṭṭas n Twuriwin

Aḍris n Tektabt: Xixi Endliess Garden d anadi n waṭṭas n twuriwin i gella deg Xixi Wetland n temdint n Hangzhou, di Ccinwa. Talɣa taqburt n tqbucin d ibarraḥen i d-ițɣimin d asebtar n tbunya, imukan akked twuriwin. Tiqbucin ttbeddint deg leɣmiḍ, ṛebḥent gar-asent s ibarraḥen. Talɣa am tesnukt war tigejda n lqaɛa i d-yernan tussna tatrart ɣer telɣa taqburt. Iḥeddan imellalen d ṭṭaqat izegzawen ttabaɛen tazwara n tbunya n Ccinwa n usammer. Tafeḍna n tbunya tɛeddi 5,642 imitrat imṛebbaɛen. Aselway n usnirem yesnirem tiddi n tbunya akked iberdan iwakken ad iḥadr talɣa taqburt n leɣmiḍ.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Xixi Endliess Garden Anamek Agejdan: Anadi n Waṭṭas n Twuriwin d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Xixi Endliess Garden Anamek Agejdan: Anadi n Waṭṭas n Twuriwin ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Xixi Endliess Garden Anamek Agejdan: Anadi n Waṭṭas n Twuriwin yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Adopting the concept of nothingness could make the design of Xixi more natural and smooth. The general planning and landscape design of this project is aimed to return to nature and its ancient forms and by planning, constructing and landscape designing, to adjust the relation with nature and restore China traditional construction, passing on the quality of harmony, peace, silence and quiescence of Chinese culture as well as traditional views upon neighborhood, life, ideal and mindset.
Tigejdiwin & Akemmus: Occupied Area: 710,000 square meters
Construction Area: 5,642 square meters
Tibzimin: Wetland, Planning, Landscape, Hangzhou
Tasnakta n Ufares: As to the planning of Xixi Art Village, the project team discussed a lot in earlier stage and in hope to protect the wetland in a more ecological manner, showcasing its original forms while preserving native landscapes. At last, the strategy of respect wetland with minimum intervention was adopted in general planning and design, which includes strict control over the size of constructions and roads, utilization of existing road system and more walks complemented with few electrical vehicles.
Asewḥel n Usnulfu: Designer insists on adopting the style of normal constructions, hoping that such constructions could fit into the landscape, and takes great care upon the size of construction, fitness of nature and the protection of original ecology. Hangzhou represents the most of China southern tradition and Xixi Wetland thus attracts most of southern men of letters. Here, the constructions should represent more of its culture and natural landscape.
Anadi: The Project locates at Hangzhou Xixi Wetland, where the ancients used to seclude from the outside as it enjoys both cultural elegance as well as the unique landscape of the south, representing both natural scenery and human affections for waters. Designer believes that only by adopting the concept of nothingness could make the design of Xixi more natural and smooth.
Aseḥbiber: Traditional structure of pavilion and corridor is adopted in defining entire construction, space and function, making such construction a pavilion in the wetland and landscape connected by corridors and showcasing charm of China tradition; box like structure with no pillars in the middle adds a sense of modernity to construction, combining both traditional and modern forms. As for coloring, the designing embodies respects for the southern characteristics, using white walls and gray windows.
Tanzagt n Usenfar: Location: Hangzhou, Zhejiang, China
Designed/Completed in: 2008/2016
Tanila n Umahil: Spaces of pavilion and corridor enable construction to better fit in nature and time, and have different forms in each season: when it snows, the yard could provide a warm place for watching the snow falling; when it rains, people could stay in rooms to watch beautiful raindrops in the yard; in spring and autumn, the corridor furnishes itself in different forms for people to enjoy; even in a day, changes could take place from daylight to night.
Igmamen n Terbaɛt: Bai Yunxiang, Wang Lina, Wang Hongli.
Imsuren n Tugniwin: Liu Lei