Interpreting Discomfort Tawsit Tageldant n Ucebbeḥ s Zzit sɣur YunFen Wang

Interpreting Discomfort Tawsit Tageldant n Ucebbeḥ s Zzit sɣur YunFen Wang d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Teẓuri Tafessast d Usbeddi n Teẓuri.

LbrunzTaẓuri Tafessast· 2022

Interpreting Discomfort Tawsit Tageldant n Ucebbeḥ s Zzit

sɣur YunFen Wang

Amsaɣ: YunFen Wang

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Taẓuri Tafessast

14,188

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #136563

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Interpreting Discomfort Tawsit Tageldant n Ucebbeḥ s Zzit

Ugar n Ttawil ("Interpreting Discomfort") d tawsit n icebbaḥen s zzit yeɛnan asegzi udmawan akked ddɣel n twennaḍt. Lecɣal-a d-skanen ifassen akked wallen deg tsedwiwin i d-yesnulfun-d imukan n wass i yessalayen anezgum. Tigawin n uɛiwed zemrent ad qerrbent imdanen ɣer wway gar-asen, maca aṭṭas n usadu zemren daɣen ad d-awin anezgum. Icebbaḥen sdukklen sin n tarrayin. Acebbeḥ arurad iheggi lqaɛa taberkant tamellalt ttheggi d taẓuranin n yini. Acebbeḥ usrid isseḥbes yini yemcaraken srid ɣef wudem. Tawsit-a tettwaxdem s zzit ɣef lkanava akked usfayel n weɣrum, tettwaskan deg tɣuriwin d amkan aseɣwas n imeslayen.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Interpreting Discomfort Tawsit Tageldant n Ucebbeḥ s Zzit d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Interpreting Discomfort Tawsit Tageldant n Ucebbeḥ s Zzit ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Interpreting Discomfort Tawsit Tageldant n Ucebbeḥ s Zzit yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Many times “caring” actions will bring people closer together, but it can also make people uncomfortable with too much attention. In this series of works, she discuss how much attention is too much? How is this feeling of discomfort formed? For the attention given by others, we all want to classify it as concern, but too much attention may become a kind of pressure. She use this series of works to discuss with the viewer the comfortable distance of interaction between people.
Tigejdiwin & Akemmus: 24 x 48 inch / 24 x 30 inch / 20 x20 inch / 12 x 12 inch
Tibzimin: hands, eyes, oil painting, art, surrealism
Tasnakta n Ufares: She examined the difference between indirect painting and direct painting, and used both of them in the picture. The indirect painting methods belongs to the technique of classic realistic oil painting, which is completed in black and white and then glaze color on top. Direct painting is the method of contemporary painting, which directly superimposes the adjusted color on the canvas.
Materials used: Oil paint, Wood Panel, Canvas
Asewḥel n Usnulfu: Ideation and the atmosphere is the hardest part of this project. In the presentation of the picture, the shape of the hands must be placed harmoniously in the picture without losing the beauty.
Anadi: The first thing is to study how to create an uncomfortable atmosphere. Eyes and hands are good parts for expressing emotions. The unnatural feeling of combining these two makes the picture more attractive and intriguing.
Aseḥbiber: The images she make for this project are staged recreations of her own experience, and she believe that it is also the experience of many other people. This series deals with issues of discomfort and stress in everyday life. We all care about how others view us, this has become the same as our invisible living standards.
Tanzagt n Usenfar: The project began in San Francisco in 2020. Participated in Contemporary Venice 2021, Italy and Small Works 2021, New York.
Tanila n Umahil: It will be displayed in a gallery, and these paintings can be a tool for conversation.