Richard III Aɣmiḍ sɣur Jisuke Matsuda d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.

UzzalUnuɣ· 2022

Richard III Aɣmiḍ

sɣur Jisuke Matsuda

Amsaɣ: Create Theatre Poster

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Unuɣ

12,179

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #133345

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Richard III Aɣmiḍ

Aɣmiḍ-agi yesken-d leḥsasen iǧehden n wemdan—tuffra, lebɣi, d waɛeǧǧaj. Richard III d amnaɣ yessefraḥen: azedgan maca ameṭṭaw, am uɣrab n leqṣer ajappuni yeccer-it wakud. Iẓra izzdeg deg tuskiwt ttbanen-d am tiferkiyin n teɣremt-is d wul-is yerẓan. Akal azegzaw d usiggez yettuzzin ssuggzen-d imucaɣen yettzentirayen, am wid yellan ɣef uzru n lmurǧan, anda teɣreq tigmiḍt-is. Tira n yisem-is tecbek d yiẓra-ya, teskan-d ccbik ummid n lmend-is.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Richard III Aɣmiḍ d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Richard III Aɣmiḍ ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: This poster shows the strong emotions of human beings. Richard III is a fascinating villain. He is noble, like a Japanese castle made of stones on the foundation. But he is also fragile. The background of the piled stones is the image of the seabed, and it undulates like a coral reef. His ambitions have sunk. And the characters of Richard III and Shakespeare express typography in an entwined manner like algae and seaweed.
Tigejdiwin & Akemmus: 728mm x 1030mm
vertical
Tibzimin: poster, theatre, theater, Shakespeare, play, stage
Tasnakta n Ufares: Offset printing
Embossing Effect
Asewḥel n Usnulfu: It is a work that has been visualized innumerably so far. In order to revive it as a fresh work that I have never seen, it was necessary to deeply interpret the work itself. However, the original text was a non-native language and had some difficulties. On the technical side, it was necessary to create a delicate embossing effect in order to add depth to the work. For that reason, the print plate is divided into multiple parts.
Anadi: This project is part of an academic study of Shakespeare's classical drama. Even today, the goal is to reinterpret the works of the most influential playwrights in line with the times. Both the original English and the Japanese translation are used for the research. It is the role of this poster to visually show the new charm, and it is required to be modern and novel in color and composition. As typography, both English and Japanese used in the research are fused.
Aseḥbiber: Shakespeare's play still excites, saddens and impresses us. When reading and looking at his play, we are not facing a difficult classics. His work is full of the fundamental human truth. In his plays, strong emotion and love who we forget is overflow. This series is an attempt to reconstruct that secret with contemporary posters.
Tanzagt n Usenfar: This work is one of Shakespeare's series, which started in Tokyo (Japan) in 2015 and continues as now. Especially This poster was constructed for the creation of the series "Love and emotion" announced in 2020.
Tanila n Umahil: Although it is a poster for domestic events, it has been introduced all over the world and has a strong presence through the participation exhibitions of many international competitions.
Ibrivan: Created by Jisuke Matsuda
Imsuren n Tugniwin: Image #1 : Jisuke Matsuda, Optional Image #1 : Jisuke Matsuda, Optional Image #2 : Jisuke Matsuda, Optional Image #3 : Jisuke Matsuda, Optional Image #4 : Jisuke Matsuda