Oscarina Takersit sɣur Linda Martins d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Iferrasen.

LbrunzIferrasen· 2021

Oscarina Takersit

sɣur Linda Martins

Amsaɣ: Studio Linda Martins

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Iferrasen

11,215

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #121653

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Oscarina Takersit

Oscarina d takersit i d-yettwaxedmen s ufus, tettwasuref si lqecc n uxeddim asegmi n Brizil n useggas n 1950. Aslugen-a yesseqdac kan sin imeslayen, ttajra akked ccna yettwaznen s ufus, sin-nsen qqnen ɣer ddyanat n ufeṭṭaɛ n Brizil. Izirig iẓewrin ttwadmen akked tugniwin i d-yettwaxedmen s ufus ɣef tmacint n usuki. Yal aḥric yettwagzem, yettwacreḍ, yettwazwer, yettwacud, sakkin yettwaseblel, ma d ccna yettwacud ɣer webrid-ines i yettwagezmen deg ttajra. Isem-is d asenṭeḍ ɣer Tanezruft n Brasilia n Oscar Niemeyer, i d-yefkan asirem i izirig-nni. Takersit tewsen 525 s 497 s 858 tazmilt, tuklal timeẓẓuɣa n waṭas n ixxamen.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Oscarina Takersit d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Oscarina Takersit ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Oscarina Takersit yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Using modernist lines and inspiration, Oscaria is Made by hand, to translates a Brazilian furniture face in the 50', when the constructive and material quality was the most important in a piece. The idea was use just two special and caracterist materials to compose this chair: wood and woven cane. The precepts of the old carpentry, having its parts glued, made one by one, it fuses the old and the new. Noble wood in its purest form.
Tigejdiwin & Akemmus: 525mm x 497mm x 858 mm
Tibzimin: chair, wood, modernist, comfort, Brazil, design
Tasnakta n Ufares: It is done manually with the aid of a lathe. It is done one by one to ensure a good finish. The wood is cut and sanded, then turned and the pieces glued together to receive varnish. Finally, the cane fabric is fixed in the wooden channels.
Asewḥel n Usnulfu: The challenge was to fix the woven cane in the wooden channels. In an artisanal way, we used a string to fix it. Finally, we had the chair with anatomic design in woven cane with the comfort and safety that we desire.
Anadi: The research was done on the modernist period (big designers and materials used) and the way of artisanal production and we discovered that the constructive and material quality was the most important for a piece in this time. Than we research about materials, and we decided use just two: Wood and woven cane, so caracteristic of Brazil.
Aseḥbiber: Is inspired by the period modernist and big names in the design of the time, like Lina Bo Bardi and Joaquin Tenreiro. As a basis, it uses lines inspired by the Cathedral of Brasilia, a work by Oscar Niemeyer, for this reason, it was named Oscarina. A combination of straight and hand-turned lines with noble and caracterist Brazilian materials such as wood and woven cane. The idea was to develop a chair with elements that point to a common identity in modernist furniture.
Tanzagt n Usenfar: The project started in August 2020 and finished in January 2021 in Brazil.
Tanila n Umahil: A chair with a structure well worked in wood, using simple lines, which can be incorporated in various environments, bringing sophistication and lightness. Materializes the basic act of sitting.
Igmamen n Terbaɛt: Linda Martins
Imsuren n Tugniwin: Image #1: Rodrigo Ortega
Image #2: Rodrigo Ortega
Image #3: Rodrigo Ortega
Image #4: Rodrigo Ortega
Image #5: Rodrigo Ortega