Let Parents Stay Tawwurt n Imawlan sɣur Yu Chen

Let Parents Stay Tawwurt n Imawlan sɣur Yu Chen d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.

LbrunzUnuɣ· 2021

Let Parents Stay Tawwurt n Imawlan

sɣur Yu Chen

Amsaɣ: Hubei University of Technology

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Unuɣ

11,873

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #119882

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Let Parents Stay Tawwurt n Imawlan

Aḍris-agi n tira d Han Embroidery i d-yekkan seg tergagt tuqbuṛt, yettwaxelqen akken ad yeɛiwen taddart iɛnan lexṣas. Taddart n Jinling tesɛa ugar n sin alaf n warrac ttwaǧǧan sɣur imawlan-nsen ur nesɛi lweqt, aṭas seg imezdaɣ-is zemren ad xedmen Han Embroidery s ufus. Lselɛat n tergagt n temdint ttuzenzent cwiṭ imi leckalat-nsent ur beddlen ara aṭas segmi d-ilul umeslay-agi seg meyya n iseggasen. Icaren n tergagt aqbuṛ ttwakksen syen ttwabnan tikkelt-nniḍen s wudem n tira tatrart, lexṣas n taddart tettxeddim s ufus akken ad tesnulfu tiḥerfiyin. Awal-agi yebna akken ad d-yekkes idrimen i lexṣas, syen ad ijbed taẓuri-agi ɣer sdat s wawal n uwennit asirem.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Let Parents Stay Tawwurt n Imawlan d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Let Parents Stay Tawwurt n Imawlan ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Let Parents Stay Tawwurt n Imawlan yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Jinling Village is a poverty-stricken village with More than 2,000 “left-behind” children. When the designer got there, he was surprised to find that all the local people had mastered certain Han Embroidery skills, but their product not sell well because of the old fashion style. So he worked with the Hubei Han Embroidery Association to help revive the local Han Embroidery culture.
Tigejdiwin & Akemmus: Han Embroidery
Tibzimin: Han Embroidery, Embroidery, Typeface, Pattern, Visual
Tasnakta n Ufares: Han Embroidery
Asewḥel n Usnulfu: Here is a breakdown of several classic elements from traditional Chinese embroidery patterns. They are abstracted according to modern aesthetics, to reconstruct classic elements, bring out the culture hidden behind the patterns, to master the unchangeable pattern combinations of traditional Chinese embroidery, and produce a brand-new visual language. Creating a typeface composed of extracted Han Embroidery elements and ask the local poverty-stricken embroidery workers to embroider the letters of this font through the techniques of Han Embroidery.
Anadi: Like most handicrafts, Han embroidery has several problems, for example, a long production cycle, a long time cost, low economic benefit, and poor quality. Also, the traditional Han Embroidery patterns have undergone little to no innovation over the past hundred years, so they can’t meet standards of the modern aesthetic, resulting in low consumer recognition.
Aseḥbiber: In addition to two years of commercial operations, the designer has created a modern typeface, on a trial basis, by extracting the elements of traditional embroidery, deconstructing their texture, and the traditional Jing-Chu Culture, he promoted the inheritance of the old embroidery on the verge of extinction in a modern aesthetic manner, Inheriting tradition and carry on this embroidery craft that is on the verge of extinction by a new typeface, so as to pass down the craft in a modern language.
Ibrivan: Yu Chen
Igmamen n Terbaɛt: Yu Chen
Xin Wang
Yongshan Zhu
Die Hu
Robin Liu
Shan Li
Yi Gu
Meng Zhu
Sailan Ding
Imsuren n Tugniwin: Yu Chen