Ike Axxam sɣur Hatsuo Morimoto d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Tansekta, Lebni d Teɣssa.

LbrunzTansekta· 2021

Ike Axxam

sɣur Hatsuo Morimoto

Amsaɣ: moKA architectural design office

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tansekta

11,833

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #110168

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Ike Axxam

Ike d axxam n tlata n idaraj s tqacuct (penthouse), yebna deg yiwet n temnaḍt taɣerbazt yeččuren s yimezdaɣ deg Nagoya, Japan. Abluta n beṭun yesɛemmeṛ n uzenziɣ yesɛa tannalt n 365 iẓrigen n lmitrat murebbaɛ akked tannalt n idaraj n 602 iẓrigen n lmitrat murebbaɛ. Iɣerban n beṛṛa ttwaḍefṛen s beṭun yesɛan tugna n tzemmurt, yettwaxedmen s usentel n uneɣlaf n tuẓal n cedre uqbel ad yeddu beṭun. Tibbura n garage n tuẓal, ivirat n curtain wall akked ilebḥen n yiɣerban n tzemmurt sɛeddayen aqadum n beṛṛa. Tlata n tebḥirin timeẓẓyanin ttawin tafat ur nelli aɣris, aḍu akked azegzawi ɣer daxel n texxamin. Idaraj n ufella ttwaselken akken tafat n yiṭij ad talses ɣer yixxamen n tama.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Ike Axxam d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Ike Axxam ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Ike Axxam yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The concrete of the outer wall skin of the building is grained.
This kind of skin is expressed by pasting a cedar board inside the formwork and pouring concrete into it.
By providing this concrete wall three-dimensionally, it gives a sense of dynamism to the architecture.
By changing the composition of the surface, it becomes a sculptural accent of the overall form.
These "deviations" provide space for light and wind to enter and exit, and also provide benefits to the interior space.
Tigejdiwin & Akemmus: Site area 365㎡, floor area 602㎡, 3 stories + penthouse, reinforced concrete construction
Tibzimin: Architecture, House, Concrete, Curtain wall, Garden, Japanese
Tasnakta n Ufares: As a designer, I am also aware of the cityscape in this residential area.
The exterior material should have been fashion-independent.
I used universal wood grained concrete exposed finishes, garage door wood, curtain wall glass, and stone fence blocks.
These have a solid design that directly conveys the texture of the material.
In a densely populated urban area, it contributes to the formation of a good cityscape without being eccentric.
Asewḥel n Usnulfu: Neighboring houses need to be considerate of each other because they stand urgently in this environment of the city.
The shape of this house is offset toward the upper floors so that the neighboring house does not limit all sunlight.
Furthermore, it is designed to acquire the necessary living space while suppressing the height, which is a legal constraint.
Anadi: Since the Meiji era, 150 years ago, feudal regulations have been removed, and it has become possible to own land and build houses according to financial resources.
The site in the city area is becoming more fragmented, the distance to the neighboring house is becoming closer, and privacy is becoming more conscious.
The property awareness of land and buildings is increasing, and people tend to be nervous about actions at the border.
But housing should not be too closed.
The task this time is a perfect balance of the transparency of the various skins that architecture wears.
Aseḥbiber: The urban areas of Japan are often densely populated with houses.
It is necessary to think about the architectural space in the limited site, even though it is imminent with the neighboring house.
How to arbitrate with the surrounding environment is an important design issue.
Residents want to hide their private life, but it's stuffy to be closed.
Therefore, we focused on materials that have various transmission functions on the exodermis.
Tanzagt n Usenfar: This project started in Nagoya in October 2016, started construction in May 2017, and was completed in January 2019.
Tanila n Umahil: This house occupies about 70% of the land.
I try to encourage indirect light and ventilation into the room by setting up gardens as pockets in three places.
As a result, the residents can see the greenery arranged there from the interior space of the house.