Yinyun Tawuri Tagejdant: Asbeddi n Ufenni n Ufexxar sɣur Fabcraft Design Lab d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Tɣawsiwin d Ifarisen Yettwaɣran s 3D.
LbrunzAsiɣ s 3D· 2020
Yinyun Tawuri Tagejdant: Asbeddi n Ufenni n Ufexxar
sɣur Fabcraft Design Lab
Amsaɣ: Fabcraft Design Lab
Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Asiɣ s 3D
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #101663Afeṣṣel
Ɣef Yinyun Tawuri Tagejdant: Asbeddi n Ufenni n Ufexxar
Aḍris n Tektabt: Yinyun d asbeddi n ufenni n ufexxar ittwabnan seg 85 n yeḥricen yemgaraden, ittwaselken s tuffirt 3D. Ttwaseqdacen ivrisen n uslugen amaynut i wakken ad d-ffɣen isefka uzzalen, syen ad ttwaskanen ɣef yal aḥric, s wakka ad d-yefk yiwen uskan n usnifel (gradient) s tugna tucbiḥt. Iḥricen-agi ttwaxedmen s tuffirt 3D n ufexxar, s usemzaɣ n ufexxar amellal akked yiɣed n tem (coal ash) ittwarrren-d si tsertit n tissit n tigawt tafirest. Aḥric n tuffirt yesnulfa daɣen tuɣalin tacebḥant srid ɣef yal aḥric. Ulac sin yeḥricen i icban wway gar-asen. Asbeddi-agi yettwasers s ḍerrat deg yiwen wexxam n uskan deg temdint n Taipei, di Taiwan.
Asmekti
Ɣef Tarbaḥt A' Design Award n Lbrunz
Yinyun Tawuri Tagejdant: Asbeddi n Ufenni n Ufexxar d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Yinyun Tawuri Tagejdant: Asbeddi n Ufenni n Ufexxar ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Yinyun Tawuri Tagejdant: Asbeddi n Ufenni n Ufexxar yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- Yinyun is an art installation composed of 85 unique 3D printed ceramic units. Through generative design algorithm, the electric information was extracted and visualized on every unit, together creating a gradient effect. Ceramic 3D printing, with a mixture of recycled material, was then used to fabricate these units, at the same time, creating detailed surface relief which was indicated by this technique. None of the units is the same as others.
- Tigejdiwin & Akemmus
- Dimension(ceramic parts): L: 910cm, W: 360cm, H: 230cm
- Tibzimin
- ceramic, 3D printing, generative, parametric design, digital fabrication, sustainable, recycle, coah ash, art installation, craft
- Tasnakta n Ufares
- The project heavily relied on close cooperation among algorithm development, 3D printing, and material experiments. All designs were completed through several generative algorithms, including data processing, form generation, slicing, and Gcode output. Then our custom 3D printer with remote extrusion system was used to achieve such large sizes. The material was a mixture of white porcelain and coal ash recycled from power plant.
- Asewḥel n Usnulfu
- In order to achieve large-scale and stable printing, we developed our custom extrusion system and slicing program, testing it back and forth between digital and physical space, which took nearly half of the time for this project. The material factors were carefully taken into consideration, including ceramic ratio, viscosity, temperature, humidity, since a 3D printer can't be dynamically adjusted as human hands during production. The shrinkage after firing also increased the difficulty of assembly.
- Anadi
- The goal of this project is to examine the relationship between traditional craft and modern techniques. As we developed a new shape language in digital space, it was completely originated from ceramic 3D printed texture. The traditional expertise in ceramics and modern digital fabrication skills were combined in real-world printing, together created pieces with rich craftsmanship, but can only be achieved by modern technique.
- Aseḥbiber
- The motivation of this project is to create an elegant art installation blending the science education atmosphere in this green energy exhibition hall. Inspired by the natural phenomenon of electromagnetic, which created non-uniformed field tensors in the space. To express this specific effect, an installation consisted of a large number of units were proposed, contrasting in form and pattern. This project also showcases Fabcraft design lab’s long-term interest in generative design and 3D printing technology.
- Tanzagt n Usenfar
- The project began at the end of 2018, and was completed in December 2019. Since then, it has been a permanent public art located in Taipower D/S ONE exhibition hall in Taipei, Taiwan.
- Tanila n Umahil
- The installation was designed to be viewed from different angles, at the same time, produce positive route guidance in the exhibition hall. A possible interaction can be created while visitors moving upstairs, changing from low angle to eye-level angle, they will observe an optical illusion caused by lights and textures. Moreover, the fluid surfaces are zoomed into a layered ceramic texture with rich 3D printing characteristics.
- Igmamen n Terbaɛt
- Art Director: Kamm, Kai-Yu
Designer: Liu, Zhao-Wei
Mechanism Design: Chen, Po-Yen
Ceramic Craftsman: Lu, Tzu-Yi
Ceramic Assistant: Xie, Yun-Chen - Imsuren n Tugniwin
- Image #1: Fabcraft Design Lab
Image #2: Cogitoimage International Co., Ltd.
Image #3: Fabcraft Design Lab
Image #4: Fabcraft Design Lab
Image #5: Fabcraft Design Lab
Yettwaxellṣen
Snirem Seld Designers.org
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