Karya Qin Seri Poster dening Kaidi Mao minangka pemenang sing diajeni banget saka A' Design Award Perunggu 2021 sing bergengsi ing Kategori Kompetisi Desain Grafis, Ilustrasi lan Komunikasi Visual.

PerungguGrafis· 2021

Qin Seri Poster

dening Kaidi Mao

Klien: Kaidi Mao

Pemenang A' Design Award Perunggu ing Kategori Grafis

9,015

Pemenang Penghargaan Terverifikasi

Verifikasi Status Penghargaan kanggo #124488

Deleng ing A' Design Award Siaran Pers Lencana Penghargaan

Warna

Desaine

Babagan Qin Seri Poster

Qin minangka seri poster kang napsirake maneh tradisi lukisan pemandangan Tionghoa liwat media digital. Jeneng Qin asale saka tembung Tionghoa kang tegese ngrembes utawa nyerep, lan aksara tulisane nggabungake tandha kanggo banyu lan ati. Gambar-gambar kasebut diwiwiti saka foto, banjur digarap nganggo piranti digital kayata Photoshop, Cinema 4D, lan Procreate. Seri iki digawe ing rong ukuran lan bisa ditampilake ing cetakan utawa layar, ing galeri utawa omah. Tujuwane yaiku ngandharake pandangan Taois babagan alam kanggo pamirsa internasional.

Pangakuan

Babagan A' Design Award Perunggu

Qin Seri Poster menang A' Design Award Perunggu, pangenalan sing prestisius banget sing diparingake marang desain sing luar biasa sing dicirikake dening kreativitas, kapinteran lan kaweruh sing landhep. Pemenang Perunggu iku artefak sing trampil banget lan kreatif banget sing mbuktekake pengalaman sing jembar, imajinasi lan kapinteran para desainer. Qin Seri Poster dikarepake dadi barang sing dihargai banget, dikagumi lan ditresnani, profesional lan inovatif banget. Desain sing menang A' Design Award Perunggu iki ngemot praktik sing paling apik ing seni, sains, desain lan teknologi, lan apik banget ing perhatiane marang rincian. Qin Seri Poster nyukupi kabutuhan kanthi apik, nutul kekarepan, ngaya rasa lan narik rasa pengin weruh.

Ing Mburi Desain

Kit Pers

Kredit, anggota tim lan detail teknis sing diwenehake dening desainer.

Sifat Unik: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
Ukuran & Kemasan: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Tag: Art, poster, Taoism, culture, landscape, painting
Teknologi Produksi: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Tantangan Desain: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Riset: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Inspirasi: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Durasi Proyek: The project started in September 2019, finished in May 2020 in Los Angeles.
Alur Operasi: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.