Natalia KomarovaによるInfinity アームチェアは、家具デザインコンペティションカテゴリーにおける非常に権威ある2020 A' Design Award 金賞の優れた受賞作品です。

金家具· 2020

Infinity アームチェア

デザイナー： Natalia Komarova

クライアント: Alter Ego Studio

家具カテゴリーのA' Design Award 金賞受賞者

65,618

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A' Design Awardで見るプレスリリース受賞バッジ

カラー

デザイン

Infinity アームチェアについて

Infinityアームチェアのデザインは、背もたれに重点が置かれています。それは無限大記号の参照です-8の反転図。それはまるで回すと形が変わるようで、線のダイナミクスを設定し、いくつかの平面で無限大の記号を再現します。背もたれは、外部ループを形成するいくつかの弾性バンドによって一緒に引っ張られ、これもまた、生命とバランスの無限の循環の象徴に戻ります。クランプのようにアームチェアのサイド部分をしっかりと固定してサポートするユニークなレッグスキッドがさらに強調されています。

受賞

A' Design Award 金賞について

Infinity アームチェアは、まさに素晴らしく傑出した第一級のデザインに授与される、計り知れないほど権威ある評価である A' Design Award 金賞の受賞作品です。金賞の受賞作品は、きわめて革新的で、先見性に富み、きらびやかに輝く創造物であり、デザイナーの天才性、叡智、卓越した技量を映し出しています。Infinity アームチェアは、最も称賛される、流行を牽引する記念碑的な発明であり、前例のない価値をもたらすことが期待されます。この A' Design Award 金賞を受賞したデザインは、壮観で尊敬されるプロジェクトであり、芸術・科学・デザイン・技術の境界に大きく寄与し、それを前進させます。Infinity アームチェアは、強い欲求を生み出し、情熱を呼び覚まし、創造性を促し、私たちを引きつけます。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: The main emphasis of the design is made precisely on the backrest of the armchair. It is as if it changes its shape when turning, setting the dynamics of the lines and recreating the infinity sign in several planes. The backrest is pulled together by several elastic bands that form an external loop, which also returns to the to the symbolism of the cyclic nature of life and balance. The remaining elements of the chair are designed in a minimalist style.
寸法とパッケージ: width - 830 mm, depth - 770 mm, height - 730 mm
タグ: infinity, armchair infinity, conceptual armchair, unusual armchair, infinity symbol
製造技術: A simple-shaped cylindrical ottoman is used as a seat, while a medium-sized orthopedic pillow above it supports the user's lower back and ensures a comfortable stay in the armchair for a long time. An additional emphasis is placed on unique legs-skids that securely fix and support the side parts of the armchair just like clamps do. The legs fastening the side edges of the chair can be made of metal or thick plastic, depending on the wishes of the client. Velveteen is used for the soft surfaces of the chair, because we pay attention to the tactile sensations of customers, which are an integral factor affecting the comfortable and long-term use of furniture. The fabric can be made in several colors, both monophonic and providing contrasting shades for the base with a pillow and backrest. Bands should be made of elastic polymer, which securely fastens the back in the center, ensuring a long service life and harmonizing in color with the main palette of the chair.
デザインの課題: We strove to create a comfortable and spacious armchair with a lightened backrest that would meet modern requirements for comfort and convenience, while maintaining its original shape and identity. For a long time we worked on the creation of the backrest, and as a result, a bicycle tire bent in half served as a prototype for its form. We tried several options for the shape of the seat and back, before we came to the final version, in which we were able to achieve a balance of ergonomics, comfort and ease of production.
リサーチ: In recent years, the influence of eastern culture has become increasingly noticeable. We tried to take these trends into account and incorporate elements of Chinese philosophy into our design in order to pay tribute to this rich culture and to allow everyone to give the space of their home or office a certain element of symbolism.
インスピレーション: Backrest shape of Infinity armchair is the reference of the infinity symbol - an inverted figure of eight. In Chinese culture this sign personifies two worlds - darkness and light - Yin and Yang - death and birth. This infinity of perfection in the combination of masculine and feminine was laid in the basis of the design. It offers a user not only a new vision in the design of a piece of furniture, but also introduces a symbolism into the atmosphere for connoisseurs of spiritual practices.
プロジェクト期間: Design of the Infinity armchair was developed in July 2019. The start of production is planned for Autumn 2019.
オペレーションフロー: The potential owner will simply disassemble the armchair into its component parts without any outside help in order to carry out the cleaning of each individual element. The pouf is freely taken out of the loop - you just need to lift it up and pull it towards you. The bent backrest holds firmly due to the legs-clamps and its specific shape, enveloping the pouf. Thus, when assembling the chair, a minimum of fastenings and additional elements are used, which makes its production simple and further use convenient.
チームメンバー: Nikita Nekhoroshev
画像クレジット: Natalia Komarova