Ariel SliwinskiによるMove チェアは、家具デザインコンペティションカテゴリーにおける非常に権威ある2024 A' Design Award 銅賞の優れた受賞作品です。

銅家具· 2024

Move チェア

デザイナー： Ariel Sliwinski

クライアント: Ariel Śliwiński Studio

家具カテゴリーのA' Design Award 銅賞受賞者

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デザイン

Move チェアについて

Moveは、個々の体型や人間工学的なニーズに適応するようデザインされたチェアです。座面はゆりかごのように傾斜角度を変えることができ、背もたれは2つの収束する点で吊り下げられているため、回転と傾斜が可能です。座面に内蔵された圧力センサーが、設定した時間の経過後に振動でユーザーに立ち上がるよう促します。構造体は100%リサイクル素材の鋳造アルミニウムで作られ、座面、背もたれ、アームレストは5軸加工によるコルク製です。Moveはユーザー自身で組み立てることができ、フラットな箱で発送されるため、カーボンフットプリントの削減にもつながります。

受賞

A' Design Award 銅賞について

Move チェアは、創造性、独創性、鋭い洞察力で際立つ傑出したデザインに授与される、高い権威をもつ評価である A' Design Award 銅賞の受賞作品です。銅賞の受賞作品は、十分に巧みで印象的なほど創造的な工芸品であり、デザイナーの豊富な経験、想像力、機知を裏づけています。Move チェアは、高く評価され、称賛され、愛される品であり、顕著にプロフェッショナルで革新的であることが期待されます。この A' Design Award 銅賞を受賞したデザインは、芸術・科学・デザイン・技術のベストプラクティスを取り入れており、細部への配慮に優れています。Move チェアは、ニーズを見事に満たし、欲求に触れ、感情を魅了し、好奇心を引きつけます。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: The chair has ability to adjust to individual needs, and body shape. To achieve the best ergonomics, a seat was employed that, like a cradle, can change its tilt angle. The backrest, on the other hand, suspended at two converging points along the axis, has the ability to rotate and tilt. An additionally designed element is an embedded pressure sensor in the seat. After a specified period, it automatically reminds the user to stand up through vibrations, promoting a healthier sitting routine.
寸法とパッケージ: 550mm x 515mm x 740mm
タグ: ergonomic chair, cork, aluminum, haptic, stackable, health sitting routine, rotating backrest,
製造技術: The chair's structure was designed with cast aluminum elements, providing both lightness and rigidity, while the seat, backrest, and armrests were crafted from five-axis milled cork.
デザインの課題: In the material selection and construction phase, environmental considerations played a significant role in the project. The aluminum used in designing the chair's structure is a material composed entirely of recycled content. The cork, employed for the remaining elements,
is a natural material that can also be recycled. The chair's design was developed to be easily assembled by the user, allowing it to be shipped in flat boxes, thereby reducing its carbon footprint.
Furthermore, all components share the same material, facilitating the option to repair or replace worn elements, promoting sustainability throughout the chair's lifecycle.
リサーチ: During several years of working in the furniture industry, I came to the conclusion that there is no such thing as the perfect chair, mainly because each of us is unique and has different needs. In the context of the prevailing global overconsumption, I asked myself whether it makes any sense to design another chair, and if so, what characteristics it should have. In response, a project was created that attempts to reconcile ergonomics, functionality, high quality, and above all, ecology. The main challenge was to create a piece of furniture with a reduced environmental impact and one that would bring a new level of quality to the furniture market.
インスピレーション: The primary goal of the project was to create a form in line with the principles of Juhani Pallasmaa. The aim was to provide the user with not only visual but also tactile experiences. The use of materials differing in texture, hardness, and temperature within a single piece of furniture allowed for a design that is intriguing not only visually but also haptically. A crucial aspect of the project was to achieve a form based on material contrasts.
プロジェクト期間: the project started in April 2023 in Poland
オペレーションフロー: This project is oriented towards the user on multiple levels. Firstly, the organic form, diverse in terms of touch, aims to also appeal to the sense of touch, thereby enhancing the user's connection with the product. On the other hand, movable elements allow the furniture to be adapted to individual ergonomic needs. Its construction has been designed so that the furniture can be easily assembled by the user.