Supernova Art EmbassyによるEmbrace サイトスペシフィックな壁画

Supernova Art EmbassyによるEmbrace サイトスペシフィックな壁画は、ファインアート・アートインスタレーションデザインコンペティションカテゴリーにおける非常に権威ある2021 A' Design Award 鉄賞の優れた受賞作品です。

鉄ファインアート· 2021

Embrace サイトスペシフィックな壁画

デザイナー： Supernova Art Embassy

クライアント: Memorandum Project

ファインアートカテゴリーのA' Design Award 鉄賞受賞者

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デザイン

Embrace サイトスペシフィックな壁画について

「Embrace（抱擁）」は、ステルリタマクの建物のファサードに描かれたサイトスペシフィックな壁画である。壁画は高さ27メートル、幅15メートルで、塗装面積は405平方メートルに及ぶ。外壁用塗料とペイントローラーを用い、高所作業車によって高い位置での作画を可能にした。制作には3週間を要した。描かれた物語は、銀の懐中時計を携えて出征し、それを持って帰ると約束した第170ステルリタマク歩兵師団の一兵士を偲ぶものである。彼の遺骨と懐中時計は2015年に発見され、妻のもとへと帰った。

受賞

A' Design Award 鉄賞について

Embrace サイトスペシフィックな壁画は、よく設計された創造物に期待される専門的・産業的要件を満たす優れたデザインに授与される、権威ある評価である A' Design Award 鉄賞の受賞作品です。鉄賞の受賞作品は、制作者の高い技量、高度な専門性、専門家としての理解、創造的な能力を示しています。Embrace サイトスペシフィックな壁画は、高く評価され、称賛され、愛される、実用的で革新的な創造物であることが期待されます。この A' Design Award 鉄賞を受賞したデザインは、業界のベストプラクティスを統合し、ノウハウと才能に結びついた有能な技術的特性を備えています。Embrace サイトスペシフィックな壁画は、その徹底ぶりで尊敬され、世界をより良い場所にするための生活の質の向上をもたらすよう設計されています。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: The word "memorandum" is translated from Latin as "something you have to memorize", that is why the Memorandum project is dedicated to complex contexts and topics.

Coming home is always an exciting event. That is why the Sterlitamak stage of the project was called "Coming home". It included several emotional aspects of this concept. It was reflected in the approach of Lidiia Averina, the curator, and in the plots of all participants. This project is her personal comeback to her hometown.
寸法とパッケージ: Height 27 m, width 15 m, total artistic painting square 405 sq.m
タグ: mural art, spray art, public art, fine arts, storytelling, embrace, heritage, memory
製造技術: Some activists took great care of their ancestors memories and the works which may appear basing on historical data and archive photographs. There were different attempts to influence the curator and the artist work. However, the compromise was reached quite quickly and the work turned to constructive direction. The artistic part of the work was done by facade paints and paint rollers. For work at a height, facade lifts (scaffolds) were used.
デザインの課題: 4 locations were selected, each of them having common connection with historical old town (although none of the buildings selected was a historically original building). They were different in meanings and the way they belong. Connection with "coming back" had been found immediately and we also had artists sharing common values. That was particularly important for their harmony.
リサーチ: Memory of the place is an eclectic mixture of emotions; it is impossible to catch a sole scent. There are pure facts, personal stories, critics, and embellishment. Interpretations multiply and fragment. This is the reason why we want to show our perception among many others.

Andreys work finely reflects the location context with lost wooden buildings as well as the irony on current town situation with chaotic architectural add-ons (tiny business centers) which try to squeeze into any available space and corners.
インスピレーション: The works plot is based in the story of a soldier from 170th Sterlitamak infantry division: in May, 1941, the storys main character wanted to leave his silver pocket watch to his wife. However, his wife said: "You leave with this watch and youll come back with this watch!"

In 2015, during the expedition his remains and personal belongings were found. After 74 years he came home with the watch, as promised, and his 97 years old wife met him.
プロジェクト期間: The work is dedicated to 75th anniversary of the Great Victory, therefore it must have been finished in 2020 before rainy autumn weather.

There were repair works on the building facades, so the whole project implementation period was 1.5 months. The artistic work implementation took 3 weeks.
オペレーションフロー: Now there is one of the main streets of town which connects an old town with new districts, therefore there are always a lot of students and pedestrians on the street. The works are on a high altitude and are well visible.

It is also important that the headquarters of 170th Sterlitamak infantry division was located nearby and here there was a path which was taken by the soldiers leaving to the railway station to go to the frontline. Where new standard buildings stand now, there were wooden houses and buildings.
特許: Copyright belongs to Andrey Olenev and Dmitry Kudinov, 2020
チームメンバー: Curator: Lidiia Averina
Artist: Andrey Olenev
Support: Dmitry Kudinov, Alexey Agafonov, Ludmila Averina
画像クレジット: Image #1: Photographer – Dmitry Kudinov, Embrace #1, 2020.
Image #2: Photographer – Dmitry Kudinov, Embrace #2, 2020.
Image #3: Photographer – Dmitry Kudinov, Embrace #3, 2020.
Image #4: Photographer – Dmitry Kudinov, Embrace #4, 2020.
Image #5: Photographer – Dmitry Kudinov, Embrace #5, 2020.
Video Credits: Dmitry Kudinov, Hyperlapse, Embrace and Shihans from bird’s-eye perspective, 2020.