Aleksandra ToborowiczによるCatalogue of Incunabula カタログ

Aleksandra ToborowiczによるCatalogue of Incunabula カタログは、印刷・出版メディアデザインコンペティションカテゴリーにおける非常に権威ある2021 A' Design Award 銀賞の優れた受賞作品です。

銀印刷· 2021

Catalogue of Incunabula カタログ

デザイナー： Aleksandra Toborowicz

クライアント: National Library of Poland / Biblioteka Narodowa

印刷カテゴリーのA' Design Award 銀賞受賞者

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カラー

デザイン

Catalogue of Incunabula カタログについて

『インキュナブラ目録』は、ポーランド国立図書館が所蔵する15世紀の印刷資料コレクションを記録した全2巻の書籍である。デザインは初期ルネサンス期の印刷と活字組版の様式を参照している。大きなイニシャルが主要なビジュアルテーマを成し、表紙のタイトルは2色の活版印刷で刷られている。表紙にはルネサンス期のグリッドを空押し（ブラインド・デボス）で表現した。本文はオールドスタイル・セリフ体のAdobe Jenson Proで組まれている。表紙用紙はコットン製で、ざらついた質感を持つ。糸かがり製本により、厚みのある各巻も容易に開いて読むことができる。

受賞

A' Design Award 銀賞について

Catalogue of Incunabula カタログは、見事で印象的なハイエンドのデザインに授与される、非常に権威ある評価である A' Design Award 銀賞の受賞作品です。銀賞の受賞作品は、きわめて輝かしく創造性に富んだ作品であり、デザイナーの傑出した専門知識、才能、洞察力を示しています。Catalogue of Incunabula カタログは、素晴らしい代表作であり、驚くほどプロフェッショナルで、深く革新的であることが期待されます。この A' Design Award 銀賞を受賞したデザインは、非常に注目すべき称賛される発明であり、芸術・科学・デザイン・技術の境界に寄与し、それを前進させます。Catalogue of Incunabula カタログは、多くの人に羨まれる創造物であり、欲求を呼び覚まし、前向きな感情をもたらし、驚きと感嘆を灯します。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: The idea of the project refers to the style of the first Renaissance prints and typography - both in the selection of materials: elegant, hand-made cover paper and inside pages, by referring to the typography – large initials, which are the leitmotif of the project, as well as the technique of two-color typographic printing in the title of the cover. The subtle blind debossing of the Renaissance grid adds elegance to the design and strengthens historical references. An oldstyle and serif Adobe Jenson Pro font used in publication also refers to the first text face cut in Venice by Nicolas Jenson around 1470. The burgundy color of the elements organizing the publication (initials debossed on the covers and main inserts) and the accents (highlighting the most important sections, footnotes, references to footnotes) strongly contrast with the black of the body of the text. The paper used for the cover production – Arches White 400 g/m2 – is the highest quality product made of 100% cotton. Thanks to traditional production methods, the paper has a rough and harmonious texture, similar to hand-made paper. The typographic layout also refers to historical solutions from the times of incunabula.
寸法とパッケージ: binding: sewn-glued binding (otabind)
format: 168 x 240 mm
number of pages: 1080 (vol. 1: 704, vol. 2: 392)
printed by: Marceli Sp. z o.o., Warszawa
circulation: 250
タグ: catalogue, incunabula, publication, book, old-style, initials, typography, Renaissance, blind deboss, letterpress, renaissance grid,
製造技術: cover: Arches White 400 g/m2; dry embossing – lines, title text – typographic printing
cover print: 2+1
printed on: Munken Premium Cream 1.3, 90 g/m2
inside print: 2+2 (czarny + Pantone 199 U)
red threads
typefaces: Adobe Jenson Pro, Incunables
デザインの課題: The biggest challenge was to design the layout – a complex, specialized and multi-part hierarchy and typographic layout, as well as a very voluminous text material while limiting the page limit.
リサーチ: The Catalogue of Incunabula in the National Library of Poland continues the tradition of research into the oldest surviving examples of printing, begun by Kazimierz Piekarski before the Second World War. It was compiled by Michał Spandowski in collaboration with Slawomir Szyller. Descriptions of the bindings are by Maria Brynda. The National Library of Poland has a cooperation agreement with the Berlin State Library dating from 2011, thanks to which the Catalogue has been reviewed by Dr Falk Eisermann, head of the Gesamtkatalog der Wiegendrucke (Union Catalogue of Incunabula) in Berlin, whose division is the leading body dealing with the global bibliography of fifteenth-century prints. Paul Schweitzer-Martin, expert in incunabula at the University of Heidelberg, helped produce the English version. It was decided to publish in English due to the international nature of research in this field and so that the Catalogue would reach a wider audience.

The Catalogue describes incunabula from a number of important historical collections, including the famous Biblioteka Ordynacji Zamojskiej (Count Zamoyski Family Library) and the Count Tarnowski Family Library in Dzikow. It includes descriptions of objects saved from the pre-War collection of the National Library, almost completely destroyed following the Warsaw Uprising. The Catalogue further adds to our bibliographic knowledge of fifteenth-century printing by presenting a number of unique items not covered in the existing literature. It also contains specialised descriptions of the medieval manuscripts that are bound together with the incunabula, and selected post-incunabula.

The second volume of the Catalogue contains a number of research tools making it easier to use the over 1,000 individual descriptions in the first volume. In addition, two provenance indexes provide extensive information on the former owners of the incunabula, with individual owners listed separately from institutions such as libraries, monasteries and churches.
インスピレーション: The two-volume "Catalogue of Incunabula in the National Library of Poland" presents the collection of 15th-century prints held by the BNP, the sixth-largest such collection in Poland (1,131 copies of 1,034 printed editions). Perhaps the greatest achievement of this tradition so far was the publication of the central catalogue of all incunabula in Poland; now it is the turn of the collection of the National Library, presented here in great detail.
The idea of the project refers to the style of the first Renaissance prints and typography.
プロジェクト期間: year: 2019–2020, Kraków–Warszawa
オペレーションフロー: The publication, which consists of many pages, was prepared in the otabind binding technique, which allows for easy opening of the book and makes it easier to read.
チームメンバー: Design: Aleksandra Toborowicz
Typesetting: Katarzyna Niewczas
Project manager: Monika Michowicz